Tibor hajas (10 Ergebnisse)

Soft cover. Zustand: Very Good. Text in dutch, 4to, soft cover, not paginated, illustrated, very good copy.

Broschiert. Zustand: Sehr gut. Text (dutch, deutsch, englisch, französisch) von Jan Hoet. Ca. 54 S., 21x30 cm. Mit zahlreichen s/w Bildern und Tafeln. Das Leporello (ausklappbares Bild, ca. 80 cm) von Miklós Erdély ist farbig. Umschlag lichtrandig und etwas berieben, auf dem Vorderdeckel ein kalligraphisches Zeichen (oder nur eine Kritzelei), sonst gut und sauber. Sprache: de, en, fr, nl Size: 4°. de, en, fr, nl (illustrator).…

Broschiert. Zustand: Sehr gut. Text (dutch, deutsch, englisch, französisch) von Jan Hoet. Ca. 54 S., 21x30 cm. Mit zahlreichen s/w Bildern und Tafeln. Das Leporello (ausklappbares Bild, ca. 80 cm) von Miklós Erdély ist farbig. Umschlag leicht leichtrandig, sonst (sehr) gut und sauber. Sprache: de, en, fr, nl Size: 4°. de, en, fr, nl (illustrator). …

Zustand: Near Fine. 320 x 240mm. 232pp. Printed b&w in black and white printed card wraps. Text in Hungarian and English. A densely illustrated survey of Tibor Hajas's photogrpahs and photographic documentations of his performances and painting. Large item will require extra postage. Original photographs by Hajas are available, please enquire. Condition: fine.…

Research Institute for Art History of the Hungarian Academy of Scienes, Budapest 2004. 4to. 232Profusely illustrated in b/w. Orig. softcover. Inscription on half title page. Near fine. * Texts in Hungarian and English.

Kein Einband. Zustand: Sehr gut. Erstausgabe. Horizontal zweimal gefaltet, ausgefaltet 30x63 cm. Die Edition ist leicht angebräunt, sonst gut und sauber. Permafo Gallery / Galeria Permafo was established by the art group with the same name which consisted of the artists: Natalia LL, Andrzej Lachowicz, Zbigniew Dlubak and the art critic Antoni Dzieduszycki. It conducted its activity during the years 1970 - 1981. The activity of the gallery was interrupted by the introduction of martial law in Poland. The gallery was an important place for the Polish neo-avant-garde. Tibor Hajas (1946, Budapest 1980, Szeged) is one of the most-renowned Hungarian artists of the 1970s underground scene, especially in the areas of performance, actions and conceptual art. Natalia Lach-Lachowicz / Natalia LL (1937-2022) was a Polish artist who worked with paint, photography, drawing, performance, and video art. She was a pioneer of feminist avant garde image making. Sprache: pl, en Size: Folio. pl, en (illustrator).…

In original paper. First edition. First edition. In original paper. 20 p. The samizdat periodical titled Sznob International [Snob International] had six issues altogether from 1981 and 1984. This issue was devoted to Tibor Hajas. It is illustrated by Júlia Szaniszló. and the cover photo. by János Vet? Printed in 500 copy. Small restauration on the cover. Later spin. In very good condition.…

