thomas macklin (23 Ergebnisse)

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Near Fine in Very Good jacket. 1st Edition. 219pp 8vo.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. This is a Near Fine Copy of this hardcover book in a Near Fine Dust-Jacket that has NO chips or tears to the outer edges of the dust-jacket.Not price clipped.The book was acquired from the Private Library of General Practitioner Dr Philip Hopkins of Taverstovck Hill London and the book has it's original review copy notice notice pasted down onto the front endpaper.The binding of the book remains firm with NO hinge weakness and with NO leaning to spine.Uncommon title 8vo 220pp First Edition 1st Impression.

Hardcover. Zustand: Very Good. The Pendragon Press January 1928 Binding: Hardcover INCLUDES DUST JACKET.

Zustand: New. KlappentextrnrnExcerpt from A Descriptive Catalogue, With Remarks on the Leading Beauties of the Principal PicturesPortrait of a fuperintendant of a brick-kih1, who, although he could neither read nor write, calculated and kept an accura.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New. In.

Zustand: New.

Gebunden. Zustand: New.

Zustand: New. Series: Contemporary Issues in Biomedicine, Ethics and Society. Num Pages: 220 pages, biography. BIC Classification: PSAD. Category: (G) General (US: Trade). Dimension: 229 x 152 x 13. Weight in Grams: 351. . 2011. Softcover reprint of the original 1st ed. 1984. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New. In.

Gebunden. Zustand: New.

Single Issue Magazine. Zustand: Good. Whalley, Peter (cover art); Stearns, Howard B.; Fraser, Blair; Zarov, Basil; Curtin, Walter; Sebert, John; Crowther, Bosley; Turofsky; Newman, Arnold; Simpkins (illustrator). First Edition. 72 pages. Features: Canadians are the worst loudmouths; Nice colour ad for Matinee cigarettes; Fantastic colour ad for the 1957 Plymouth Belvedere 4-door Hardtop (black on red); Blair Fraser Reports from Moscow - article with photos; Nostalgic full-page colour ad for the General Electric Stratoliner Range (teal in colour); She sells glamour with a growl - Lillian Farrar; What happened when we threw out our TV set - The Kimber Family - Vivien, Carol, Ruth, Ann, June, Earl, and David gave up TV for a month - family photo with article; Is smog the real culprit in lung cancer?; The wonderland of Louis B. Mayer - this Canadian started as a junk dealer and wound up bossing M-G-M, Hollywood's biggest, richest, gaudiest studio - here's the never-before-told story of his incredible career and the tinsel world he ruled - article with many wonderful photos; "Lionel Could Do Anything" - Part 3 of The Story of the Conachers keys on Lionel Conacher - Canada's athlete of the half-century - article with manyy great photos of Conacher engaged in numerous sports; We can't fight without a merchant navy; Uncommon photo ad for Maxwell Limited of St. Mary's, Ontario - yard equipment, white goods, etc.; Awesome colour photo centrefold ad for Caterpillar features a Cat D9 ata work with other pieces working in the background; Very attractive colour ad for Oldsmobile shows at teal coupe on a ski hill; Marconi TV ad; Beautiiful colour 1957 DeSoto ad inside back cover; and more. Clean and unmarked with average wear. Minor moisture signs to lower edge of back pages. A sound vintage copy.

4to, pp. 42; in the original printed wrappers, coloured dark green and with printed title 'Macklin's catalogue of pictures 1790' on upper cover; stitched as issued, a little worn but a remarkable survival. The picture dealer and printseller Thomas Macklin planned to exhibit a hundred pictures and publish engravings based on these, at monthly intervals beginning in February 1790. This is the catalogue of the third such show, in which, it seems, 41 paintings were exhibited by such masters as Reynolds, Gainsborough, Fuseli and both of the Cosways, Richard and Maria. Each painting is listed with its accompanying passage, either from the poet which inspired it, or from the Bible. At the end are printed the Proposals for what is perhaps Macklin's most enduring monument, the 'Macklin Bible', which even now is a breathtaking achievement. ESTC locates just 12 copies of this piece, with just Yale, Rutgers and Frick the only copies located outside the UK. Listed as a poetical miscellany in NCBEL II 412.

