tamamura (42 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Vinyl Bound. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback Bunko. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good.

Paperback Bunko. Zustand: Brand New. Japanese language. 5.91x4.02x0.47 inches. In Stock.

Paperback Shinsho. Zustand: Brand New. Japanese language. 6.77x4.33x0.43 inches. In Stock.

Hardcover. Zustand: Very Good. Illustrated By K. Ogawa (Flower Collotypes), Kozaburo Tamamura (Hand Colored Albumen Photographs) (illustrator). First Edition Thus. Section Ten Only, Volume 10 Of 10, Pages 347-382 + Table Of Contents Only, Uncut Double Pages, Three Large (8 X 10 In) Hand Colored Albumen Pictures, 1 Large Round Color Collotype By K. Ogawa Of Flowers, And 18 Colored Photographs Mounted In The Text. The Four Large Hand Colored Albumen Photographs Are The Great Bell At Choin-In Temple, Kyoto, Tmangwanji Temple At Nikko, Washing Kiminos, And Village Wrecked By Earthquake. #75 Of 100 Copies Of The Imperial Edition, Bound In Olive-Grey Silk With Mounted Title And Decorations In Heavier Silk, Endpapers Are Japanese Paper With Embedded Gilt Squares And Specks. The Boards And Pages Are Bound With Cords. Silk Is Clean But With Some Wear At Edges And Worn Through Along Lower Edge Of Boards And Spine.

Zustand: New. In.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 8.27x5.75x0.71 inches. In Stock.

Paperback. Zustand: Brand New. 100 pages. 9.50x6.25x0.25 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 7.80x5.55x0.94 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This brief describes studies conducted by the authors on mid-size drugs utilizing peptides and peptidomimetics, and on the development of anti-HIV agents. Peptides are important biological molecules and have various physiological actions. Peptide-based drug discovery may help bring about the development of useful medicines that are highly safe and show potent pharmacological effects in small doses. Recently, it has been shown that there is an important drug-like space in the mid-sized region between low- and high-molecular-weight compounds. Thus, mid-size drugs such as peptide compounds are being focused on. To date, several peptidomimetics that mimic primary, secondary, and tertiary structures of peptides have been developed to maintain and improve biological activities and actions of peptides. In this book, the features and advantages of mid-size drugs are described in detail. In addition, the merits of utilizing peptidomimetics in the development of mid-size drugs are referred to. Understanding such peptide-derived mid-size drugs will lead to a comprehensive expansion of medicinal chemistry.

Taschenbuch. Zustand: Neu. Mid-size Drugs Based on Peptides and Peptidomimetics | A New Drug Category | Hirokazu Tamamura (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2018 | Springer | EAN 9789811076909 | Verantwortliche Person für die EU: Springer Nature Customer Service Center GmbH, Europaplatz 3, 69115 Heidelberg, productsafety[at]springernature[dot]com | Anbieter: preigu.

