Throbbing gristle (7 Ergebnisse)

Zustand: Sehr gut. 11 tracks. Sehr gut erhalten. Sprache: Englisch Gewicht in Gramm: 550 14,1 x 12,6 x 1,4 cm, Audio CD.

Taschenbuch, Maße. Zustand: Wie neu. 200 S. Umschlag an den Rändern minimal berieben/bestossen. Innenteil tadellos - wirkt u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEIN Mängelexemplar! Versand aus München F10-2007 Sprache: Englisch Gewicht in Gramm: 907. …

Softcover. Zustand: VG+. First Edition. 16pp. Numerous Black & White plates. Text in English. First issue of the aggy collage/lyric/manifesto/information source from TG.

Softcover. Zustand: VG+. First Edition. 16pp. Numerous Black & White plates. Text in English. Issue 3 or the niche and highly influential Industrial News.

Softcover. Zustand: VG+. First Edition. 16pp. Numerous Black & White plates. Text in English. Almost exclusively agitprop collages in this second issue of the industrial records fan newsletter.

Vintage flyer advertising the release of the single "United" b/w "Zyklon B Zombie" by Throbbing Gristle. SIGNED and with a small drawing in red ink at the bottom right corner by Genesis P-Orridge as Genesis Breyer P-Orridge, thus likely post-1992. The debut single by the influential, experimental band, released as a 7-inch record in May 1978, and which quickly went to multiple pressings. An alternate version of "United" appears on the band's second album, "D.o.A: The Third and Final Report of Throbbing Gristle," released the following December. 13 x 8.5 inches. Light vertical and horizontal creases from being folded, and light toning to the edges. Near Fine. Signed.…

Original poster for a performance by COUM Transmissions held on February 18, 1975 at the Stedelijk Academy in Ghent, Belgium. The third in a series of five performances in the "Omissions" series, the previous two taking place that same month in Belgium and the final two in May and June in Germany. Scarce, with OCLC locating just a single copy. The brainchild of Genesis P-Orridge, COUM Transmissions was an influential and controversial performance art group. Using similar techniques as, and occasionally working with, experimental artists William Burroughs, Brion Gysin, and the FLUXUS collective, the group created confrontational exhibitions and happenings, frequently utilizing explicit nudity, bodily fluids, and other taboo material. The "Omissions" performances were very much in line with this aesthetic, with tour organizer Jean Paul van Bendegem describing them as "an exploration in the unusual of existing art-disciplines and a research in between these disciplines." 13.25 x 23 inches. Occasional light foxing, else Fine. Ford, Simon. "Wreckers of Civilisation" US.4-5.7, 12.7-12.8. …