thomas malton (37 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

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Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

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Taschenbuch. Zustand: Neu. An Appendix or Second Part, to the Compleat Treatise on Perspective | containing a brief history of perspective, from the earliest and most authentic accounts of it, down to the eighteenth century, when it first began to flourish in England : in whic | Thomas Malton | Taschenbuch | 188 S. | Englisch | 2019 | hansebooks | EAN 9783337750978 | Verantwortliche Person für die EU: Hansebooks GmbH, Trakehner Weg 52, 22844 Norderstedt, gb[at]hansebooks[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - 'A Royal Road to Geometry,' by Thomas Malton, first published in 1774, offers a comprehensive and accessible introduction to the fundamental principles of mathematics. This historical text presents geometry in an easy and familiar manner, making it an invaluable resource for students and enthusiasts alike. Maltonâ?(TM)s approach aims to demystify complex concepts, guiding readers through Euclidean geometry with clarity and precision.

Buch. Zustand: Neu. Neuware - 'A Royal Road to Geometry,' by Thomas Malton, first published in 1774, offers a comprehensive and accessible introduction to the fundamental principles of mathematics. This historical text presents geometry in an easy and familiar manner, making it an invaluable resource for students and enthusiasts alike. Maltonâ?(TM)s approach aims to demystify complex concepts, guiding readers through Euclidean geometry with clarity and precision.

Hardcover. 27 x 21 cm. Original-Pappband. 160 Seiten mit vielen, zumeist s/w Fotografien. Innendeckel, Vorsätze, Inhaltsverzeichnis und Register mit montierten farbigen Abbildungen, Zeitungsausschnitten, privat aufgenommenen Fotografien mit Signatur, Eintrittskarten etc. Interessante Sammlung für Liebhaber und Fans. Gut erhalten. Mit einem Foto von Barbara Wussow, unsigniert. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! TheaPs.

Boards. First edition. 71 pages. 28 x 23 1/2 cm. Illustrated with drawings. COLVIN p535. "He exhibited a number of architectural drawings which he showed at London exhibitions. He never practised as an architect, but appears to have taught perspective." Part one only without the plate volume. Library bookplate the only ex-library mark, early owner inscription. Rubbing to covers, wear to corners, interior contents clean. Contemporary roan covered boards, backstrip rebacked in cloth. Very good.

Aquatint with etching, from Malton's "Picturesque Tour through the Cities of London and Westminster", laid down, some browning in surround,

Zustand: Good. Oblong 4to. 27 1x 21 cm. 5 vols., engraved titles and 249 plates (only of 250, lacking Hillingdon House plate from vol.1), the odd spot or foxing mark but largely clean internally, contemporary red straight-grain morocco, blind-stamped and panelled with gilt, a little rubbed, corners bumped,.OCLC Number / Unique Identifier:1009029252:At head of publisher's original (part) wrappers: New copper-plate magazineEditor and principal engraver: John WalkerEngravings by J. Walker, William Walker, T. Medland, Birrell, B.T. Pouncy, James Greig, James Heath, G. Walker, William Ellis, Fitler, Barrett, J. Storer, Roberts, J. Widnell, J. Roffe, and T. Tagg; after J.M.W. Turner, Paul Sandby, Thomas Girtin, Thomas Hearne and Thomas Malton, Esther Acklom, Miss Berniers, Edward Francis Burney, Charles Catton, Jr., Richard Corbould, George Cuit, Edward Dayes, Arthur Benoni Evans, Thomas Girtin, Harraden, John Hassell, J. Hornsey, H. Jeayes, Thomas Malton, John Meheux, Conrad Martin Metz, James Moore, Francis Nicholson, John Nixon, Rev. Robert Nixon, William Orme, Alexander Reid, Philip Reinagle, Humphry Repton, Paul Sandby, Thomas Sandby, William Watts, Francis Wheatley and othersImprints undated; years of publication from monthly issues.Originally issued in 125 parts, each consisting of two plates and two letterpress leaves. Each cumulated volume contains 50 plates with associated letterpress, an index leaf and engraved title page; vols. 1, 4 and 5 have an "Advertisement" leaf; v. 5 also has a general index.Plates include great houses and significant architectural structures from various places in the British Isles. Each plate includes names of engraver and artist, but these are not indexed.Title pages are engraved; signed (v.1): Milns scrt. Puke sc.Vol. 2 with imprint: London : printed for Harrison and Co. Pater-Noster Row. & J. Walker, engraver. No. 16, Rosomans Street, Clerkenwell; v. 3-5 with imprint: London : printed for J. Walker, engraver. No. 16, Rosomans Street, ClerkenwellVol. 4: "Printed by S. Gosnell, Little Queen Street, Holborn."Vols. 4 & 5 with alternative title: Elegant cabinet.

