Tcherepnine alexandre (18 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. 45 Pp. Music. International Shipping At Extra Cost Due To Size.

Zustand: Gut. 7 S., Noten. Ehemaliges Bibliotheksexemplar mit den üblichen Eintragungen/ Stempeln/ Aufklebern. Neu gebundene! Einbd. etwas berieben, Seiten altersbedingt etwas gebräunt, ansonsten gut erhalten. Sprache: Deutsch Gewicht in Gramm: 350 Halbleinen, gebundene Ausgabe, Schutzlaminierung.

Zustand: Gut. 21 S. : Noten. Neu gebunden! Ehemaliges Bibliotheks-Exemplar mit den üblichen Stempeln/ Aufklebern/ Eintragungen. Einband etw. berieben, S. altersbedingt etw. gebräunt/z.T. leicht angeschmutzt, ans. gut erh.! Sprache: Deutsch Gewicht in Gramm: 360 Halbleinen, gebundene Ausgabe, Schutzlaminierung am Rücken. …

Zustand: New. Streichquartett.

Folio., original wrappers. 15, 6, 6 pp., ex-library copy with label on spine and stamps, wrappers / pages slightly stained and minimally creased, else good, text in French, Sprache: Französisch Gewicht in Gramm: 300.

Softcover. Zustand: Fair copy. Tcherepnine, Alexandre: Sonate en LA Pour Piano - Paris, cop.1924, Heugel. VN H.28.686, 19 [1] p., 360 mm - Original paper cover slightly soiled, fair copy.

Softcover. Zustand: Slightly used. Tcherepnine, Alexandre: Petite Suite pour Piano ? Paris, cop.1923, Durand. VN D. & F. 10,277, 16 p., 347 mm ? Original publisher?s printed wrappers. Wrappers? spine torn, back missing. Interior clean, minor tears on the edges. Slightly used copy.

Couverture souple. Zustand: bon. RO50062316: NON DATE. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 20 pages de partitions - clé de sol et clé de fa. . . . Classification Dewey : 780.26-Partitions.

24x30.5 cm. Zustand: Befriedigend. 17 s. J. & W. Chester Ltd. - ohne Jahr : Alexandre Tcherepine - Notebuch. Gr. - 10-97-3-24 Sprache: Deutsch Gewicht in Gramm: 100.

Couverture souple. Zustand: bon. RO50062300: NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 19 pages de partitions - clé de sol et clé de fa. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Zustand: bon. RO50052678: 1924. In-Folio. En feuillets. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. 7 pages de partitions. Edition revue et doigtée par I. Philipp. Petite déchirure sur le haut des pages, sans conséquences sur la lecture. Tampon sur le premier plat. . . . Classification Dewey : 780.26-Partitions. …

Couverture souple. Zustand: bon. RO50044255: 1925. In-Folio. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 8 pages de partitions. A Madame Hélène Chaumont. . . . Classification Dewey : 780.26-Partitions.

Couverture souple. Zustand: bon. RO50052677: 1923. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 27 pages de partitions. Tampon sur le premier plat ainsi que sur la page de titre. . . . Classification Dewey : 780.26-Partitions.

Couverture souple. Zustand: bon. RO50046117: 1962. In-8. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur frais. 79 pages de partitions. Catalogue des oeuvres de Alexandre Tcherepnine. . . . Classification Dewey : 780.26-Partitions.

