sympson joseph (13 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: Good. Print: 12 x 15 cm. Plate: 16 x 16 cm. Spot in lower marigin.Theatre ticket design for The Mock Doctor, a benefit at the 'Theatre Royal', designed by William Hogarth. Text under the image reads: 'Theatre Royal, April, a comedy with the Mock Doctor for the Benefit of the Author of the Farce'. Presumably the author referred to is Henry Fielding who wrote the English translation of Moliere's play. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Print: 11.2 x 13 cm. Plate: 16 x 16 cm. Spot in lower marign.Theatre ticket: a stage scene with seven performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736 The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Print: 9 x 11 cm. Plate: 11 x 12cm. Subject:Related to John Gay (British, Barnstaple, Devon 1685-1732) spot in upper margin. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Print: 14 x 18 cm. Plate: 19 x 16.5 cm. Paper: 25 x 22 cm. Oblong.above, a man with a sword to either side and an inscription plaque with weapons below. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

4to, engraved frontispiece by Minari after Pernotin, and pp. v, [i] errata, 248; with a further plate opposite p. 209; with some offsetting of the plates, and occasional dampstains, else a decent copy, uncut in old blue boards, neatly rebacked. First and only edition of a wide-ranging poem in which Alfred the Great is visited by a goddess who shows him the glorious future of England in centuries to come, but whose overall message is that neither strict Protestantism (the reformers were hostile to the arts) nor slavish adherence to Rome (the arbitrary rule of continental Kings is inimical to invention) will result in liberty and progress. Along the way, the poem takes in the invention of printing, Columbus's arrival at the Bahamas, Da Gama's voyage to the East Indies, Michelangelo, poetry (including Spenser, Shakespeare, Jonson, and Milton), music (Handel et al.) and philosophy (Newton, Locke, Addison, Johnson, etc.) Jackson, Annals of English Verse, p. 266.

Zustand: Good. Print: 16.5 x 12 cm. Plate: 19 x 16.5 cm. Paper: 25 x 22 cm. Spot in right margin.Forgery purporting to be a trade-card for James Figg, prize fighter and instructor in sword and quarter-staff; portrait of Figg standing full-length, one hand on his hip, the other on the hilt of his sword, with another man to left of him holding a quarter-staff, in a raised fighting ring with spectators; in a decorative border with crossed swords above, a man with a sword to either side and an inscription plaque with weapons below. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Marmaduke Cradock (illustrator). This print shows a group of birds, including a peacock, hens, and doves, in a classical garden setting with a statue and urn in the background. The composition emphasizes the peacock's feathers.Made by Joseph Sympson after Marmaduke Cradock.Medium: Engraving on wove (vellin) paper.Sheet size: 42.3 x 32.5 cm (16.65 x 12.8 inch). Image size: 41.5 x 31.8 cm. (16.34 x 12.52 inch).MARMADUKE CRADOCK, JOSEPH SYMPSON, BIRD ENGRAVING, PEACOCK, CLASSICAL GARDEN, ENGLISH ART, 18TH-CENTURY PRINTS, ANTIQUE BIRD PRINTS | PCOM-B1-03BACKGROUND INFORMATIONFrom a series of bird groupings.Biography engraver: Joseph Sympson I (also spelled Simpson), was an active engraver and printseller between 1710 and 1750. His works primarily included reproductions of paintings, particularly those of English artists.Biography artist: Marmaduke Cradock (16601717) was an English painter, known for his detailed and naturalistic depictions of birds and animals. His works often include elaborate backgrounds with classical elements. Condition: good, given age. Soiling. Old folding in the middle with tears, backed. Paper edges with small surface paper loss. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.