The louvre (12 Ergebnisse)
Verlag: Réunion des Musées Nationaux (RMN), UNITED STATES, 1993
- Softcover
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Paperback. Zustand: Good. IN ENGLISH. RELIABLE AND PRESENTABLE ART BOOK paperback edition. Some shelf wear to the covers. Good binding. The text flows cleanly. Enjoy this worthwhile edition for your home and library.
Verlag: Ward, Lock and Co., Limited, London, Melbourne, Cape Town, 1111
- Hardcover
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In den WarenkorbHardcover. Zustand: Good. Undated edition, but small name written inside is dated 1959. Firmly bound, red cloth boards without a jacket, very slight fading and rubbing on the spine. with large plan of the city, plans of the Bois De Boulogne, Versailles, The Louvre (illustrator).
Roland, Browse & Delbanco Old and Modern Paintings
Auguste Rodin A Selection from the exhibition Rodin Inconnu at the Musee du Louvre
Verlag: London, 1963
- Softcover
Anbieter: Bücher-Insel Antiquariat Rolf Selbert, Kassel, DeutschlandBücher-Insel Antiquariat Rolf Selbert
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In den Warenkorb24seitiger Broschur, die Hälfte englischer Text, Rest Fotos. Anläßlich der Ausstellung Juli-August 1963. Guter Zustand.
Sprache: Englisch
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In den WarenkorbNo Binding. Zustand: Very Good. A splendid antique original etched print. Excellent condition . Mounted - matted - and ready to frame. A view of the Louvre in Paris, c 1880.
Sprache: Englisch
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In den WarenkorbNo Binding. Zustand: Very Good. an Original Antique hand-coloured Engraving. Hand-colouring not contemporay, but expertly and delicately executed. Mounted/matted and ready to frame. Excellent condition. An attractive and decorative engraving.
Sprache: Englisch
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In den WarenkorbNo Binding. Zustand: Very Good. an Original Antique hand-coloured Engraving. Hand-colouring not contemporay, but expertly and delicately executed. Mounted/matted and ready to frame. Excellent condition. An attractive and decorative engraving.
CHRIST ON THE CROSS - EL GRECO
With an essay by Maurice Serullaz, Assistant Curator of the Louvre Museum
Verlag: Max Parrish & co. ltd. London, 1947 / A Gallery of Masterpieces, 1947
- Softcover
Anbieter: Handled With Care, Bocholt, BelgienHandled With Care
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In den WarenkorbSoftcover/Paperback. Zustand: Fair. In redelijk goede staat. Rug beschadigd.
Verlag: Munich: Prestel-Verlag, [1968]., 1968
- Hardcover
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In den WarenkorbHardcover. Dust Jacket Included. 3 Volumes. 4to. pp. 221, [2]; 221, [2]; 221, [2]. 300 colour illus. (mostly full-page). biblio. cloth. dw. cloth & paper slipcase (cloth torn along lower spine edge, several small chips from spinal paper).
Verlag: New York: George Braziller, [1984]., 1984
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Dust Jacket Included. folio. pp. 29, [86 leaves-many versos blank]. 123 illus. (119 full-page colour). biblio. cloth. dw. (extremities bit chipped). First Edition of the English Translation.
Ornemens de peinture et de sculpture, qui sont dans la Galerie d Apollon, au chasteau du Louvre, et dans le grand Appartement du Roy, au Palais de Tuilleries.
Bérain, Jean, Chauveau, François & François Le Moyne. Ornamental décor for the Louvre and the Tuilleries under Louis XIV. The restored Apollo Gallery became the first royal gallery, a model for the Hall of Mirrors at Versailles
Verlag: Paris, 1800
- Hardcover
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In den WarenkorbHardcover. Zustand: Very Good. No Jacket. Special Edition. Bérain, Jean, Chauveau, François & François Le Moyne.(artists) Ornemens de peinture et de sculpture, qui sont dans la Galerie d Apollon, au chasteau du Louvre, et dans le grand Appartement du Roy, au Palais de Tuilleries. Dessinez et gravez par les Srs. Berain, Chauveau,… et le Moine. [Paris c1800] Large 4to. (Overall size 485x 400mm; plate size 360 x 252mm.) 29 engraved plates (28 numbered) by by Jean Bérain, François Chauveau, and François Le Moyne. Title engraved by G[érard] J[ean] B[aptiste] Scotin after Jean Bérain is dated 1710. Half morocco, gilt, 19th century marbled boards. A selection of ornamental detail of painted decorative panels in the Apollo Gallery in the Louvre and the royal apartments in the Tuilleries palace in the final years of the reign of Louis XIV. Plates 2 12 engraved and drawn by Jean Bérain (1640-1711) depict trumeaux and ceilings in the Apollo Gallery; plates 13-25 engraved and drawn by François Chauveau (1613-1676) represent the ornamental doors of the Gallery; plates 26-29 engraved and drawn by François Le Moyne (1638-1713) with details of panels in the Grand apartments of the Tuilleries Palace.The restored Apollo Gallery became the first royal gallery under Louis XIV and later a model for the Hall of Mirrors at Versailles. "Le Brun's project for the Galerie d'Apollon is a triumph of mythological decoration, and one of his most powerful works. It reveals the enduring influence of Poussin on Le Brun. The theme of Le Brun's decoration . is Apollo, god of the sun, represented in the effects of light on the hours, months, seasons, elements, and hemispheres. The greatest artists and sculptors of the time contributed to this decoration, under the direction of Le Brun. But. the.work was never completed. It was taken up again . in the nineteenth century by architect Félix Duban and painter Eugène Delacroix . responsible for the design of the center ceiling panel, which does not follow the original ideas of Le Brun." (Millard 21); Berlin Kat. 4037; Guilmard, Les maitres ornamentistes, 880, no 29 Outer edges of margins occasionally with light traces of age staining, otherwise in fresh condition. .