Hardcover. Zustand: Good. No Jacket. 1st Edition. English text.; Hardcover (Japanese style silk binding).; 0.9 kg, 20 x 27.5 cm.; 58 pages with text plus 50 pages with plates, each page with tissue guard paper.; Used with signs of wear on the exterior and interior. The exterior shows edge wear and wear marks on the front cover, spine and back cover. The bottom edges are slightly turning inwards. Small dent near the bottom right side of the front cover. Signs of wear on the interior, namely on the edges of same pages which are slightly worn and also on some of the tissue guard paper of the plates, which are bent in same pages and a few show small chips. A few wear marks throughout the interior. Good condition overall.; The interior is signed and dated by the author on the second page and has an ex-libris sticker glued to that page.; "A prolonged stay in Japan this year gave me the opportunity to get, through the kindness of my friends Baron Kuki and Mr. A. S. Mihara, the collection examined by the well-known experts Messrs. Y. Imaizumi, Director, and S. Fujiya, Assistant Director, of the Department of Fine Arts, Imperial Museum, Tokyo; and their criticism, careful study and verification of the various articles with information of makers and dates, have been most interesting and valuable. I was glad to find that the collection was considered a good one and that it proves to be fairly representative in makers and periods; I know it contains many good pieces which cannot be surpassed. My friends T. B. Glover, B. H. Chamberlain, and J. Conder, old residents in Japan have assisted me in obtaining many pieces from private owners and old-fashioned dealers not accessible to the ordinary "globe- trotter;" and from Mr. Nomura of the well-known and reliable "Samurai Shokai" Store, Yokohama, I have obtained several of the older period articles. It is quite impossible without seeing a gold really good piece of lacquer, especially, to have any idea of the wonderful beauty of the work, and the photographic illustrations give no idea of the brilliancy and colouring of so many of the articles, but only show shapes and designs thus leaving much to the imagination; however, this little catalogue will serve as a "reminder" to those who have seen some of the pieces. It may be noticed that few of the lacquer articles are "signed." It is a pity that practically only Inros were signed and some of the best of these were not inscribed. It is therefore difficult for a non-expert to tell whether lacquer is genuinely old or not and to fix with any degree of accuracy the period of articles. I am informed that in old days no lacquer articles, made for the court or the nobility, were signed, although all metal work used for military purposes, such as swords, tsubas and other ornaments, was signed, often at length, by the makers. It would seem therefore as if it had not been the fashion, for the old lacquer articles were highly esteemed and honoured. At present, signatures are invariably added to imitations, and being an attraction, are sought after by the unwary buyer. I have to specially thank my good friend, W. B. Mason, of Yokohama, for advice and help in many "curio-hunts" and for kindly seeing to the printing of this little book, which, as will be seen, is conversational and does not pretend to be "literature."" excerpt from the introduction by James Orange. Signed by Author(s).

Zustand: Very Good. First edition. Hardback. Oblong octavo. Original pinted cloth covers, title page, 24 nglish-captioned colour plates, collotyped and hand painted in Japan. Front board detached otherwise clean , near very good. No date, c.1890s.

A charming small Japanese album (18 x 13.5 cm) with fifty hand-coloured albumen photos protected with tissue guards, pasted on thick cardboard. The leaves are double folded. Original lacquered boards with gilt decorations on both covers. The album contains twenty-five photos of scenic views from different parts of Japan: Yokohama, Nikko, Hakone, Kamakura and Tokyo. Several have printed captions. The reverse side contains twenty-five photographs of people and costumes, many of women. Some foxing to the cardboard but all the photos are in good condition. This type of souvenir album began to appear in the second half of the 19th century in Japan. At first most photographic studios were based in Yokohama but after the 1880s several studios opened in Tokyo, Kobe and Nagasaki. See Terry Bennett, Old Japanese Photographs, London, Quaritch 2006.

Oblong 8vo. Colour-printed title leaf, introduction, Japanese colophon and 16 hand-coloured collotype photos, printed on one side only, protected by tissue guards. Captions in English. With an ink stamp reading "T. Takagi" printed over Tamamura's name on the colophon. Original silk covered boards, silk ties, lightly rubbed.Interesting album dedictaed to the process of making porcelain in Japan. The lovely photos show the different stages in processing the clay, including processes such as kneading, filtering and shaping the clay, and further depict the process of painting, coating and enamelling the wares. Teijiro Takagi, prolific photographer who bought Kõzaburõ Tamamura's branch studio in Kobe in 1904. He produced hand-coloured lantern slides and collotype albums, mainly for tourists. Ref. Bennett: "Old Japanese Photographers and Collections Data Guide" (2006), p. 292.