First edition, first issue; 2 vols in 1; folio (42 x 32 cm); 2 engraved calligraphic titles, engraved dedication leaf to Prince of Wales with vignette, 100 plates engraved and aquatinted by Malton, discreet ownership stamp to title, bookplate to front pastedown, light occasional spotting, some light offsetting; 20th-century speckled calf retaining contemporary tree calf in panels, boards bordered with gilt and contrasting black roan, gilt spine in seven compartments with gilt red morocco lettering piece, gilt ruled board edges, gilt rolled turn-ins, slightly rubbed, corners a little bumped, a handsome copy; iv, 112pp. The first great aquatint book on London, with fine delineations of the architectural treasures therein. Copies rarely appear on the market. Proposals were issued in March 1791 to publish the work by subscription in 24 numbers. The first four plates are dated 30 June 1792, as is the engraved dedication to the Prince of Wales. The final plates to appear are dated 1 March 1801. The two engraved calligraphic title-plates (both dated 21 August 1792) are intended to divide the work into two 'volumes' even though the text is printed in continuous register and the pages and plates are numbered in unbroken sequences: here it is bound in one volume as usual. The buildings which most interested Malton are given a greater number of plates - nine to St Paul's cathedral, seven each to Somerset House and Westminster Abbey, four each to the Adelphi and the Royal Exchange, and three to the Bank of England. Many are shown in a steep perspective (which set an example to Turner and Girtin); and his concern to combine topographic accuracy with atmosphere is evident in, for example, his engraving 'View from Scotland Yard' (pl. 27). No plate is signed by Malton as draughtsman or engraver. But each (except pl. 53, 55) bears his publisher's imprint, and the publication-date. The two title-plates are signed as written by Tomkins and engraved by Ashby. The printer is named in the colophon on p. 112: 'T. Bensley, Printer, Bolt Court, Fleet Street, London'. This copy has the first issue point of plate 10 reading 'Sachristary' and title page bearing '81 Titchfield Street, Portland Place' imprint (most copies bear the later '103 Long Acre' imprint). Thomas Malton junior was the son of an architectural draughtsman and writer on perspective who exhibited drawings at the Incorporated Society of Artists and at the Royal Academy. Malton the younger was placed with the architect James Gandon and admitted to the Royal Academy Schools as an architectural student in 1773, where he was awarded a silver medal in the following year and in 1782 a gold for a theatre design. The Picturesque Tour is remarkable, if not unique, in that the 100 large plates of which it was composed were all engraved and aquatinted by the artist in person. The secret of the aquatint process, rediscovered in France in 1768 by Le Prince, had crossed the Channel with Charles Greville and in 1774 was passed to Paul Sandby, who dubbed it 'aquatinta' and applied it to his 24 Views in Wales and Four Views of Warwick Castle published in the three succeeding years. Malton's project was on an altogether larger scale as it was not only the first considerable collection of London topography and architecture engraved in aquatint but also the first large British assembly of such engravings on any topic' (Adams). Adams 72; Abbey (Scenery), 204.

Etching and aquatint, from 'A Picturesque Tour through the Cities of London and Westminster', trimmed to image, some tears around edges,

Sepia aquatint with etching, from Malton's "Picturesque Tour through the Cities of London and Westminster", trimmed within platemark, creasing to top corners, a little foxing below image, Now known as Dover House, it houses the Scotland Office.