Sprache: Französisch
Verlag: Nouvelles éditions Scala, 2012
ISBN 10: 2359880586 ISBN 13: 9782359880588
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In den WarenkorbSoftcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.
Sprache: Französisch
Verlag: Nouvelles éditions Scala, 2012
ISBN 10: 2359880586 ISBN 13: 9782359880588
Anbieter: Ammareal, Morangis, Frankreich
EUR 3,15
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Sprache: Englisch
Verlag: Asia One Books & Nouvelles Éditions Scala, 2013
ISBN 10: 9881697700 ISBN 13: 9789881697707
Anbieter: medimops, Berlin, Deutschland
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Zustand: as new. Wie neu/Like new.
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Zustand: Neuf.
Zustand: Neuf.
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In den WarenkorbPaperback. Zustand: Brand New. 366 pages. 11.00x8.75x11.02 inches. In Stock.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 289 pages. 8.27x5.83x0.61 inches. In Stock.
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Taschenbuch. Zustand: Neu. Research-Based Art Practices in Southeast Asia | The Artist as Producer of Knowledge | Caroline Ha Thuc | Taschenbuch | vi | Englisch | 2023 | Palgrave Macmillan | EAN 9783031095832 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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In den WarenkorbHardcover. Zustand: Brand New. 289 pages. 8.27x5.83x0.69 inches. In Stock.
Sprache: Englisch
Verlag: Springer International Publishing, Springer Nature Switzerland, 2023
ISBN 10: 3031095839 ISBN 13: 9783031095832
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region.In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.
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In den WarenkorbZustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region.In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.