sylvester tom (18 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Paperback in very good condition. All inside pages are in great shape. Minor shelf wear to the cover.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Paperback. Zustand: Brand New. 275 pages. 9.00x6.00x0.75 inches. In Stock.

Softcover/Paperback. Zustand: Gut. 2. Aufl. [78] S. : zahlr. Ill. ; 15 cm gutes und sauberes Exemplar (2. Auflage 2000) Sprache: Deutsch Gewicht in Gramm: 73.

Paperback. Zustand: Brand New. 352 pages. Spanish language. 6.00x0.79x9.00 inches. In Stock.

Paperback. Zustand: Brand New. 129 pages. 10.50x8.25x0.25 inches. In Stock.

Zustand: New.

Wraps. Zustand: Fine. First Edition; Limited edtion. 8vo 8" - 9" tall; 31 pages; Limited edition of 26 copies, this copy lettered F on the limitation colophon, "Of this edition . Twenty-six copies have been printed on Wausau Natural Royal Fiber in Modern No. 20 font . They have been hand-sewn and enclosed in Chinese Sumi wrappers over an Edwardian valentine fan fascilmile, flanked by the signatures of the subjects and lettered A through Z" Fine copy.

Single Issue Magazine. Zustand: Good. Falk, Sam; Tenney, Gordon; Glass, Douglas; Dantzic, Jerry; Glueckselig, Leo; Owen, Bernard; Doty, Roy; Liebman, Oscar; Little, Tom (illustrator). First Edition. 120 pages. Features: 10 Downing St. Cover Photo; What Bearing does Trade Have on the Cold War and the Chance of Peace?; Britain's Politics - and Britain's Future - photos and brief article; Passport Barrier - The State Department insists on deciding which countries Americans may Visit; The Draft - Many Threatened, Few Chosen; Article and photos of an 'uneventful day at the Berlin Wall; Senator George B. Russell of Georgia - symbol of civil-rights opposition; How JFK gets the answers; Photos of U Thant at the U.N. - 10am to 8pm; Photo-illustrated article on British Painter Francis Bacon; The A-B-C of Director Alan Schneider; Several Lovely fashion ads; Nice Indian Head's new fabrics ad; Photos of 'Folk Song Frenzy'; Nice color ad for Knorr soups; Photos from Spanish Harlem; Lovely fashion photos feature 'The New Decolletage'; Super one-page color Froot Loops breakfast cereal; Photos of the home of architect-designer Alexander H. Girard. Average wear. Crossword completed. Nibbling along spine. Openings along coverfold. Back cover in rough shape. A worthy vintage copy.

Broadside, 12 1/4 x 4 inches, employing several sizes and styles of type. Gen. Tom Thumb and his colleagues had just returned to the United States, following a three year tour of Europe "where they appeared before nearly all the Kings, Queens, Emperors, and Nobility of the Old World!" Sylvester Bleecker, Tom Thumb's publicity manager and a writer of vaudeville sketches, used this general format for other broadsides advertising the troupe's return tour, adapting the printing to the respective performances, city to city. This broadside (for Bath, New York) apparently unrecorded on OCLC (which does locate a similar broadside, at the State Library of Pennsylvania, for a Harrisburg, Pennsylvania, performance, and another at the Clements Library for a performance in Ann Arbor, Michigan). Very good. Old fold lines, some creasing at the edges. (7161).

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).

Zustand: Very good+. Plakats no. 1-10 (complete set), Openings Press, Rooksmoor House, Woodchester, Gloucestershire, 1965-1969. 10 printed cards, each approx. 262 x 204mm. Openings Press was founded in 1965 by John Furnival and Dom Sylvester Houédard together with Edward Wright, a foremost graphic designer of the time. This collection includes all 10 plakats with works by various international concrete poets; in effect, it constitutes an exhibition or survey of concrete poetry by one of the most interesting presses of the period. Condition: 1. minor ding top left, slight rubbing to edges. Overall: vg+/near fine2. minor rubbing to corners. Overall: near fine3. minor rubbing to corners. Overall: near fine4. rubbing to top edge and bottom corners, slight toning to bottom edge. Overall: vg+5. minor toning, slight rubbing to corners. Overall: vg++6. minor rubbing to corners, minor toning. Overall: vg+7. minor rubbing to top left corner, minor spotting. Overall: vg+8. some handling and rubbing to edges, minor spotting. Overall: vg9. toning to bottom and top. Overall: vg/vg10. inscribed by George Dowden to Peter Finch on verso, dated 18/03/70, rubbing to bottom corners, minor wear. Overall: vg+Overall condition of set: Very good+.

Zustand: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh's 'parameters and paramitas' with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg's article 'Towards the death of concrete poetry' and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.