thomas scott anderson (28 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. First. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Used; Like New. Dispatched, from the UK, within 48 hours of ordering. This book is in mint condition. Both the pages and the cover are completely intact, without zero sign of previous usage.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: As New. No Jacket. First printing. A clean copy in excellent condition, appears unread. Secure packaging for safe delivery.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Softcover. Zustand: Near Fine. Magazine. Printed wrappers. Octavo. 195-256pp. Small pen mark in margin of last page, faint age-toning on wrappers, near fine. Laid in is a typed and Signed letter from Honor Carr, Cultural assistant for The Poetry Society addressed to fellow poet Daniel Hoffman. This issue features "Portrait of Sir Compton Mackenzie." Contributions by C. Day Lewis, Clive Sansom, John Smith, Philip Larkin, Elizabeth Jennings, Peter Redgrove, Celia Randall, Kenneth Hare, A.O. Field, Francis Engleheart, Herbert Palmer, Phoebe Hesketh, Robert Armstrong, Jennifer McConnachie, Gilbert Thomas, Terence Thompson, John Stuart Anderson, Margaret Sackville, Kenneth Wood, Margaret Stanley-Wrench, Stanton Coblentz, Paul Scott, Geoffrey Dearmer, Mabel Parker, Griselda Scott, Dorothea Ramsey, Charles T. Parish, Ruth Duffin, Jill Tyler, and David Holbrook.

13 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Essay text [no images] published in conjunction with the simultaneously held exhibitions "Sixth Anniversary Exhibition" held at Artists Space, New York, and "Ten Artists: Artists Space 1973-75," held at Neuberger Museum, Purchase, NY, both of which were on view September [22] - October [27], 1979. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one-person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Essay by Helene Winer. Features Helene Winer's thirteen-page text staple bound in corner. Very Good. Light edge wear including bumping and handling wear and light yellowing of page edges. Contents clean and unmarked.

Zustand: New. INFINITE STARSThis is the definitive collection of original short stories by many of today s finest authors, writing brand new adventures set in their most famous series. Herein lie canonical tales of the Honorverse, the Lost Fleet, Dune, Vatta s War, Ender.

30 pp.; 30.4 x 22.8 cm.; staple bound; black-and-white; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with "10 Artists / Artists Space," held at Neuberger Museum, Purchase, NY, September 22 - October 27, 1979. Held in conjunction with the exhibition "Sixth Anniversary Exhibition" at Artists Space, New York, [same dates]. Essays by Helene Winer and Irving Sandler. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one-person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Includes brief biography, exhibition histories, and lists of work included in the exhibition for each artist. Fine / Very Good. Light rubbing of edges with 2 cm. and 5 mm. areas of loss to edge of verso. Light bumping of top and bottom right corners of publication. Contents clean and unmarked.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. Security Check for Image Hostages: Read This or Else," by Carter Ratcliff; "Ground Up: Architects take Leave of their Senses; Arata Isozaki Takes his Along," by Herbert Muschamp; "The Cave. The Celluloid Cannot Hold: Did you See Who Alexis Kissed Last Night?" by Wolfram Schutte; "Speaker to Speaker. The Slits, 1977: Why They Still Don't Make Sense," by Greil Marcus; "Books. Wiping up After Bataille: The Perils of Intellectual Sanitation," by Donald Kuspit; "Slant: Art Jockeying in the Sistine Disco," by Glenn O'Brien; "A Brush with the Real: Bertraind Lavier Painting in the Light of Everyday," by Germano Celant; "The World and Its Traditions or the Tradition of the World: Lothar Baumgarten Inspects the Values Declared by Customs," by Denys Zacharopoulos; "Vernon Fisher at Home on the Ranges: The Critics and the Sparrows," by Susan Freudenheim; "Japant-Garde Japanorama: The Art of Mutual Misunderstanding," by J. Hoberman; "Non-uments: The All-Consuming Quakes of Gordon Matta-Clark," by Judith Russi Kirshner; "Project: With a Note by Manuel J. Borja," by Antoni Tapies; "Misty Channels: Stephen McKenna's Arcadias, Allegories, and Dead Nudes," by Lisa Liebmann; "Project: The Raw and the Coiffed," by Cinzia Ruggeri. Reviews by Thomas McEvilley, Donald Kuspit, Glenn O'Brien, Lisa Liebmann, Jean Fisher, John Howell, Ronny Cohen, Charles Hagen, Patricia C. Phillips, Jeanne Silverthorne, Suzaan Boettger, Scott MacDonald, Stuart Morgan, Annelie Pohlen, Ingrid Rein, Lars Nittve, Paul Groot, Alexandra Anderson, Aurora Garcia, and Gloria Moure. Cover: Stephen McKenna.

