Thomas ryder engraver (5 Ergebnisse)
Verlag: London: Sweet, circa 1824., 1824
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 58,05
EUR 8,67 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Good. Steel engraving. 27 x 22.5 cm. (sheet). Good. Sheet trimmed to the image. Sheet toned.
Verlag: [Paris: French Publisher, circa 1780., 1780
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 66,99
EUR 8,67 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Good. Steel engraving. 27 x 20 cm. (sheet). Very Good. Sheet toned. Three small holes in left margin.
Verlag: [Paris: French Publisher, circa 1780., 1780
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 66,99
EUR 8,67 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Good. Steel engraving. 27 x 20 cm. (sheet). Very Good. Sheet toned. Tear at bottom sheet edge. Missing lower right sheet corner.
Merry Wives of Windsor. Act IV. Scene II. A room in Ford's house. Falstaff in women's clothes led by Mrs. Page.
[SHAKESPEARE]; DURNO, Jas. (painter); RYDER, Thomas (engraver).
Verlag: LondonJohn and Josiah Boydell . 1803., 1801
- Kunst / Grafik / Poster
Anbieter: Robert Frew Ltd. ABA ILAB, London, Vereinigtes KönigreichRobert Frew Ltd. ABA ILAB
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 180,20
EUR 11,66 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbOriginal copper engraving (c. 44 x 60 cm, overall sheet c. 55 x 68.5 cm). Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasi…ng paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
First part of King Henry the Fourth. Act V Scene IV. Plain near Shrewsbury. Prince Henry, Hotspur, & Falstaff.
[SHAKESPEARE]; RIGAUD, Francis, R.A. (painter); RYDER, Thomas (engraver).
Verlag: London John and Josiah Boydell 1803., 1796
- Kunst / Grafik / Poster
Anbieter: Robert Frew Ltd. ABA ILAB, London, Vereinigtes KönigreichRobert Frew Ltd. ABA ILAB
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 240,27
EUR 11,66 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbOriginal copper engraving (60 x 44 cm, overall sheet 69 x 55 cm). Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paint…ings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
