Thomas uwins (30 Ergebnisse)

Zustand: New. In English.

Zustand: New. In English.

Pickersgill (1782-1875) and Uwins (1782-1857) were both English artists who exhibited at the Royal Academy. Very good, on a piece of grey paper roughly two inches by four. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 770 pages in various pagings ; 20 cm. Subjects; Uwins, Thomas (British painter, 1782-1857). Uwins, Thomas (British painter, 1782-1857) Correspondence. Painters England ; Biography. Painters, British 19th century ; Biography. English paintings Uwins, Thomas Biographies. Artists; Correspondence, reminiscences etc. 1 Kg. …

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardback. Zustand: Good. The two Thomson classics bound in one volume, with this edition published during the height of romanticism. The Seasons and The Castle of Indolence, written by esteemed Scottish poet James Thomson, to which is prefixed The Life of the Author by his friend and fellow writer Patrick Murdoch. Printed by T. Davison in 1826, first published between 1726-1730 and 1748 respectively. In the publisher's original paper boards. Contains a frontispiece and title vignette illustrated by Thomas Uwins and engraved by Charles Turner Warren. Despite The Seasons being written in Milton's narrative verse while The Castle of Indolence being written in Spenserian verse, both these Thomson classics commented on the beauty of nature and the countryside over that of industry. This particular edition was published at the height of romanticism, of which Thomson was foundational in Britain. In the publisher's original paper boards. Externally, browning to boards and spine, with a couple of heavy marks to the rear board. Fading to boards and spine. Bumping to the head and tail of the spine, and to the extremities, with small chips to head and tail of spine. Rubbing to joints and edges, with creases to spine and extremities. Slight spotting to end papers. Internally, firmly bound. Pages are bright and mostly clean, with a couple of spots to final leaves, and slight offsetting to frontispiece and vignette. Good. Thomas Uwins, Charles Turner Warren (illustrator). book.…

Zustand: Good. Hand-colored engraving. 35 x 28.5 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 28.5 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 29 x 35 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 29 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 28.5 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 28 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 29 x 35 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 27.5 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 29 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 27.5 x 35 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 28 cm (sheet). Very Good, a few, light specks of foxing.

Zustand: Good. Hand-colored engraving. 35 x 29 cm (sheet). Very Good, a few, light specks of foxing.

Hardcover. First edition. 14 pages in text. Folio, 37.5 x 30 cm. Half title, 17 hand-colored stipple and engraved plates on "JWhatman Turkey Mill/1821" watermarked wove paper (free endpaper watermarked "Whatman Turkey Mill/1821). Armorial bookplate of George Benson Tatum, of Christ Church, Oxford. Explanation of Dependent and Independent Members, the latter being Nobleman, Gentlemen Commoners, Commoners and Fellow Commoners. Text and plates clean and bright. ABBEY SCENERY 278. MARTIN-HARDIE, pp. 104-106. PRIDEAUX p.331. TOOLEY pp.13-18. Boards rubbed. Orig. thick buff boards. rebacked in gray cloth. spine paper label. Very good. …

unbound. Zustand: very good. 1 page, 7 x 4.25 inches, Paddington Green, London, July 30, no year, circa 1840, to Thomas Porters, a member in good standing, British Royal Academy, presenting a gift of one of his works of art, in full: "Please to give to Mr. Green my picture no. 158. This makers pictures I will call or send for by another." Evenly toned and in very good condition. English portrait and book illustrator.…