[2] pp.; 8.8 x 13.9 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with exhibition held September 22 - October 27, 1979. Artists included Laurie Anderson, Jon Borofsky, Scott Burton, Lois Lane, Ree Morton, Judy Pfaff, Thomas Lanigan-Schmidt, Barbara Schwartz, Charles Simonds, and John Torreano. Very Good. Mailed copy with address sticker and mailing wear. Light bumping of corners with a 2.9 cm. bend to corner. Light yellowing of verso edge from age.

108 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981 and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. Text by Allan Schwartzman, Kathleen Thomas, JoAnne Akalaitis, Laurie Anderson, Scott Burton, Cynthia Carlson, Nancy Graves, Janet Kardon, Linda Morton, Elizabeth Murray, Richard Nonas, Jan Porter, Jim Roche, Sheila Rockefeller, Robert Rohm, Jeff Way, Barbara Zucker, Rosemary Mayer, Lucy R. Lippard, Marcia Tucker, Nancy Foote, Carol Squiers, Jeanne Silverthorne, and Arlene Slavin. Also includes chronology, selected bibliography, and list of works in the exhibition. Black-and-white and color illustrations throughout. Very Good. Light rubbing of covers. Few inked notes in text throughout. Contents otherwise clean and unmarked.

108 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981 and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. Text by Allan Schwartzman, Kathleen Thomas, JoAnne Akalaitis, Laurie Anderson, Scott Burton, Cynthia Carlson, Nancy Graves, Janet Kardon, Linda Morton, Elizabeth Murray, Richard Nonas, Jan Porter, Jim Roche, Sheila Rockefeller, Robert Rohm, Jeff Way, Barbara Zucker, Rosemary Mayer, Lucy R. Lippard, Marcia Tucker, Nancy Foote, Carol Squiers, Jeanne Silverthorne, and Arlene Slavin. Also includes chronology, selected bibliography, and list of works in the exhibition. Black-and-white and color illustrations throughout. Very Good. Rubbing of cover edges, 1.5 cm. and 5 mm. surface tearing of bottom edge of spine and 9 mm. tear/bumping to top edge of spine. Glue binding in a volatile state due to age, and shows signs of cracking/releasing. Contents clean and unmarked.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

[1] pp.; 44.4 x 65.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. Allegedly the image prompted the withdrawal and destruction of the exhibition catalogue and this poster for the show prior to its distribution. Artists included Laurie Anderson, Jared Bark, Bill Beckley, George Brecht, Trisha Brown, Chris Burden, Scott Burton, Tosh Carrillo, Enrique Castro-Cid, John Chamberlain, Angus Chamberlain, Cara Croninger, Brad Davis, Jean Depuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashaw, Marty Greenbaum, Red Grooms, Bob Grosvenor, Susan Hall, Susan Hartnett, Peter Hutchinson, Patrick Israel, Robert Israel, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Forrest Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Dennis Oppenheim, Robert Owings, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willoughby Sharp, Thomas Schmidt, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Mark di Suvero, Richard Tuttle, Richard Van Buren, Robert Watts, William Wegman, Susan Weil, Lawrence Weiner, Charles Wiley, William Wiley, Hannah Wilke and Joe Zucker. Fair / Poor. Light creasing and yellowing across poster with a 10.2 cm. dog-ear to top right corner and 4.8 cm. dog-ear to top left corner. Multiple tears to bottom left corner ranging from 2 mm. to 5.4 cm. with 1.5 cm. and 2 cm. areas of loss. 3 cm. area of loss to top left corner with additional tearing along poster edge and a 8 mm. and 1.5 cm. tear to center of poster. Curl to poster. Otherwise clean and unmarked.