tempestini anchise (50 Ergebnisse)

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 240 pages. Retrospective monograph on Italian artist Giovanni Bellini. Features text by Anchise Tempestini translated from the Italian by Alexandra Bonfante-Warren and Jay Hyams. Includes numerous color illustrations. A fine copy in cloth boards and in a very near fine dust jacket with the faintest bit of sunning to the spine. A lovely copy. Please note that this is a heavy and oversized book and will require extra shipping.

Hardcover. Zustand: Used-Very Good. 1st. Cloth, dj. Slight shelf-wear, else very sound, with clean internals.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 240pp; Catalog of Works; Bibliography; Index of Works; Color Plates. First Edition stated. Contents clean and unmarked. No ownership or library markings; no bookplate; no writing. Green cloth HC with gilt lettering on spine. 13.5" x 11.5".

Softcover, Heft. Sonderdruck. Seiten 225-236 Nur Sonderdruck. Die Jahresangaabe ist ungefähr. Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sehr gut. Sprache: Deutsch Gewicht in Gramm: 100.

Zustand: MOLTO BUONO. NOTA:Esemplare con dedica autografa dell'Autore, / Firenze, Cantini cm.15,5x21, pp.319, 180 figure bn.e a colori nel testo, brossura con copertina figurata a colori. Collana I Gigli dell'Arte,24.

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Collected writings in Italian translation. xxi, 191 p., 92 p. of plates : ill. (some col.) ; 24 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. This copy from the library of Professor Cecil H. Clough. Photographs available on request. All books dispatched same or next working day in robust packaging.

Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Cantini, 1992. Quarto. Pictorial wraps with flaps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have very light shelf wear. Text is in Italian. 318 pages. ISBN: 8877371056. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Aus der Bibliothek von Wolfgang Grindemann. Vorsatz mit handschriftlichem Vermerk von Wolfgang Grindemann und Monogramm. 240 Seiten, 4°. Gestempelt, gutes Exemplar. [BHN-D-7] Original-Leinwand, Umschlag der deutschsprachigen Ausgabe liegt bei,

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2450grams, ISBN:0789204339.

Zustand: Buone. italiano Condizioni dell'esterno: sovracopertina leggermente logorata ai bordi Condizioni dell'interno: Molto buone.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Qto., 240 pages, illustrated with large colour plates. A Fine copy in a Fine dust jacket.

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Ottime.

Zustand: NEW.

Gr.-8°. 541 Seiten, mit zahlreichen Abbildungen. 1 Broschur (Rücken etw. schiefgelesen sowie unten mit kleiner Druckstelle - sonst sehr ordentlich und sauber).

195 S. mit zahlreichen Farbabbildungen. Erste Auflage (sehr gutes Exemplar). Sprache: Italienisch Gewicht in Gramm: 1800 4°. Orig.-Leinen mit Orig.-Umschlag.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Discrete con Difetti, note nel testo sottolineature nel testo.

Zustand: COME NUOVO. Firenze, Octavo Ed. cm.24,5x29, pp.216, 134 figure a colori e bn. nel testo numerose a piena pagina, legatura editoriale in tutta tela,sopraccoperta figurata a colori. Dal 1470 al 1516, anno della sua morte, Giovanni Bellini domina la scena a Venezia e nei territori a essa soggetti, creando una scuola che vede affluire nella sua bottega giovani pittori provenienti da tutto l'entroterra veneto. Artisti come Lattanzio da Rimini e Nicolò Rondinelli da Ravenna sono documentati come suoi colllaboratori nell'impresa decorativa del Palazzo Ducale di Venezia e si caratterizzano come allievi di strettissima osservanza. Il presente volume mette a fuoco il rapporto di Giovanni Bellini con la Romagna, sia attraverso l'analisi di alcune opere ancora reperibili a Rimini e a Pesaro, città culturalmente più romagnola che marchigiana, sia ricostruendo le figure di quattro pittori, allievi o seguaci del maestro veneziano, che dalla Romagna provenivano o che nella regione adriatica hanno svolto una parte della loro attività. Con questo studio Tempestini offre al lettore uno strumento efficace per intendere la straordinaria e affascinante complessità della storia artistica in una terra cruciale come la Romagna. Saggio introduttivo di Antonio Paolucci.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: gut. Softcover. Original Klappbroschur.

