Takahiko iimura (13 Ergebnisse)

Zustand: New. In English.

paperback. Zustand: Very Good. Collection of writings by avant-garde Japanese film-maker and multi-media artist Takahiko IImura; b&w illustrations; Very Good throughout; wraps lightly curled at edges. . 199pp. 8vo. Very Good. b&w illustrations (illustrator).

74 S. Oktn 4°.

Broschiert. Zustand: Sehr gut. Deutschsprachige, überarbeitete Fassung von "Film and Video", Katalog des "Anthology Film Archives", New York 1990. Aus dem Inhalt: Vorwort von Jonas Mekas; McDonald, Scott: Die Filme von Takahiko Iimura / Ein Interview mit Takahiko Iimura; Iimura, Takahiko: Über "Refelcted Cinema" / Talking Picture (Die Struktur der Filmsbetrachtung) / Film-Installationen / Die Struktur des Sehens und Hörens etc. 76 S., zahlr. s/w Abb. Umschlag an den Rändern leicht lichtrandig, sonst sehr gutes, sauberes Exemplar Sprache: de Size: 4°. de (illustrator).…

Soft cover. Zustand: Near Fine. 1st Edition. Title - Takahiko Iimura - Film und Video /Author - Scot Mc Donald /Publisher - Daadgalerie /Year - 1992 /Language - German /Binding - Paperback /Size - 21,5 x 26cm /Pages - 76 /ISBN - 3893570365.

ART - A DIALOGUE ON PEACE (Kunstkatalog zur gleichnamigen Ausstellung) Kanagawa, Ohkurayama Memorial Hall Yokohama Oct. 1986, 263 SS. Pb. quadratisch kl. 4°, mit vielen s/w-Fotos der Arbeiten von : Günter Uecker, Klaus Staeck, Keji Uematsu, Takahiko Iimura, Shuzo Ikeda, Toshikatsu Endo.u.v.a.

Pas de couverture. Zustand: Très bon. Rare autograph card signed. + Photo 21x15 cm (recent print) Size : 8x13 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

[1] pp.; 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single-sided flyer for event held at New York University, December 16, 1967. List of performers includes Kenneth Werner, David Behrman, Philip Corner, Michael Czajkowski, Richard Friedman, George Flynn, Malcolm Goldstein, Dick Higgins, Takahiko Iimura, Alison Knowles, Alvin Lucier, Jackson MacLow, Carol Marcy, Charlotte Moorman, Max Neuhaus, Nam June Paik, Benjamin Patterson, Morton Subotnick, James Tenney, and John Van Saun. Presented by Kenneth Warner with the sponsorship of the Weinstein Student Government. Very Good. Mailed copy, folded in three for mailing, with mailing marks on verso, hand-addressed in ink. Slight soiling at top left corner.…

[2] pp.; 27.8 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; mimeograph; Double sided program for films presented at Film-Makers' Cinematheque from April - March, 1965. Films presented include "Forty Guns" and "Shock Corridor" by Samuel Fuller; "The Frantic, Pedantic, Semantic, Antic," by Ira Schneider; "A Fall Trip Home," by Nathanael Dorsky; "Ningen Dobutnen," by Yoji Kuri; "Love," by Takahiko Iimura; a new film by Andy Warhol; "Gardens of Tivoli," by Arthur Tress; the premiere of "The Lark" by Rudy Burkhardt; "Fireworks," "Eaux d' Artifice," "Inaugeration of the Pleasure Dome," "Scorpio Rising," by Kenneth Anger; Mike and George Kuchar retrospective including "A Reel of Home Movies," "The Slasher," "The Naked & the Nude," "The Thief and the Stripper," "I was a Teenage Rumpot," "Pussy on a Hot Tin Roof," "The Lurk," by Rudy Burckhardt; the premiere of "Sins of the Fleshapoids," by Mike Kuchar; Harry Smith retrospective; films of Jerry Joffen; Sidney Peterson retrospective including "Cage," "Lead Shoes," "Mr. Frenhofer & the Minotaur," "Petrified Dog," "Potted Psalm,"; "O, Dreamland," by Lindsay Anderson; "Guernica," by Alain Resnais; "Nu," by Anonioni; "Opera Mouffe," by Agnes Varda; "Pacific 231," by Jean Mitry, "Symphony in No B Flat," by Rudolfo Khun; "World of Paul Delvaux," by Henri Storck; "Hallucinations," by Peter Weiss; "As is Played Today," Joseph Anderson; "The Path," by Richard Meyers; "Private Life of A Cat," by Alexander Hammid; "Object Lesson," by Ch. Young; Odds & Ends," by Jane Belson Conger; "Smoke," by Joseph Kramer; "Krushchev," by Robert Lebar and Howard Kaplan "Metanoia," by Ilya Bolotowski, and Herbert Vessely. Recto contains text of program, verso printed with blue monochrome advertisement for soundtracks by mimeograph design company The Verbatim Service Company, owned and operated by Dick Kern. Good. 1 cm. loss to lower right corner; 1.2 cm. loss to upper left corner; 9 mm. loss to upper right corner; 4 mm. tear to lower left corner. Paper yellow and brittle with age. …