30 Photographien (Albuminabzüge) 19,5 x 25 cm, beidseitig auf 15 starke Kartonblätter montiert, Goldschnitt. Quer-Folio. Orig.-Halbleder mit Rücken- u. Innenkantenvergoldung, die Deckel mit floraler Lackmalerei in Schwarz u. Gold auf rotbraunem Grund, in den Vorderdeckel eingelassen Lackmalerei (Iris u. Schwalben am Wasser) in Gold u. Silber auf rotem Grund; in samtgefütterter Orig.-Leinen.-Kassette u. Orig.-Weißblech-Schuber mit passendem Deckel (die Kartons teilweise stockfleckig, gewellt, die Seidenpapier-Zwischenblätter knittrig, eines fehlt. Rücken leicht berieben, der schöne Lackeinband sonst von ausgezeichneter Erhaltung) * Tamamura (1856-1923?), einer der Urheber der japanischen Souvenirphotographie, eröffnete 1874 ein Studio im Tokyoter Stadtteil Asakusa, ehe er 1883 nach Yokohama zog, wo er bis 1909 tätig war. Die zart kolorierten Albuminabzüge zeigen Ansichten, darunter Enoshima, Hakone, Nagoya, Nara, Nikko, Osaka, Takinogawa, Tokyo und Yokohama sowie einige Portraits, Genrebilder und Kostüme. Zum Teil im Negativ numeriert und mit Bildlegende (Romaji).

Hardcover. Orient Edition, #460/1000. Folio, ten volumes. In Good condition. Bound in traditional "fukuro-toji" binding (pouch-binding), and covered in full brocaded cloth, each with a unique floral pattern. Front boards have paper labels with gilt lettering. All boards have fraying and tears to extremities, soiling primarily to spines, denting to edges, and fading throughout. These volumes are ex-library books. Some boards have mild adhesive wear along the bottom joint, presumably from old library labels. All textblocks have library stamps and pencil marks to the copyright pages, library cards and pockets adhered to the rear pastedowns, several instances of light off-setting from plates, light age toning, and tears to the edges of some pages (not impacting text). Textblock of volumes 1-4, 6-10 have the bookplate of "Henry E. Treide" to the front pastedowns, and volume 5 has the same bookplate to the rear free end page. Volume 1 textblock has a large open tear to the page titled "Bronze Buddha at Kamakura" (not impacting text). Volume 2 textblock has a hole to the front free end page. Volume 10 has some pages that have been cut, presumably from a previous owner who did not know the folded pages were intentional. Shelved in Room F. CONTENTS: VOL I: (34 pages, plus a frontispiece and 3 plates);-- VOL II: (35-74 pages, plus a frontispiece and 3 plates);-- VOL III: (75-112 pages, plus a frontispiece and 3 plates);-- VOL IV: ( 113-152 pages, plus a frontispiece and 3 plates); VOL V: (153-190 pages, plus a frontispiece and 3 plates);-- VOL VI: (191-230 pages, plus a frontispiece and 3 plates);-- VOL VII: (231-268, plus a frontispiece and 3 plates);-- VOL VIII: (269-308, plus a frontispiece and 3 plates);-- VOL IX: (309-346 pages, plus a frontispiece and 3 plates);-- VOL X: (347-382, plus a frontispiece and 3 plates). Frontispieces are colored collotype prints of flowers. Plates are hand-colored albumen prints. "Japan: Described and Illustrated by the Japanese" was a multi-volume series of books published by the J. B. Millet Company between 1897 and 1898. The project was conceived by publisher Josiah Byram Millet, who secured financial backing from the Japanese government. The series is notable for its use of over a million hand-colored albumen prints, a more expensive and time-consuming process than the photomechanical methods common at the time. Although not credited, the photographs were supplied by the commercial photographer Tamamura Kozaburo, who reportedly hired more than 350 assistants to fulfill the large order. The text contributions from Japanese scholars were organized and translated by Captain Francis Brinkley. There were at least 16 different folio multi-volume editions released. 1403872. Special Collections.

