Texts by andro wekua (4 Ergebnisse)

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21 x 28 cm, Hardcover, halfcloth, 72 pages, 30 color illustrations - Viewing the past as a spiral of infinite reoccurrence, Andro Wekua creates enigmatic tableaux questioning the intersections of history, memory, and fantasy. In the new paintings and collages included in this book, Wekua explores history as a chain of repeating events and emotions, that both heightens a sense of disassociation even as it sustains one's inner-life.…

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 26 x 34 cm, Hardcover, cloth binding, 344 pages, 280 color illustration - Conceived as an artist's book, the first part of the publication acts as a collage of Wekua's current obsessions and visual universe, while the second section of illustrations provides an overview of his last ten years of art and exhibition making.…

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 25 x 29 cm, Leinen /clothbound, 208 Seiten/pages, 55 colour illustrations - Within somewhat ominous tableaux of child-like figures lost amongst ceramic landscapes recalling forests and oceans, Wekua's unique vocabulary combines a sweet nostalgia for youth with an almost masochistic relish for history's decay. Based on visions of himself as a child, these doppelgangers harbor a tragic fragility, as they are often blinded or seemingly burned. The fanciful figures of the sculptures reappear in both his paintings and collages in quasi disfigured states. His soulful and enigmatic imargery becomes almost ritualistic in how it recreates an abstracted vision of personal history, national strife, and imagined refuge.…

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : hardcover, cloth binding, dust jacket, 160 pages, 20 color illustrations - An "unequal" pair from the ranks of philosophy and contemporary art were brought to the table for debate. The celebrated Russian philosopher Boris Groys, and the young international artist from Georgia Andro Wekua, discussed their shared experiences in the Soviet system, the conditions governing production in contemporary art today, and the sensitivities of a generation of artists born in the 1970s, taking Wekua's two large installations "Wait to Wait" and "Get Out of My Room" as examples. Phenomena such as loneliness, doubles, repetitions, mirror images, and waiting are the central themes of this conversation, illustrated by pictures of the two installations and several collages by Wekua.…