Broschiert. Zustand: Sehr gut. 541 S. : Ill. Mit zahlr. Abb. ; 24 cm. Sehr gutes Exemplar. - Aus dem Inhalt: Ulrike Bauer-Eberhardt, Italienische Miniaturen in Schloß Rheydt -- Ugo Bazzotti Stone di Alcina nella grotta di Palazzo Te -- Barbara Brejon de Lavergnée, Autour de Simon Vouet: Zacharie Hemce -- Sonja Brink, Eine Zeichnung für Domenico Maggiottos Altarbild in SS. Apostoli in Venedig -- Alessandro Cecchi, Alcuni disegni del soggiorno romano di Battista Naldini -- Luciana Crosato Larcher, Ludovico Dorigny e i disegni monacensi di Simon Vouet -- Andrea Czére, "Thou shalt be called Cephas" A New Drawing by Raffaelhno da Reggio -- Nicole Dacos, Deux dessins de Peter de Kempeneer -- Francesca d'Arcais Osservaziom sul rapporto tra Giotto e Giovanni Pisano -- Margaret Daly Davis,Notes to Guillaume Philander's "Annotationes" to Vitruvius -- Charles Davis, La fortuna di Giorgio Vasari nell'incisione: "L'Architettura di Leon Battista Alberti" del 1565 e altre vicende -- Dorothea und Peter Diemer, "Etlich Sachen der Comety halben" Der Münchner Hofmaler Hans Donauer als Festgestalter -- Hans-Joachim Eberhardt, Francesco Morone als Zeichner -- David Ekserdjian, Mantegna's lost "Death of Orpheus" -- Tilman Folk, Zwei deutsche Zeichner in Italien (1521/1621) -- Sylvia Ferino Pagden, Nicht Sodoma, nicht Timoteo Viti, sondern der junge Raffael? -- Chris Fischer, Francesco Parmigianino, Saturn, and Nessus in Copenhagen -- P. Laurentius Koch, "Alla maniera storica" Bemerkungen zu Gestalten und Kostümen in Tiepolos Würzburger Kaiserfresken -- Andrew John Martin, Turner, Alberti und Giotto. Beobachtungen zum Seestück "Ostend" in der Neuen Pinakothek -- Susanne Martin, Eine Zeichnung Girolamo Campagnas für die Engel-Pietà des Sakramentsaltares in San Giuliano in Venedig -- Stefania Mason, "Meraviglie di Roma" e contingenze veneto-bresciane di primo Seicento -- Karl-Heinz Mehnert, Italienische Zeichnungen der Sammlung Johann August Otto Gehler im Museum der bildenden Künste Leipzig -- Jörg Martin Merz, Eine Zeichnung von Romanelli in München -- Arnold Nesselrath, Totenkult und Stil -- Mary Newcome Schleier, An Early Tuscan Painting by Paggi -- Alessandro Nova, Aggiunte al catalogo di Girolamo Romanino -- Ursula Verena Fischer Pace, Eine Zeichnung Paolo Gismondis -- Beatrice Paolozzi Strozzi, Sulle tracce del "Bacco" di pietra di Pierino da Vinci -- Alessandro Parronchi, Firenze "senza facciate"? -- Günter Passavant Münchner Sehenswürdigkeiten um 1678 -- Matthias Quast, Die Medici-Villen als Spiegel frühabsolutistischer Herrschaft Beobachtungen zur Instrumentalisierung der Villenarchitektur unter Großherzog Ferdinand I. (15 87-1609) -- W. Roger Rearick, Another Paolo Veronese Drawing of the "Baptism of Christ" -- Steffi Roettgen, Francisco Bayeu als Zeichner. Zwei neue Zuschreibungen -- Gisela Scheffler Mythologische Selbstidentifikationen bei Hans von Marées -- Erich Schleier, Vorzeichnungen Lanfrancos für den "Abschied Christi von seiner Mutter" -- Gosbert Schüßler Marc Aurel als Knabe auf einer Medaille des Quattrocento -- Gianni Carlo Sciolla, Una precisazione per un disegno di Erasmus Quellinus nella Biblioteca Reale di Torino -- Anchise Tempestini, Le "Nozze di Cana" di Nicola Grassi -- Christel Thiem, Zwei wiedergefundene Gemälde von Gregorio Pagani -- Peter Vignau-Wilberg, Das deutsche Raffael-Bild und die beginnende Wertschätzung Dürers in der Romantik -- Thea Vignau-Wilberg, Des Lebens Endziel Zu einigen Kupferstichen von Aegidius II. Sadeler -- Kurt Zeitler, Die frühesten druckgraphischen Wiedergaben der Fontana del Nettuno in Bologna -- Michael F. Zimmermann, Ardengo Soffici und der "Fall" Medardo Rosso. Der Impressionismus in Italien u.v.m. Früher 65 Euro. ISBN 3422062432 Sprache: Deutsch Gewicht in Gramm: 550.