50 hand-tinted albumen prints (30 captioned with studio stock references) mounted on thick gilt-edged card leaves19.5 x 25 cms, in an album 27.5 x 35 cms; elaborately lacquered boards (scuffed and chipped) inlaid with mother of pearl (with loss) over quarter calf (renewed), bevelled edges, gilt dentelles, endpapers gilt-flecked, some fading and spotting to the images and toning to the margins of the card leaves, but a very good, handsomely bound collection. Beautiful studio album containing a collection of 50 hand coloured photos of Japan, with a splendid lacquered and decorated cover. The photos were commercially produced images which were sold to foreign visitors who had the studio place photographs in an album of their choice. This album is unusually interesting because (unlike many where photographs were more randomly placed) the images have been selected and arranged geographically, beginning in Tokyo and moving southwards: Nikko, Yokohama, Miyanoshita & Hakone Lake, Mount Fuji, Kyoto, Osaka, Kobe and Nagasaki. There are fine images and portraits of geisha, including an uncaptioned image of geisha seated, possibly by the Kamo River in Kyoto, entertaining a male guest. A lute is placed on the rice mat together with a tray of beer. One of the geisha is looking straight to camera, a striking composition. Another uncaptioned, in the Kyoto group, is likely to be in Arashiyama, shows a sandalled figure on a mountain path overlooking the leisure boating below. There are also images of pagoda, fishing, rice planting, street vendors and markets. More than half the photographs appear to be from the studio of the Yokohama based photographer Tamamura Kozaburo (c.1856-192?) who at his height was described as "the best photographer in Yokohama". As Terry Bennett has attested, Tamamura's business strategy of selling souvenir albums of views and costumes to foreigners became a "winning formula". (see Terry Bennett, "Early Japanese Images", Tuttle 1996, and "Photography in Japan 1853-1912", Tuttle 2006).

Rare First Edition. Circa 1907. Oblong folio album, original decorated silk padded boards, with silver embroidery and ties. All edges gilt. Title page printed on charcoal paper with decorated borders and text in silver, followed by 24 hand coloured collotype photographic prints on cream paper, with tissue guards. The silk boards have been professionally restored. In a very good condition. One of several similar albums produced by the studio of Kozaburo Tamamura, who was one of the originators in Japan of photographic albums of this kind for tourists. The subject of these photographs include Kyoto, Osaka, Shikoku, with scenes of temples, pagodas, rivers, lakes and Fujiyama etc, with captions in English. 420 mm x 190 mm (16½ x 7½ inches).

, lacquer work boards containing concertina album of 32 colour tinted (13.5 x 10.5 cm) photographs of people in Japan, the photos show costumes, people at work, temples, views (including a view of the bay and town at Nagasaki) , a few small chips to the boards, some scratches to the rear board, most tissue guards are missing, pages are marked but photos are clean, previous owner's name in pencil to title label, good condition , black lacquer boards with gilt and red illustrations , 15 cm x 20 cm Hardback ISBN:

Oblong folio. (19 x 42 cm). With lithographic title and 24 hand-coloured collotype printed plates on high-quality paper. Protected by tissue guards. Original silk padded boards, mount Fuji in embroidery on upper cover, purple silk ties, all edges gilt. The silk tattered along edges. Old inscription on front paste down. A deluxe edition, well-preserved.Kozaburo Tamamura (1856-1923?) was a famous Japanese photographer with a studio in Yokohama where he specialised in tourist photographs for export. In the early 1900s a branch office in Kobe was opened. The beautiful plates depict scenes from the countryside, gardens, parks, sea and temple grounds from different parts of Japan. With captions in English. A wonderful copy of a scarce work.

Mit 20 kolorierten photographischen Abbildungen. 23 Bll. Cultivation of Japanese Rice. - Die Abbildungen zeigen den Anbau und die Verabeitung von Reis in Japan gegen Ende des 19. Jahrhunderts vom Pflügen des Feldes über Bewässerung und Verkauf. - Innendeckel leicht stockfleckig, ansonsten guter Zustand. Sprache: Deutsch Gewicht in Gramm: 0 Quer-Kl.-4to. OLwd. (Fadenbindung) in OPp.-Mappe.