95, (1) Seiten. Mit Notenbeispielen. Breitrandiges Exemplar. Zweifarbig bedruckte Originalbroschur mit mont. Porträtbild. (Etwas gebräunt). 24x19 cm * Alexander Nikolayevich Tcherepnin (21 January 1899 29 September 1977) was a Russian-born composer and pianist. His father, Nikolai Tcherepnin (pupil of Nikolai Rimsky-Korsakov), was also a composer, as were his sons, Serge Tcherepnin and Ivan Tcherepnin, and two of his grandsons (sons of Ivan), Sergei and Stefan. His son Serge was involved in the roots of electronic music and instruments. His mother was a member of the artistic Benois family, a niece of Alexandre Benois. He was born in Saint Petersburg, Russia, and played the piano and composed prolifically from a very early age. He was stimulated in this activity by the atmosphere at home, whichthanks to his family's Benois-Diaghilev connectionwas a meeting place for many well-known musicians and artists of the day. By the time he began formal theory and composition studies in his late teens, he had already composed hundreds of pieces, including more than a dozen piano sonatas. Among his teachers in Russia were composer Victor Belyayev (pupil of Anatoly Lyadov and Alexander Glazunov), who prepared Tcherepnin for St. Petersburg Conservatory; Leocadia Kashperova (renowned pianist, protégée of Anton Rubinstein); and his professor at the Conservatory Nikolay Sokolov (pupil of Nikolai Rimsky-Korsakov). Notably at that time Tcherepnin's mentor was famous musicologist Alexander Ossovsky, who also was a friend of his father. His works were influenced by composer Alexander Spendiarov. After the 1917 Russian Revolution, the family fled St. Petersburg and settled for some time in Tbilisi, Georgia. In young Tcherepnin's luggage were some two hundred short piano pieces, quite a number of which eventually reached print (notably in his Bagatelles, Op. 5). In Tbilisi he continued his studies at the conservatory, gave concerts as both pianist and conductor and wrote music for the Kamerny Theater (Palmer 1980, 18:637; Korabelnikova 2008, pp. 1640). Because of the political environment in Tbilisi after Georgia was sovietized, the Tcherepnins chose to leave Russia permanently in 1921. They settled in Paris, where Alexander completed his studies with Vidal and Isidor Philipp, who was the head of the piano department at the Paris Conservatory, and became associated with a group of composers that included Bohuslav Martinu, Marcel Mihalovici and Conrad Beck. Philipp secured the publication of several groups of short piano pieces that Tcherepnin had composed in Russia. From Paris Tcherepnin launched an international career as a pianist and composer. In 1925 he won the Schott Prize with his Concerto da Camera, Op. 33. He began yearly visits to the United States in 1926 and later went to the Far East, making several extended visits to China and Japan between 1934 and 1937. He promoted composers in Japan (Akira Ifukube, Fumio Hayasaka, Bunya Koh, and others) and China (He Lüting and others), even founding his own publishing house in Tokyo for the purpose. While in China, he met the young Chinese pianist Lee Hsien Ming (1915-1991), and the two later married in Europe. They had three sons together: Peter, Serge and Ivan. During World War II, he lived in France. The war virtually stopped his musical activities. The immediate postwar period, however, brought a resurgence of creative energies; the result was a number of important works, beginning with Symphony No. 2 (composed 1947, not orchestrated until 1951). In 1948, he went to the United States, settling in Chicago in 1950 and in 1958 acquiring United States citizenship. He and his wife taught at DePaul University in Chicago. His students there included Phillip Ramey, Robert Muczynski, Gloria Coates, and John Downey. Tcherepnin's Symphony No. 3 was written while in Chicago during this time, commissioned in 1951 by Patricia and M. Martin Gordon who were the founders of Princess Pat, a Chicago-based cosmetic.…

Pas de couverture. Zustand: bon. RO50052485: 1924. In-Folio. En feuillets. Etat d'usage, Tâchée, Coiffe en pied abîmée, Intérieur acceptable. 9 pages de partitions. Tampon sur le premier plat ainsi que sur la première page. Edition réviséeet doigtée par I. Philipp. Petites déchirures aux extrémités des pages, sans conséquences sur la lecture. Léger manque sur le haut du premier plat. . . . Classification Dewey : 780.26-Partitions.…

Zustand: 1900-1930. TCHEREPNINE Alexandre Sonate en Fa Majeur pour Violon et Piano par Alexandre Tcherepnine Paris, A. Durand & Fils Editeurs D. & F. 10.276 XXe siècle 1923 25 + 8 pages 34.5 x 27.0 cm Très bon état 027971 Violon et Piano.

This Russian-born American composer ended up in France after the Russian Revolution, where he performed and composed prolifically -- symphonies, orchestral pieces, piano concertos, operas, ballet and choral music; post-WW2 he emigrated to Chicago, where he taught and composed. Remarkably beautiful ALS, 1p, 6" X 11", Vanves, France, n.y. [likely early 1930s]. Near fine. On a lovely, heavy, tannish tissue paper, Tcherepnine pens in his usual miniscule script and black ink a note to unidentified "Cher ami" in French, referring to the first performance of his new work "Suite georgienne" and the Salle de l'ancienne Conservatoire in Paris; he switches to English briefly near the close, when noting trying to reach someone by telephone "but was unsuccessfull!" This handsome note occupies only a small central portion at the right margin, much of this sheet being filled with an extraordinary partly hand-drawn and partly inkstamped color drawing, presumably Japanese, depicting a monkey descending the branches of a tree bearing numerous orange flowers against a pale blue background. Wonderfully executed in pale, soft colors. At lower right and lower left are small inkstamped insignias that we assume indicate the artist. A truly exceptional letter from the young composer.…