[2] pp.; 87.2 x 56.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. Artists included Shuya Abe, John Alpert, Eric Anderson, Oliver Andrews, Eleanor Antin, Ay-o, Claudio Badal, Shridhar Bapat, Fred Barzak, Gregory Battcock, Bill Birch, Frank Braynard, Dennis Brennan, Brenda Bufalino, John Cage, Domenick Capobianco, Jackie Cassen, Laura Cavestany, Joel Chadabe, Rhys Chatham, Emanuel Ghent, Dick Higgins, Ralph Hocking, Wayne Hycle, Glenda Hydler, Takahiko Iimura, Iris, Sylvia Johnson, Joe Jones, Allan Kaprow, Alison Knowles, Kenneth C. Knowlton, Shigeko Kubota, Joanne Kyger, Gilles Larrain, Standish Lawder, Francis Lee, Rick Lefrak, John Lennon, Carl Linder, Anna Lockwood, Alvin Lucier, Mary Lucier, Stanley Lunetta, Ernest Lurker, Christo, Shirley Clarke, Beverly Conrad, Tony Conrad, Philip Corner, Bob Cowan, Doug Davis, Henny DeKnegt, Storm de Hirsch, Bill Denner, Dimitri Devyatkin, Ken Dewey, Robert Diamond, Hans Joachim Dietrich, Eugene Dolgoff, Juan Downey, Franklin Drake, Jean Dupuy, Tom Drysdale, Ed Emshwiller, Jeni Engel, William Etra, Ralston Farina, Wolfgang Feelish, Peter Frank, Si Fried, John Fulop, Jeff Garrett, Davidson Gigliotti, Frank Gillette, Amy Greenfield, Donna Grob, Alex Gross, Walter Gutman, James Harithas, Harlem Drummers & Dancers Park East H.S., Gary Harris, Dermot Harvey, Ron Hays, Jackson MacLow, Marta Minujin, Max Neuhaus, Hermann Nitsch, Pauline Oliveros, Yoko Ono, Nam June Paik, Lil Picard, Otto Piene, Carolee Schneemann, Rudi Stern, Aldo Tambellini, Elsa Tambellini, Stan Van Der Beek, Jud Yalkut, Ben Vautier, Video Freex and others. Very Good. Mailed copy with mailing marks and wear, folded in sixteen for mailing. Stamps (on recto) have been postmarked and there is a return address, however no indication of to whom it was mailed. Two 7 mm pen marks on recto with a 3 mm. tear to center of one of the folds and 1 cm. of adhesive staining to poster edge. Otherwise clean and unmarked.…

Berlin: Kino Arsenal, [1973]. Quarto (29.7 × 21 cm). Original side-stapled printed self-wrappers; 17 leaves printed to rectos with hectographed typescripts, notations, and sketches. Very good. Only edition of the compilation of typed and sketched essays as well as concepts, published in a small run. Takahiko Iimura is regarded as a pioneer of experimental film and video art. After a surrealist phase in the 1960s, he turned in the 1970s to video, as well as to performance and installation art related to it. His work focused primarily on the structures of language and images and was influenced, among other things, by post-structuralist philosophy. (Cf. AKL LXXVI, 2013, p. 185.) Since 1969, Iimura has primarily developed closed-circuit installations which, in contrast to video sculptures, actively involve the viewer in the technical process. Starting from the simple principle of a live camera with a simultaneous monitor image - common in the early days of video installation - he went on to create complex systems employing multiple cameras, monitors, and tape recorders at once. The viewer was confronted with a wide range of perspectives and details of their own image. Iimura also gave the viewer precise instructions, for example, asking them to write their name while speaking at the same time. (Cf. Wulf Herzogenrath and Edith Decker, Video-Skulptur: Retrospektiv und Aktuell 1963-1989, p. 124f). As of September 2025, KVK, OCLC list one copy worldwide. …