Oblong octavo (18cm x 26cm). Original silk-covered boards, bouond with red silk cord; 19 colored collotype plates. Gift inscription from an N.L. Thacker on verso of title page, dated 1914; child's ownership inscription on verso of final plate ("Ermy Tharp, Novato, Cal" dated 1936). Rubbing and wear to board edges; internally clean and sound - a Very Good copy, with all plates present. An attractive Meiji Era souvenir album with subtly hand-tinted collotype plates depicting a traditional Japanese wedding ceremony. One of several editions produced between 1906 and 1920; per the excellent bibliography of Tamamura's souvenir albums at , ours would appear to be the Third Edition of 1910.

Two photographic prints 14.3 x 10.3 and 13.1 x 9.4 cms (images) mounted on stamped studio card: 22.5 x 15.8 and 18.5 x 13.3 cms (the smaller a little bumped and stained to a lower corner), faint spotting to one image and some silvering in the other, the larger signed in the image "Arthur, 1901" and the other "Yours sincerely, Francis Ayres", in very good condition. Handsome portraits of young British naval officers from the famed studio of Kozaburo Tamamura (c.1856 - 1923), a pioneer of Japanese photography during the Meiji Period.

23 Bll., Mit 20 kolorierten photographischen Abbildungen auf Taf. Quer 8° Mappe mit Kordelbindung. *Widmung auf Titel*.

Zustand: Good. Folio. 32 x 29.7 cm. 10 volumes. Original brocaded silk covers, most very fresh; one slightly aged. Paged continuously. Bound in Japanese style; folded leaves, printed on one side of leaf only.The greater part of the plates preceded by guard sheet with descriptive text.Yedo edition, limited to one thousand numbered copies.The collotype prints of Japanese flowers are made in Tokyo by K. Ogawa. The Xylograph prints, illustrating the lecture on Japanese art by K. Okakura . are printed in Tokyo by the Kokkwa Publishing Company. The photographs are all made and colored by hand in Japan . The silk bindings . for the ten sections were woven to order in Kyoto by S. Iida.CONTENTS:[1] The empire, its size, buildings, cities and scenery. Painting of the Nara epoch, 8th century.[2] Early Japanese and their history. Painting of the Kose school, 10th century.[3] Establishment of the Tokugawa Dynasty and Japan's relations with the Orient in the early ages of the Christian era. Painting of 11th century.[4] Medieval Japan. Mongol invasion. Painting of 12th century.[5] Yoshitsuna, Genghis and the Mongol invasion (concluded). Painting 13th century. (Con't) .[6] Religion and rites. Painting 14th century.[7] Festivals. Observances and pastimes. Painting 16th century.[8] Observances and pastimes (concluded). Japan's commercial and political intercourse with foreign countries. Painting 17th century.[9] Japan's commerical and political intercourse with foreign countries (concluded). Attitude of Japan toward foreign residents. Japanese finance. Painting by Itcho, 1652-1724.[10] Attitude of Japan toward foreign residents. Japanese finance (concluded). Painting by Keibun, 1778-1843.Francis Brinkley (1841 -1912) was an Anglo-Irish newspaper owner, editor and scholar who resided in Meiji period Japan for over 40 years, where he was the author of numerous books on Japanese culture, art and architecture and an English-Japanese Dictionary. He was also known as Frank Brinkley or as Captain Francis Brinkley and was the great uncle of Cyril Connolly.OCLC Number / Unique Identifier:9268280.