Zustand: Very Good. György Galántai and Júlia Klaniczay eds., AL: Artpool letter = Aktuális levél No.1-11 (Complete Set), György Galántai, Budapest, Hungary, 1983 -1985. A complete set of this historic samizdat art magazine, published from 1983 to 1985 by Galántai/Artpool. Texts mainly in Hungarian with some English summaries. Design, layout, and production by György Galántai. Contributors include: György Galántai and Júlia Klaniczay (Eds.), Francesca Alinovi, Imre Bak, Bela Bartok, Miklos Beladi, Akos Birkas, Julien Blaine, William Burroughs, Monty Cantsin, Henri Chopin, Miklos Erdely, Wolfgang Ernst, Eva Forgacs, Tibor Hajas, Istvan Haraszty, Jozef Jakovits, Joan Jonas, Beke Laszlo, Kassak Theatre, Dora Maurer, Erdely Miklos, Tobit Papp, Gyula Pauer, Geza Perneczky, Mark Perry, Miklos Szentkuthy, Janos Szirtes, Annamaria Szoke, Adam Tabor, Min Tanaka, Gabor Toth, Ben Vautier, Janos Veto and others. A list of contributions can be seen at www.artpool.hu/Al/al01.html."AL tries to establish a little known art-from in Hungary - bookwork - and to explore its possibilities while looking for solutions only possible in workshop activities" - György Galántai statement on back cover of issue 2. In fact, this is definitely a Samizdat magazine but had to be declared as a bookwork as Júlia Klaniczay has written to us "We declared our Artpool Letter to be a bookwork (a graphic work). This way we by-passed the need to ask for a permission for publishing (which we would never get)."The first 9 issues have various interventions including rubber stamps, stickers, inserts, folded poster, plastic envelope inserts with printed cards etc. Very unusually, we have the complete set of envelopes for the first 9 issues (A5 format) which are each uniquely hand-stamped with three numbers. When you correspond this with the information on the booklets, one understands the numbering system. The first number on the envelope is the issue number. The second number is the the print run for that issue (there appears to be 5 print runs of 50 copies each). The final number is the individual number within that print run. The envelopes are in poor condition with tears and wear, but it is still important to have them to work out the unusual numbering system. All copies of the magazine have a slightly different but corresponding numbering system handwritten and signed by Galántai either on the back cover on inside back cover where the print run of 50 copies is indicated by roman numerals. 300 - 500 copies of each issue were printed.The complex numbering system was due to restrictions by the authorities on publications. As Júlia Klaniczay explains, artists could produce books u to an edition of 50 copies without applying for permission from the authorities. In the case of this magazine, "whenever a series of 50 was sold, we printed another 50." On page 69 of AL 5, there is a pencil-ticked book reference for publications relating to Galántai's Balatonboglari Chapel exhibition project in the early 1970s. Further to this a previous owner has added their own more expansive list of related publications to this important collective art project (loose sheet, biro and pencil on both sides, over 25 publications listed by hand).Together with double-sided broadsheet, describing the AL Letters published by Artpool at the same time as AL 4 was published, dated March 1984. Issues 1-9 measure 210x145 mm. Issues 10-11 measure 293x210 mm.…

No Binding. Zustand: Near Fine. 1st Edition. Print. 255 x 288mm offset lithograph on paper. Entitled, signed & dated by Tibor in blue pencil. Photograph taken by Janos Veto. No edition size given. This is signed printed work from the artists Tumo II series of 1979. See for example p161 Image Whipping - Tibor Hajas Photo Works with Janos Veto, Research Institute for Art History of the Hungarian Academy of Sciences, 2004 - where a six part original photographic piece (Tumo II) with additions by the artist features this image. "To recall the life and works of Tibor Hajas is to commit trespass : disturb something which is definitely at rest, mutilate what is whole, classify that which is unclassifiable and, by labelling it as art, degrade what has for eternity become more than that. Hajas' achievement was surely unparalleled. Partly because - in contrast to so many other good artists - what he sought after from the start was absolute validity and irrevocability and partly because his works - despite their finite character - can still continue to give off flames which may easily scorch" (Laszlo Beke, Image Whipping - Tibor Hajas Photo Works with Janos Veto, Research Institute for Art History of the Hungarian Academy of Sciences, 2004 , inside back cover text. Very rare.Condition : near fine (minor unobtrusive bump to top right corner).…

No Binding. Zustand: Near Fine. 1st Edition. Print. 255 x 288mm offset lithograph on paper. Entitled, signed & dated by Tibor in blue pencil. Photograph taken by Janos Veto. No edition size given. This is signed printed work from the artists Tumo II series of 1979. See for example p161 Image Whipping - Tibor Hajas Photo Works with Janos Veto, Research Institute for Art History of the Hungarian Academy of Sciences, 2004 - where a six part original photographic piece (Tumo II) with additions by the artist features this image. "To recall the life and works of Tibor Hajas is to commit trespass : disturb something which is definitely at rest, mutilate what is whole, classify that which is unclassifiable and, by labelling it as art, degrade what has for eternity become more than that. Hajas' achievement was surely unparalleled. Partly because - in contrast to so many other good artists - what he sought after from the start was absolute validity and irrevocability and partly because his works - despite their finite character - can still continue to give off flames which may easily scorch" (Laszlo Beke, Image Whipping - Tibor Hajas Photo Works with Janos Veto, Research Institute for Art History of the Hungarian Academy of Sciences, 2004 , inside back cover text. Very rare.Condition : near fine (minor unobtrusive bump to top right corner).…