tannous david (5 Ergebnisse)

Soft cover. Zustand: Good. Softcover, 16 pgs. 8.5 x 9.5 in. Essay, 9 b&w photographic illustrations, checklist, bio, exhibitions. Catalog for traveling exhibition, 1980-81. Some wear to upper left corner, rubbing to cover.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 29 (SALE item)* 18 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Good. First Edition. 4to. Hard Covers. Firm binding, clean inside copy. Age toning. Dust jacket, toned, protected in a mylar book cover. Very Good. 127 pp.Color plates."A collection of Joyce Tenneson's ethereal photographs of the human figure. This book includes an illustrated interview with art critic David Tannous, which explores the autobiographical influences on her work." Introduction by Vicki Goldberg and interview by David Tannous.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Zustand: Good. 4to. 136 pp. Oblong. Near Fine. Soft Cover. Illustrated paper wraps. Color plates throughout.Collection from San Francisco Museum of Modern Art.

Boston, Toronto, London: Bulfinch. 1992. 4to. Original grey cloth, in photo-illustrated dust-jacket; pp. 127, [1]; illustrated with colour photograph plates; fine.First edition of the first book to feature Tenneson's colour work.Published to coincide with a travelling exhibition originated by the International Center of Photography, New York, it presents the full range of Tenneson's personal colour work since she began to work in colour in the mid-1980s. An illustrated interview includes examples of her fashion and portrait work as well. The interview explores the autobiographical influences on Tenneson's work and underscores the intimate yet disquieting power of these startlingly beautiful photographs.