Florence, Octavo, 1998. In-8 pleine toile d'éd. sous jaq. ill. en coul., et étui cartonné neutre, 216 pp., nb. ill. en n. et bl in- texte et nb reproductions en coul. dont certaines à pleine page, bibliographie. Texte en italien. /68F Très bonne cond.

Couverture souple. Zustand: Bon. Pas de jaquette. Bordas, 1993 coll. Les fleurons de l'Art. - In-8° broché, couv. cart. à rabats, iconographie en noir et en couleurs, 319 pp., bon état.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 240 pages : illustrations (some colour) ; 34 cm. Summary:"This definitive volume explores the life and masterworks of the artist whose name is synonymous with Venetian Renaissance painting. In his seventies, Giovanni Bellini (c. 1430-1516) was described by the German master Albrecht Durer as "very old, but still the best painter of all" and modern art historians agree that he was the most inventive of the Northern Italian painters." "Giovanni, the youngest of the three Bellini artists, was the Doge's chief painter and the teacher of Titian, Giorgione, and dozens of others. He showed great imagination and versatility in producing numerous Madonna paintings for churches and private patrons, exquisitely calibrating his style for a variety of commissions from small devotional works to huge altarpieces." "Giovanni Bellini's paintings - prized works in the collections of major museums throughout America and Europe - are presented here in full-color photography to complement Anchise Tempestini's thorough and lucid text. An opening essay placing the painter in his historical and art-historical context is followed by twenty-five short essays on paintings of major importance, illustrated with enlarged details. The book closes with a catalogue raisonne of all Bellini's works, a bibliography, and indexes of works and their locations."--Jacket.

Broschiert. Gr.-Oktav. 541 S. Klappenbroschur. Mit zahlr. schw.-w. Abb. 1 Ecke geringf. angestoßen, sonst sehr gutes Exemplar.

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

hardcover. Zustand: Gut. 196 Seiten; 9782070116621.3 Gewicht in Gramm: 3.

Zustand: new.

194 p 28,5 cm Encuadernación editorial en cartoné con sobrecubierta en papel. Estado de conservación: Muy bien. .

Paris, Gallimard, 2000. In-4 carré, rel. éd. pleine-toile noire sous jaquette ill. en coul.; 194 pp., très nb. reprod. en coul., texte sur plusieurs colonnes, biographie, bibliographie. /29F Très bon ex.

Zustand: Buone. tedesco Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.