A photographic archive documenting the beginnings of Berks Filmmakers in Reading, PA in 1975, an independent film cooperative that continues to this day. Linda Adlestein, wife of Berks co-founder Gary Adelstein, took candid portraits of a number of attendees, many of whom were major figures in experimental cinema and underground film including Jonas Mekas (called "The Godfather of American Avant-Garde Cinema), actor and Warhol associate Ondine, queer cinema pioneer Jerry Tartagalia, Beverly Grant Conrad (actress and filmmaker dubbed "the queen of the underground" by Jack Smith), and Tony Conrad, a filmmaker better known as an experimental music composer associated with The Velvet Underground (he gave them their name, in fact). He can be seen in a print shown in the main archive photo playing film draped around his own head with a violin bow. Quality contemporary photographs are uncommon for many of the artists who attended. The archive consists of 15 8"x10" mounted photos, five 8"x10" prints, eleven labeled envelopes containing about 220 negatives, 15 plastic sleeves with hundreds of negatives, nine contact sheets for some of the negatives, and a holograph letter from Spiral magazine editor Terry Cannon returning the photos to the photographer. The archive is housed in a mailing box addressed from her to her friend Albert Kilchesty, the previous owner. Very Good condition overall. The negatives show some alternate images of the large prints, but also some new faces. For example, these may be the only photographs in existence of Guido Ragini. That's mostly because Guido Ragini didn't actually exist, but was a persona fabricated by Jerry Tartaglia, the queer cinema pioneer. Reputedly he created the persona expressly for the Berks Filmmakers. Guido was an Italian filmmaker who had to use a translator to communicate with fellow attendees. Jerry/Guido would whisper in the ear of his friend (possibly named Dan) who would then translate into English for the crowd. Guido was supposed to next appear in Chicago, but Jerry soon ran out of motivation and let the word spread that Guido died in a bar fight somewhere on the road to Chicago. Still, Jerry was already a celebrity in such circles and probably wasn't fooling anyone, so this is essentially Fluxus performance art in the middle of an experimental filmmakers' conference. Some additional photos from related events are included. Mounted photos are of Bill Brand, Beverly Grant Conrad, [2 photos], Tony Conrad, Robert Gaylor, Barry Gerson [2 photos], Amy Greenfield, Howard Guttenplan, unsung gay experimental film pioneer Roger Jacoby, Jonas Mekas, J.J. Murphy, Ondine, Mark Rappaport, and Japanese experimental filmmaker Iimura Takahiko. Negatives include: Bill Brand, Tom Chomont, Beverly Grant Conrad, Tony Conrad, Storm de Hirsch, Ed Ehmswiller (a noteworthy artist for sci-fi paperbacks in addition to his filmmaking), Greg Gantz, Ernie Gehr, Barry Gerson, Amy Greenfield, Howard Guttenplan (including two sheets of portraits of him), Peter Hutton, Roger Jacoby, Jonas Mekas, J.J. Murphy, Ondine, "Guido Ragini" [Jerry Tartaglia], Mark Rappaport, Pat Sloan, and Iimura Takahiko. A collection of black-and-white original portraits of experimental filmmakers in the mid 1970s-- some now well-known, some obscure-- that documents a heady time in American cinema: while Hollywood (having missed the '60s) was having a renaissance and film culture was at its peak.…

. Gr.8°, 4-blättriges, beidseitig bedrucktes Leporello, 4 Abb. Etw. gebräunt. Programm zu den Vorführungen dreier Filme von Andy Warhol (mit Kurztext) und zweier Filmprogramme mit insgesamt 12 Filmen von Takahiko Iimura.