The gospels (12 Ergebnisse)

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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

- Softcover
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Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly.

Master Olof a Drama in Five Acts Hymns on the Collects, Epistles and Gospels, Selected from Various Authors 1
The Church's Year: Hymns On The Collects, Epistles And Gospels, Selected From Various Authors
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Master Olof a Drama in Five Acts Hymns on the Collects, Epistles and Gospels, Selected from Various Authors 1
The Church's Year: Hymns On The Collects, Epistles And Gospels, Selected From Various Authors
- Softcover
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- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Softcover
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Verlag: Broadstreet Publishing 2018
- Softcover
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Paperback. Zustand: Very Good. 306 pages.

One hundred and twenty-five golden cockerels: An exhibition of books and ephemera from the Golden Cockerel Press
catalogue by Ian Rogerson ; with an essay on Eric Gill and the four gospels by Brian Baumfield
Verlag: Manchester Metropolitan University Library 1994
- Softcover
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes KönigreichJoseph Burridge Books
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Soft cover. Zustand: New. xii, 24 pages : illustrations ; 21 cm.

Anbieter: Celler Versandantiquariat, Eicklingen, , DeutschlandCeller Versandantiquariat
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ZYX-Music, ohne Ort, 1994. 2 CDs mit einer Spieldauer von ca. 48 und 51 Minuten in original Kunststoffhülle--- 112 Gramm.
Sprache: Englisch
Verlag: by Poeschel & Trepte Leipzig, Printed for The Members of the Limited Club 1932,. 1932
- Erstausgabe
- Signiert
Anbieter: Antiquariat Schröter -Uta-Janine Störmer, Unna, , DeutschlandAntiquariat Schröter -Uta-Janine Störmer
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1. Auflage. 237(2)S., 4°, OHalb-Pergament, mit vergoldetem Rückentitel. Druck auf unbeschnittenem Bütten. Fadenheftung. Vignetten und z.T. farbige Initialen von Weiss. Eine auf 1500 nummerierte und von E.R.Weiss mit seinen handgeschriebenen Monogramm (ERW) versehene Ausgabe. Vorliegend Exemplar Nummer 1303. Sprache: Englisch. Kl…einer Einriss in der hinteren Vorsatzfalz, eine Ecke angeplatzt. Insgesamt ein schönes Exemplar. Selten. Rare. Good copy. Actually it is not possible, sending books to the USA. Aktuell können keine Bücher in die USA versandt werden. Sprache: Englisch Gewicht in Gramm: 1000.
Weitere BilderVerlag: Romae RomeIn Typographia Medicea . 1591
- Hardcover
- Erstausgabe
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FIRST EDITION. Folio (32.25 x 21.25 cm). pp.9-462+[1, colophon]. Full 18th-century marbled vellum, spine with gilt rules, gilt decoration, and red morocco label. With 149 text woodcuts by Leonardo Parassole (c.1570-c.1630) after Antonio Tempesta (1555-1630), their monograms appearing on a number of the illustrations. The woodcut…s are remarkable examples of Tempesta's work, notable for their clarity of composition and their didactic narrative of the episodes depicted. Old bibliographical remark in Latin to verso of final leaf. From a German private collection. Some partial browning due to paper stock and occasional light foxing, generally a very handsome copy. First edition of the Gospels in Arabic and Latin - a landmark cultural encounter. In 1584, the last year of the papacy of Gregory XIII who had constantly endeavoured to effect a union between the Church of Rome and the eastern Christians, Cardinal Ferdinando de' Medici, the brother, and later the successor, of the Grand Duke of Tuscany, founded a printing press in Rome with a vast selection of oriental types cut by the French typographer Robert Granjon. Run by a versatile orientalist, Giovan Battista Raimondi, the press had various aims. One was to produce propaganda which would attract the eastern Christians to Roman Catholicism. Another was to corner the publishing market in an area where typography was prohibited and to make a financial profit from the sale in the east of books printed in Arabic. The third aim was to further European knowledge and to provide good editions of Arabic versions of certain standard non-religious texts. These included the writings of Avicenna, al-Idrisi's geographical compendium, al-Tusi's adaptation of Euclid's text on geometry, and various works on Arabic grammar and syntax. The first major publication was the 1591 edition of the Gospels. This copy has an interlinear Latin translation, but the work was also issued solely