Suzannah clark (22 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Hardcover. Zustand: Good. 1st Edition. 282pp hardback, blue boards gilt, few spots to front board.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780521848671. …

Zustand: New. pp. 352.

Zustand: New. In English.

Zustand: New. . 2020. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 341 pages. 8.25x5.25x0.02 inches. In Stock.

Paperback. Zustand: Brand New. 1st edition. 302 pages. 9.25x6.50x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: New. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. Studies in Medieval and Renaissance Music. xxxii, 250pp.

Zustand: New. Explores the ways music theory has represented and employed natural order since the scientific revolution. Editor(s): Clark, Suzannah; Rehding, Alexander. Num Pages: 256 pages, 10 b/w illus. 28 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 243 x 169 x 14. Weight in Grams: 41. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.…

Zustand: New. In English.

Hardcover. Zustand: Very Good. Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.Essays in honour of Margaret Bent.The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical culture. At its most fundamental level musical culture relied on shared models for musical practice, used by singers and composers as they learned their craft. Several contributors to this volume investigate general models, which often drew on earlier musical works, internalized in the process of composers' own training as singers. In written theoretical musical pedagogy, conversely, citation of authority is deliberate and intentional. The adaptation of accepted wisdom in theoretical treatises was the means by which newer authors stamped their own authority. Further kinds of citation occur in specific musical texts, either within the words set to music or in the music itself. The diverse functions of citation and allusion for the creator, reader, scribe, performer and listener are here given due consideration. In doing so, this volume is a fitting tribute to Margaret Bent, whose pedagogy, publications, and presence are honoured in this Festschrift. Copyright © Boydell & Brewer Ltd.…

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.…

Zustand: New. Investigating the reception of Schubert's most daring harmonies, this book uses Schubert's harmonic practice to critique canonical music theories. Num Pages: 302 pages, 1 b/w illus. 1 table 87 music examples. BIC Classification: AV. Category: (U) Tertiary Education (US: College). Dimension: 179 x 255 x 20. Weight in Grams: 762. . 2011. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Zustand: New. In English.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.…

Hardcover. Zustand: Brand New. illustrated edition. 282 pages. 9.25x6.25x1.00 inches. In Stock.