Pen and ink, watercolor, and wash drawings mounted; one signed by Corbould, 3 signed by Uwins. The English illustrator HENRY CORBOULD (1787-1844), studied at the Royal Academy (with among others, Fuseli) and he quickly developed a taste for neo-classical historical painting. He soon concentrated "his efforts . on perfecting a delicate, rather feminine, neo-classical style which suited the purposes of refined Regency book illustration. During the remainder of his career he was 'extensively employed by publishers to make drawings for engravings, and the number of his designs, which adorn many books amount to several hundreds' (J. Britton, The autobiography of ., 2.172). This is also reflected in those works he continued to send to the Royal Academy exhibition, which were predominantly compositions of a sentimental and literary genre, commissioned to illustrate the novels of Walter Scott or the poetry of Byron and Crabbe. As was the case with J. F. Dove's edition of Fanny Burney's Cecilia, or, Memoirs of an Heiress (1825), many of Corbould's illustrations were turned into steel-engravings by his cousin Charles Heath; in other instances they were reproduced in fashionable media such as lithography and stipple engraving ." (ODNB). The 20 small Corbould drawings in this album (one of which is signed), are typical of his book work: his portrait of William Shenstone, possibly for Samuel Johnson's LIVES OF THE POETS; the design for the engraved title-page of "THE GRACES, OR LITERARY SOUVENIR .London | Printed for Hurst and Robinson, 1824"; an illustration for Hugh Kelly's, MEMOIRS OF A MAGDALEN ("Sir Robt Harold coldly endeavouring to console Miss Mildmay | Vol. 1, p. 48"); and numerous illustrations for various adventures and romances, as yet to be identified. Corbould's contemporary, THOMAS UWINS (1782-1857), also was able to enter the Royal Academy Schools, where he exhibited miniature portraits, and contributed illustrations to Rudolf Ackermann's Westminster Abbey (1812), Oxford University (1814), Cambridge University (1815), and Public Schools (1816). Eventually, Uwins evolved to larger forms and while living for several years in Rome, Venice, and Naples, began to paint in larger forms in oil. His illustration work includes Shakespeare, Virgil, Horace, King Arthur and the Round Table, Robinson Crusoe, etc. The 14 exquisite drawings displayed here amply display his skill and mastery of the small, watercolor illustration. Double-matted and handsomely bound on hinges in full brown morocco. A few drawings show minor foxing, but overall beautifully preserved Pen and ink, watercolor, and wash drawings mounted; one signed by Corbould, 3 signed by Uwins. Signed.…

Original engraving after Thomas Uwins R.A, by John Utrim, published by Joseph Hogarth, London, 1847. Thomas UWINS (1728-1857). John proclaiming the Messiah. Original engraving after Thomas Uwins R.A, by John Utrim, published by Joseph Hogarth, London, 1847. 550 x 400 mm. PS125.

In der Platte bezeichnet "T Uwins del. / at R. Ackermann`s Repository of Arts, 101, Strand/A Cardon sculps." und Written & Engraved by J. Girtin". Im rechten Unterrand als "PROOF" bezeichnet. Horatio Nelson, 1. Viscount Nelson, Herzog von Bronte, KB (1758-1805) war ein britischer Admiral, der mehrere viel beachtete Seesiege errang bzw. daran entscheidenden Anteil hatte: 1797 St. Vincent (vor der Küste Portugals), 1798 Abukir, 1801 Kopenhagen, 1805 Trafalgar. Das Blatt trägt das Datum 24.12.1805, der Tag an dem der in der Schlacht bei Trafalgar gefallene Admiral in London ankam. Das Prachtblatt erschien be Rudolph Ackermann (1764-1834), der auch den Bestattungswagen für Admiral Lord Nelson entwarf. Seinen Ruhm begründete die Repository of Fashions. Der Kupferstecher und Drucker James Girtin (um 1780 London - nach 1820) entwarf Banknoten, Wappen-Exlibris auch Titelblätter zu Ackermanns Rository. Die Stecher waren Thomas Uwins (1872-1857), Anthony Cardon (1772-1813) und Simon de Koster (1767-1831). - Selten. - Minimal gebräunt und unbedeutende Braunfleckchen. Sprache: Deutsch 59,5 x 38,5 cm (Darstellung) auf Unterlageblatt 69,5 x 48 cm.…