Hardcover. Zustand: VERY GOOD. First Edition. First edition of The Macklin Bible, a masterpiece of book design that has been called 'the last of the great Bibles.' Complete in six volumes without the posthumously published Apocrypha. Elephant Folio, 19' x 15.5' and . Full red morocco, covers with gilt rolled Greek meander borders, spines with double raised bands gilt in seven compartments, all edges gilt, gilt dentelle, marbled endpapers. Sturdy bindings are remarkably solid despite the demands of these heavy textblocks. Very Good, ex-libris from the John Wilson Collection of Multnomah County Library with small bookplates on paste downs, a few penciled notes to versos of title pages but otherwise unmarked. Wide margins. Bindings scuffed and soiled, rubbed along joints, wear at heads and tails. Contents generally bright with typical offsetting from engravings; many tissue guards still present. Handwritten 2pp. 1889 note from London bookseller Henry Sotheran tipped-in to Vol. 1, wherein he apologizes for the lack of The Apocrypha, which was published in 1816. Exhaustively illustrated throughout with engravings including 70 full-page copperplates after Benjamin West, Angelica Kauffman, Henry Fuseli, William Artaud, Joshua Reynolds, Philip James de Loutherbourg and others. Weighing in at well over 100 lbs, this Macklin Bible will ship in multiple boxes and will require additional fees for international delivery.

First edition; 6 vols; folio (48.5 x 40 cm); 68 engraved plates (of 70), numerous engraved vignettes, text printed in large type in double columns, armorial bookplate to front pastedown of each vol., slight offsetting to text-block, occasional spotting; contemporary blue straight-grained morocco, meander rules in gilt and blind to covers, gilt spines in 7 compartments, all edges gilt, pink endpapers, covers faded in places, corners slightly bumped, a pleasing example. Macklin's sumptuous edition of the King James Bible 'Embellished with engravings, from pictures and designed by the most eminent English artists'. A lovely copy, with excellent provenance for the Kinnaird library, well-known for the superior condition of their collection. One of the 'most ambitious editions produced in Britain, often pirated but never rivalled' (ODNB). This vast undertaking, dedicated to the King, was published in 70 parts, each at £1 1s. Macklin (1752-1800) issued his prospectus for the Bible in 1789; he commissioned new type, new paper, and the engravings after prominent contemporary artists including Fuseli, Reynolds, Kauffman, Hamilton, and West, promising a Bible that would be 'finished in a style of elegance (and magnificence in Paper, Printing, and Engraving) of which there is not in Europe or the world any example'. It took 11 years to complete, and the eventual cost of £30,000 almost bankrupted Macklin. Though the final engraving was finished five days before his death, the last of the vignettes was not completed for another six weeks, and he consequently never saw the finished work. Herbert 1442; Darlow/Moule 982.

First Macklin edition of the Bible, handsomely bound. "The most ambitious edition produced in Britain, often pirated but never rivalled" (ODNB), this Bible is a masterpiece of book art, published at the apogee of British copperplate engraving and involving some of the best artists of its day. The Bible, dedicated to the king, was published serially between 1791 and 1800 in 70 parts, each at £1. 1s. Thomas Macklin (1752-1800) began work on the project in the year following the opening of his famous Poets' Gallery in Pall Mall. The prospectus, issued in 1789, explained that he was planning to add scripture pictures to his exhibition, to be then reproduced in a "magnificent Bible". The paintings were realised by several artists including Hamilton, Fuseli, and Loutherbourg, and exhibited at the Poets' Gallery between 1790 and 1796. Initially promising 60 plates, the project eventually included 71, some of which never appeared in Macklin's exhibitions. Most of the headpiece and tailpiece vignettes were designed by Loutherbourg, the type was cut by Joseph Jackson and his apprentice Vincent Figgins, and the paper made by Whatman. The Bible took 11 years to complete and the publication costs, exceeding £30,000, almost bankrupted Macklin. Though the final engraving was finished five days before his death, the last of the vignettes was not completed for another six weeks, and he consequently never saw the finished work. Some copies of the Bible were bound in a fine neoclassical style by contemporary London binders, particularly Staggemeier and Welcher. This set is unsigned, but the treatment of the spine appears closer to the work of Kalthoeber (see Maggs Cat. 1212, II, no. 164). This set is bound in six volumes, as recommended in the instructions to the binder (vol. I). However, sets are sometimes found bound in seven. ESTC T123175; Herbert 1441; Lowndes I, p. 192. Maggs Bros Ltd, Bookbinding in the British Isles, Sixteenth to the Twentieth Century, Cat. 1212, Part II, 1996. 6 vols, large folio (458 x 370 mm). With 71 copper engraved plates after Fuseli and others, 113 wood engraved vignette head- and tailpieces. Contemporary diced russia, spines with raised bands, compartments lettered and tooled in gilt, elaborate gilt frames to covers incorporating foliate and flower tools, board edges and turn-ins tooled in gilt, leather inner hinges, marbled endpapers, edges gilt, silk bookmarkers. Bound with half-titles. A few trivial marks and light scuffs to covers, small cosmetic repair to rear cover of vol. I, superficial splits to a couple of joints, subsequently retouched and now firm, occasional foxing to contents and offsetting from plates, else clean and bright. A very good set.