[Yokohama ca 1880].Hand-colored, large albumen photograph, 26 x 20 cm., board mounted: 35.5 x 28.3 cm.,image: 26.3 x 20 cm., sharp, clear image, minimal touch of minor fading,with English label at bottom reads: "584 OTAGIRI NIIGATA." RARE ! . *** **** *** . . LARGE-SIZE HAND-TINTED ALBUMEN PHOTOGRAPH . . . SHOWING OTAGIRI NIIGATA "ZIG-ZAG" ROAD . . . MOST LIKELY AN IMAGE BY THE YOKOHAMA PHOTOGRAPHER . . . TAMAMURA KOZABURO . * This excellent image shows a broad view of the famous sight of the 'zig-zag' road in Otagiri, the pine forest in Niigata. . Being one of the famous sights in Japan, this excellent mid- 19th century example shows the road and the bridge going up the mountain. , Artistically composed, the photographer captured the essence of the uniqueness of this sight. . The photograph was mounted on the decorative-bordered board, with the English language, numbered label. . * NOTE: Identity of Photographers: It was the custom of the period for Japanese photographers to buy, sell & trade with other photographers images to enhance their own photo albums, souvenirs sold to foreign visitors to Japan. . That necessarily means the actual, original photographer of images was mostly lost to posterity. It is possible in some cases to identify negatives by their numbers [if present] or by 'artistic analysis' meaning by style of the photograph, against known examples. This is more an 'art' than a 'science' at best. Educated guesses are the norm these days. . This photograph follows the style and type of commonly photographed landscape and scenery taken by Tamamura. Also the album page border design is similar to other albums we have had by this photographer. It's an 'educated' guess as t the identity of this photographer. . *** THE PHOTOGRAPHER -TAMAMURA KOZABURO [1856-1923?]: . He worked in his Yokohama studio & provided images, albums and photographic service to both Japanese and mostly his foreign clients by 1881. His family were hereditary retainers to the Hoshinno of Rinnoji, a branch of the Imperial family whose head had served as chief priest to the main temple in Nikko since 1654 ergo his interest in taking photographs of the temples there. . His business thrived with the sudden influx of foreigners to Japan and he gained a reputation as a very skilled professional & provided large orders for glass slides and photographs to universities of Cambridge & Chicago. . He was internationally renowned and was commissioned to provide the stunning figure of 180,000 albumen hand-colored photographs of Japan for the book by F. Brinkley: JAPAN: DESCRIBED AND ILLUSTRATED BY THE JAPANESE. [See our website for an example of this title] . His photographs are an excellent record of an earlier Japan, capturing the Japanese as they were, in native dress, the scenery and life styles of the period. . *** CONDITION: The photograph is nicely hand-colored, with a minimum of fading. The image is sharp and clear. The board has a bit of the usual edge 'toning' which is commensurate of an item of this age and period. There is a hint of a tiny bit of typical fading, nevertheless the image is strong with excellent color. The back side of the board is clean with typical bit of usual toning. . This appears to be one of a group of loose photographs contained in a portfolio of perhaps 12-24 images. . *** Color photos are posted to our website. . *** REFERENCE . The following are some useful bibliographies to consult for more information on this album and Japanese early photography in general: . BENNETT, Terry.: EARLY JAPANESE IMAGES . --.OLD JAPANESE PHOTOGRAPHS: COLLECTORS' DATA GUIDE. * H. Bayou: FELICE BEATO ET L'ECOLE DE YOKOHAMA. JAPANISCHE PHOTOGRAPHIE 1860-1929. * H. Cortazzi: JAPAN CAUGHT IN TIME. * [Feliz Beato/R. von Stillfried]: ONCE UPON A TIME: Visions of Old Japan from the Photos of Beato and Stillfried & the Words of Pierre Loti. * Claudia G. Philipp et al: FELICE BEATO IN JAPAN: Photographien zum Ende der Feudalzeit 1863-1873. * C. Worswick: JAPAN PHOTOGRAPHS 1854-1905. * Philipp March & Claudia Delank: THE ADVENTURE OF JAPANESE PHOTOGRAPHY 1860-1890. * LA LEGGENDA DI UN IMPERO: Felice Beato e la scuola fotogarfica di Yokohama alla scoperta del Giappone 1860/1900 for more useful details, valuable images and information. * M. Banta: A TIMELY ENCOUNTER 19TH CENTURY PHOTOGRAPHS OF JA AN. * L. Hoerner: EINE FOTOREISE DURCH DAS ALTE JAPAN. * ONCE UPON A TIME: Visions of Old Japan. * F. Brinkley: JAPAN: DESCRIBED AND ILLUSTRATED BY THE JAPANESE. * TAMAMURA KOZABURO: en-wikipedia-org/wiki/Tamamura_K%C5%8Dzabur%C5%8D . ***.