Thomas barbara earl (14 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. First edition. Softcover. 79 pages. Features a foreword by Jacob Lawrence and an introduction by Vicki Halper. Includes numerous illustrations, biographical information, list of previous exhibitions, list of public and corporate collections, and a bibliography. A fine copy in French style wrappers.…

Zustand: Fair. Acceptable condition. No Dust Jacket Former Library book. (art, paintings, artists) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Foreword by Janeanne A. Upp. Color reproductions. 83 pages. Small oblong 4to, blue cloth with gilt lettering, pictorial d.w. Seattle: University of Washington Press/Tacoma Art Museum, (2003). A fine copy in a fine dust wrapper. Catalogue published in conjunction with the exhibition of the same name shown at the Tacoma Art Museum, January 14-May 3, 2003. KNIGHT, Gwen (illustrator).…

Zustand: New. &Uumlber den AutorCatharina Manchanda is Jon and Mary Shirley Curator of Modern and Contemporary Art at the Seattle Art Museum. Halima Taha is an adjunct faculty member at Bloomfield College. Barbara Earl Thomas .

Hardcover. Zustand: NF. Hardback in Near Fine condition with Near Fine dust jacket. 9.84 X 0.59 X 9.76 inches. 84 pages. Inscribed by author on title page. . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Zustand: New. pp. 84 111 Illus. (51 Col.).

Zustand: Very Good-. Zustand des Schutzumschlags: Very Good-. First Edition. Seattle, WA: University of Washington Pres, [1998]. First Edition Stated. Slim square quarto (25.5cm); publisher's cloth in pictorial dust jacket; 79pp.; halftone and full color illus. throughout. Faint dampstaining and subsequent cockling to jacket and bottom edge of textblock, brief crack to front hinge; About Very Good only. Inscribed and signed on series page, "To Norman / with great affection / Barbara." Forms part of the Jacob Lawrence Series on American Artists. Signed.…

hardcover. Zustand: near fine. near fine. First. Illustrated in b/w and color throughout. 79 pages. Slim, oblong 4to, navy cloth, d.w. Seattle: University of Washington Press, (1998). First edition. A near fine copy with some minor snagging to rear cloth; in a near fine. Inscribed by artist on title page. Barbara Earl Thomas (illustrator).…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition, clothbound issue. Foreword by Jacob Lawrence. Introduction by Vicki Halper. Square small quarto. 79pp. Illustrated. Blue cloth stamped in silver. Fine in a fine dust jacket. Includes a chronology and bibliography of the artist, and a 14 page essay, "Passing Secrets" by the artist. African-American artist Barbara Earl Thomas was born in Seattle, Washington in 1948. She earned a Master of Fine Arts at University of Washington where she studied under Jacob Lawrence, Michael Spafford, and Norman Lundin. Art Critic Michael Upchuch has described Thomas' iconography as "besieged human figures in loving embrace, crows as trickster-companions-cum-predators, books as capacious homes for the mind to inhabit.".…