in Arabic. It contains 149 fine woodcut illustrations made by Leonardo Parasole mainly after designs by one of the best known Florentine artists of his day, Antonio Tempesta, who owed much of his fame to the frescoes he painted in the Vatican and in a number of Roman palaces. The woodcut in the Gospel of St Mark of the presentation of the head of John the Baptist to Salome (Mark 6:28) by a man in Turkish dress reminds us of the common association between the great enemy of Christendom in the sixteenth century and the ancient heathens. The Arabic text is printed in Robert Granjon's famous large fount, generally considered the first satisfactory Arabic printing type; as all early printed editions of the Arabic Gospels, it is based on the Alexandrian Vulgate (cf. Darlow/M. 1636). The Latin version is by Leonardo Sionita. The work begins with page 9, without a title-page or any preliminary matter at all: "the intended prefatory matter was apparently never published" (Darlow/M.); these first eight pages were not supplied until the 1619 re-issue. (Brunet 1122-1123).
Weitere BilderVerlag: Romae RomeEx Typographia Medicea . 1619
- Hardcover
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Folio (33.5x21 cm). pp. [4], 9-462, [2 with at recto the printer's letter repeated, with the date of the 1591 original edition, blank at verso]. Contemporary green vellum, spine with raised bands and gilt-decorated compartments, red Morocco label, marbled endpapers, edges dyed red. Title printed in red and black, with Medici's w…oodcut coat-of-arms, printer's advice "Typographus lectori". With 149 text woodcuts by Leonardo Parassole (c.1570-c.1630) after Antonio Tempesta (1555-1630), their monograms appearing on a number of the illustrations. The woodcuts are remarkable examples of Tempesta's work, notable for their clarity of composition and their didactic narrative of the episodes depicted. Ex libris Luigi Bossi (Milan 1758-1835) with his engraved heraldic bookplate to front pastedown along with T. Fenteman & Sons (Leeds) booksellers label to upper corner. Title-page lightly browned, boards faded and discoloured, some occasional light toning, generally a very good copy printed on thick paper, the woodcuts in strong impressions throughout. Rare 1619 reissue or of the original 1591 stock of the Arabic Medicean Gospels. The text lines are almost identical with those of the Arabic issue, but now have an interlinear Latin version added, which was prepared by Antonius Sionita. In 1584, the last year of the papacy of Gregory XIII who had constantly endeavoured to effect a union between the Church of Rome and the eastern Christians, Cardinal Ferdinando de' Medici, the brother, and later the successor, of the Grand Duke of Tuscany, founded a printing press in Rome with a vast selection of oriental types cut by the French typographer Robert Granjon. Run by a versatile orientalist, Giovan Battista Raimondi, the press had various aims. One was to produce propaganda which would attract the eastern Christians to Roman Catholicism. Another was to corner the publishing market in an area where typography was prohibited and to make a financial profit from the sale in the east of books printed in Arabic. The third aim was to further European knowledge and to provide good editions of Arabic versions of certain standard non-religious texts. These included the writings of Avicenna, al-Idrisi's geographical compendium, al-Tusi's adaptation of Euclid's text on geometry, and various works on Arabic grammar and syntax. The first major publication was the 1591 edition of the Gospels. This copy has an interlinear Latin translation, but the work was also issued solely in Arabic. It contains 149 fine woodcut illustrations made by Leonardo Parasole mainly after designs by one of the best known Florentine artists of his day, Antonio Tempesta, who owed much of his fame to the frescoes he painted in the Vatican and in a number of Roman palaces. The woodcut in the Gospel of St Mark of the presentation of the head of John the Baptist to Salome (Mark 6:28) by a man in Turkish dress reminds us of the common association between the great enemy of Christendom in the sixteenth century and the ancient heathens. The Arabic text is printed in Robert Granjon's famous large fount, generally considered the first satisfactory Arabic printing type; as all early printed editions of the Arabic Gospels, it is based on the Alexandrian Vulgate (cf. Darlow/M. 1636). The Latin version is by Leonardo Sionita. The work begins with page 9, without a title-page or any preliminary matter at all: "the intended prefatory matter was apparently never published" (Darlow/M.). (Darlow & Moule, 1637 & 1643; Schnurrer, Bibliotheca arabica 318; Brunet II, 1122-23; Graesse II, 531).