Weitere BilderVerlag: Rome, 1 Vendémiaire VII (22 September 1798)., 1798
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Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, ÖsterreichAntiquariat INLIBRIS Gilhofer Nfg. GmbH
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In den WarenkorbFolio and 4to. 14½ pp. on bifolia. With autograph envelope. Together with the 62nd issue and the supplement to the 60th issue of the "Monitore di Roma" as original attachments to the letter. Historically significant letter to Joseph-Antoine Florens (1762-1842), commissioner of the Executive Directory of the French Republic in Ro…me, with Visconti's fervent defence following his dismissal from the government of the short-lived Roman Republic. Visconti had been selected as one of five consuls in March 1798 by the three French commissioners. In September 1798 a successful defamation campaign in the periodical "Monitore di Roma", steered by a fellow consul and members of the civil oversight commission, led to the enactment of a law removing Visconti and Pietro Panazzi from the consulate and barring them from leaving the city. In light of this "cabal" and "calumny", Visconti wrote this detailed apology and rebuttal of all accusations of enrichment through illegal real estate deals that were brought against him. According to Visconti, a legal attempt of the consulate to impede the circulation of the calumnious issues of the "Monitore" was hindered by the civil commission, which "did not seem strange anymore" once he learned that the author of the articles was brought to Rome with the help of police minister Francesco Piranesi and invited to dinner by the commission. The two September 1798 issues of the "Monitore di Roma" in question were attached to the letter. Visconti identifies the consul Librorio Angelucci (1746-1811), the civil commissioner Jean Bassal (1752-1802), and the former interior minister Corona as his main opponents and accuses them of corruption: "Bassal, who wanted to rid himself of an obstacle to his malversations, his venalities, his corruptions of all kinds, and who was extremely shocked by my opposition to his greedy projects concerning the debentures". With respect to the accusation of illegal purchases, Visconti writes: "I thought that a magistrate was not obliged to keep his remunerations locked in a safe, that the acquisition of national goods deriving from abolished ecclesiastical establishments and executed in a legal way should not be considered a crime. It actually becomes a patriotic act in a time, when superstitious prejudice causes all kinds of obstacles to the distribution of such goods". The deals are listed in a separate part of the letter with the comment: "He was so far from hiding these acquisitions that he immediately had the true acquirer declared by public deed". Visconti underscores that he would have preferred "literary work" over his political appointment, reminding Florens of his wish to be placed in the nationalized Vatican library. Copies of the letter were sent to Florens's fellow commissioners Gaspard Monge and Pierre-Claude Daunou, the architects of the Roman Republic: "In my current state I cannot hope for any other help than yours and that of your old colleagues; I rely on your benevolence. I also write to the citizens Daunou and Monge and I entrust you entirely with the care for my reputation, my tranquility, my fate. Use this letter as you consider the most adequate, it contains nothing but the truth". - Following the occupation of Rome by Neapolitan troops on 30 September 1799 and the subsequent restoration of the Papal States, former officials of the Roman Republic were heavily persecuted and forced into exile. Visconti received a warm welcome in Paris, where he was named first curator of antiquities of the Musée Napoléon at the end of 1799 and became professor of archaeology at the Institut de France in 1803. His opponents from the tumultuous times of the Roman Republic are judged harshly by history: both Bassal and Angelucci were repeatedly accused of corruption and died in relative obscurity. Visconti's letter is important testimony to this short and little-researched episode of Italian history. - Traces of folds and minor browning to the folds and borders; envelope with trac.
THEODORE VALERIO (1819-79) französischer Maler und Radierer / french painter and etcher. He fought with the Ottoman Turkish Army during the Crimean War. Following the end of the war, he received a bronze medal for his work in the Paris Salon in 1859. His work is held in the permanent collections of the Walters Art Museum, the National Gallery of Art, the Metropolitan Museum of Art, the Philadelphia Museum,[6] the Louvre in Paris, among other venues.
THEODORE VALERIO (1819-79) französischer Maler und Radierer / french painter and etcher. He fought with the Ottoman Turkish Army during the Crimean War. Following the end of the war, he received a bronze medal for his work in the Paris Salon in 1859. His work is held in the permanent collections of the Walters Art Museum, the National Gallery of Art, the Metropolitan Museum of Art, the Philadelphia Museum,[6] the Louvre in Paris, among other venues.
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In den WarenkorbE.Brief (2 S. kl. 8 to Doppelblatt, mit E.Adresse auf der 2. Seite, blindgeprägtes Wappen) in Tinte mit Ort, Datum, Unterschrift signiert Paris le 18 decembre 1855 - an den Kunsthändler RUDOLPH WEIGEL in LEIPZIG, in französisch (nicht übersetzt), erwähnt mehrfach PAUL FRENZEL (1824-72, deutscher Landschafts- und Tiermaler) in Dr…esden.
