taviani ferdinando (16 Ergebnisse)

Zustand: New. Idioma/Language: Español. Este libro ofrece una visión del teatro italiano del siglo XX, de sus mejores textos y de sus espectáculos. El autor opera una selección exigente y la expone vinculándola a una teoría interpretativa global, que le permite plantear con originalidad un horizonte articulado del conjunto. El lector encontrará una abundantísima y rigurosa información, que comprende casi una guía de autores y obras. En él constan junto a los clásicos contemporáneos como Pirandello, una re-valorización deexcelentes actores-autores de teatros dialectales como los napolitanos Raffaele Viviani y Eduardo De Filippo, así como las grandes aportaciones italianas del siglo al estudio y la crítica teatrales. Todo ello, enmarcado con pinceladas de historia cultural, reflexiones teóricas y antropológicas y sin descuidar las aportaciones y la relevancia de los maestros europeos en el panorama italiano. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Softcover. Zustand: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: DISCRETO. Firenze, Le Monnier cm.14x20, pp.207, brossura.

Rústica. Zustand: Nuevo.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Hardcover with unclipped dust jacket in good condition. Jacket is marked, foxed and sunned. Edges are creased and nicked, including small tears. Boards are lightly blemished. Corners and spine ends are bumped. Page block, pastedowns and endpapers are a little tanned and foxed. Previous owner's name penned to FEP. Binding is sound and pages are clear. LW. Used.

Zustand: Nuevo. Hombres de escena, hombres de libro editado por Universitat de valencia.

Zustand: NEW.

Soft cover. Zustand: Very Good. price stamp on half-title page otherwise unmarked, binding cracked towards middle but no loose pages, 134pp, VG. Book.

Zustand: BUONO USATO. ITALIANO Anno 1972 non completo, presente solo n 5. Rivista trimestrale di studi e ricerche sullo spettacolo diretta da Ferruccio Marotti e Cesare Molinari. Il volume si presenta in buono stato di conservazione. Il dorso e le copertine mostrano lievi segni di usura e un velo di polvere. Le pagine interne sono ingiallite dal tempo e fruibili. I tagli bruniti e regolari. La cerniera è ben salda. Numero pagine 176.

Softcover. Zustand: Very good. First edition. Theatre.

Legatura editoriale in piena tela con sovracoperta fig. a colori (protetta da acetato). Ottimo esemplare. 8vo (cm. 22), CXXIV-587 pp., 2 cc.nn. Con una tavola a colori in antiporta.

Zustand: new.

Zustand: NEW.

orig.wrappers. Zustand: Rubbed. Good. 40pp photoplates. (illustrator). 20x12cm, 199,(40) pp., Translated from Danish, Italian, and Norwegian. Collection of writings by Barba on theatre. ["Eugenio Barba (born in Brindisi, [born 29 October 1936) is an Italian author and theatre director based in Denmark. He is the founder of the Odin Theatre and the International School of Theatre Anthropology, both located in Holstebro, Denmark.,.Although Barba was born in Brindisi, he grew up in Gallipoli in the Province of Lecce, where his family came from. His family's socio- economic situation changed significantly when his father, a military officer, was wounded in the Second World War and died soon after.Upon completing high school at the military academy of Naples in 1954, he abandoned the idea of following his father into the military. Instead, in 1954, he emigrated to Norway to work as a welder and a sailor. He also took a degree in French, Norwegian literature and history of religion at Oslo University. In 1961 he went to Warsaw in Poland to study theatre direction at the State Theatre School, but left one year later to join Jerzy Grotowski, who at that time was the leader of Teatr 13 Rzedow in Opole. Barba stayed with Grotowski for three years. In 1963 he traveled to India where he had his first encounter with Kathakali, a theatre form which had received little attention in the West up to that time. Barba wrote an essay on Kathakali which was published in Italy, France, the USA and Denmark. His first book, about, Grotowski In search of a Lost Theatre, was published in Italy and Hungary in 1965.,." - wikipedia].