The masses (9 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 24 pages. 9.00x6.00x0.06 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good-. First. 8vo. cover very damp stained hinges cracked. Book.

Zustand: gut. The Masses and Motets of William Byrd (The Music of William Byrd) Kerman, Joseph In englischer Sprache. pages.

34 S., Ill. Fol. Seltene US-amerikanische Zeitschrift, die zwischen 1911 und 1917 monatlich erschienen ist. Sie verband ein modernes grafisches Design mit sozialistischer Politik. Zu den Autoren gehörten die führenden US-amerikanischen Linken wie Max Eastman , John Reed , Dorothy Day und Floyd Dell. Während des Ersten Weltkrieges nahm das Magazin eine radikale Antikriegshaltung ein, was dazu führte, dass sie von zwei großen amerikanischen Zeitschriftenvertriebsunternehmen, der United News Co. aus Philadelphia und der Magazine Distributing Co. aus Boston, boykottiert wurde. Ebenso wurde das Magazin von der kanadischen Post nicht vertrieben. Die Universitätsbibliotheken, Buchhandlungen und Kioske des New Yorker U-Bahn-Systems nahmen die Zeitschrift aus ihren Sortimenten. 1917 und 1918 kam es zu mehreren Prozessen gegen die Herausgeber. - Enthält: Some recent workings of the censorship ; John Reed, Why the hate Ford ; Austin Lewis, The way of the worker ; Sara Bard Field, San Francisco and the bomb ; L.B. Boudin, The german middle class and the war ; Max Eastman, Towards liberty u.a. - Mit Illustrationen von Boardman Robinson, Arthur B. Davis, Maurice Becker, K.R. Chamberlain und Arthur Young. - Leicht knickspurig, sonst guter Zustand. - Rare American magazine published monthly between 1911 and 1917. It combined a modern graphic design with socialist politics. It published reportage, fiction, poetry and art by the leading left radicals of the time such as Max Eastman, John Reed, Dorothy Day, and Floyd Dell. During World War I, the magazine published a radically anti-war position. By May 1916, the radical content published in The Masses had caused it to be boycotted by two major American magazine distribution companies, United News Co. of Philadelphia, and Magazine Distributing Co. of Boston. It was also excluded from the Canadian mails, university libraries, bookshops, and the newsstands of the New York City subway system. In 1917 and 1918 there were several lawsuits against the editors. - Contains: Some recent workings of the censorship ; John Reed, Why the hate Ford ; Austin Lewis, The way of the worker ; Sara Bard Field, San Francisco and the bomb ; LB Boudin, The German middle class and the war ; Max Eastman, Towards liberty a.o. - Illustrated by Boardman Robinson, Arthur B. Davis, Maurice Becker, K.R. Chamberlain and Arthur Young. - Slightly creased, otherwise good condition. 1050 gr. …

4to, pp.55, [1]; full-page engraving of the Crucifixion by Jollain to p.14, title and text in red and black, text in double columns, music on four-line staves, woodcut device to title, woodcut initials; a few small holes to blank fore-edges, some light marks; a very good copy in contemporary calf, five raised bands to spine, red edges, eight later fore-edge tabs in black cloth, three later place markers; small loss at foot of upper cover, rubbed; old ink stamp at foot of title 'Bibliothèque de Juilly.A seemingly unrecorded Requiem Missal printed by Geneviève Gasse for the Parisian publisher and bookbinder François Coustelier.The text here comprises: preparatory prayers; the order of Mass for the dead; the Canon of the Mass, opening, as usual, with a full-page Crucifixion scene; texts for private Masses (on the day of decease, on the anniversary of death etc.); prayers for the dead (for deceased bishops, cardinals, relatives, and so on); post-Mass prayers; and a decree prohibiting the celebration of private Requiem Masses on double feast days. Rubrics are provided throughout, and, where appropriate, music on red four-line staves. The later fore-edge tabs to the Canon of the Mass in suitably sombre black cloth indicate continued priestly use of this volume long after publication. Geneviève Gasse (née Quillau, d.c.1709) succeeded her husband Clément Gasse in 1686, operating from rue Saint-Étienne-du-Mont. In 1690 she sold her printing house and shortly afterwards bought up that of Henri Lambin. She is recorded as operating four presses in 1692, with two in reserve, and two years later as employing two compagnons. Her other publications included works on mechanics, chronology, fireworks, and cultivating fruit trees. After entrusting her printing business to her son-in-law Daniel Jollet, she continued as a bookseller until at least 1703.No copies traced on OCLC or CCfr. …

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: very good. First Edition, First Printing. Octavo, 204pp. Black hardcover, title in green on front cover and spine. Top edge dyed green. Stated "First Published in English 1932" on copyright page. Solid text block, previous bookseller's label affixed to front endpaper, rubbing to corners and edges of spine. In the publisher's dust jacket, price-clipped. Sunned spine, faint toning to top edge of front panel, a few short closed tears. A nice copy of a notable work by the Spanish philosopher, detailing his study of the "mass-man." The Revolt of the Masses was translated from Gasset's original Spanish title; "La Rebelion de las Masas.". First English language edition of The Revolt of the Masses by Jose Ortega Y. Gasset. (illustrator).…