suyderhoef jonas (29 Ergebnisse)

Maße: ca. 33 x 24 cm. -- Kupferstich-Portrait aus dem 17. Jh. -- etwas fleckig, sonst gut erhalten. || Copper engraved portrait from the 17th century. -- somewhat stained, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

French edition of the catalogue raisonne of Suyderhoef's prints, annotated and expanded by Hymans. 130 items described in detail. Small 4to, original wraps. Wraps slightly torn at spine. Otherwise uncut, unopened, and fine.

First edition of the catalogue raisonne of Suyderhoef's prints. 130 items described in detail. 8vo, recent cloth with original front wrapper bound in. Near fine.

Adriaen van Ostade (illustrator). 'FOUR LINES OF DUTCH VERSE BELOW IMAGE; LOWER LEFT: 'I. COVENS ET A. MORTIER EXCUDIT.''Interior of a rustic inn with three peasants drinking, smoking, and making music around a small table. One plays a violin, another smokes a pipe, and a third raises a glass. The room is richly detailed with pipes, jugs, bottles, a curtained bed, and a cat on the floor. Genre scene after Adriaen van Ostade, engraved with fine cross-hatching typical of 17th-century Dutch printmaking.Made by Jonas Suyderhoef after Adriaen van Ostade.Medium: Etching / engraving on hand laid (verge) paper.Sheet size: 22.4 x 29.2 cm (8.82 x 11.5 inch). Image size: 22.4 x 29.2 cm. (8.82 x 11.5 inch).JONAS SUYDERHOEF, ADRIAEN VAN OSTADE, DUTCH GENRE SCENE, TAVERN INTERIOR, PEASANTS DRINKING, 17TH CENTURY ENGRAVING, HOLLSTEIN 21 | PCO-E30-44BACKGROUND INFORMATIONEd. published by I. Covens & A. Mortier (Amsterdam).State: State VI/6.Reference: Hollstein 21; Wuss 120; D.120; Wurzbach 120.Biography engraver: Jonas Suyderhoef (c. 1613-1686) was a Dutch engraver active in Haarlem. He is known for his reproductive engravings after leading Dutch masters, particularly genre scenes and portraits. His prints are characterized by refined burin work and careful tonal gradation.Biography artist: Adriaen van Ostade (1610-1685) was a prominent Dutch Golden Age painter and printmaker, celebrated for his lively depictions of peasant life, tavern interiors, and rustic genre scenes. His detailed compositions and expressive figures influenced numerous engravers, including Suyderhoef. Condition: good, given age. Light foxing, creasing, and soiling. Two pinsize holes at bottom margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Copper plate engraving. 12.75 x 8.75 in. (32.5 x 22.5 cm). Attrib., titled below the image. Fine.

Adriaen van Ostade (illustrator). "Boeren voor de herberg" (Farmers in front of the inn).Made by Jonas Suyderhoef after Adriaen van Ostade.Medium: Etching / Engraving on handlaid paper.Sheet size: 41.7 x 31.8 cm (16.42 x 12.52 inch). Image size: 35.3 x 40.3 cm. (13.9 x 15.87 inch).FARMERS-INN-TAVERN | EXPO-DUTCH/FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Jonas Suyderhoef (1613-1686) was a Dutch Golden Age engraver.Biography artist: Adriaen van Ostade (baptized as Adriaen Jansz Hendricx, 1610-1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Condition: good, given age. Paper damage in top right corner, backed. Excellent impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Bruxelles, Labroue et Mertens, 1862, in-8°, 83 pp, ca 130 items with bibliographies, index, sewn, orig. wrapper, unopened copy, some foxing at the first pages. Contains an oeuvre catalogue which describes 130 engravings.

Bust-length portrait after the self-portrait of painter Aertgen Claesz. van Leyden. Engraving on hand laid paper, sheet size 213 x 163 mm. Made by Jonas Suyderhoef after Aertgen Claesz. van Leyden and published by Pieter Goos, ca. 1660 in Amsterdam. Jonas Suyderhoef (Haarlem 1614-1686) was a Dutch printmaker and etcher. Aertgen Claesz. van Leyden (Leiden 1498-1564) was a Dutch painter and draughtsperson. Pieter Goos (Amsterdam 1615/16-1672) was a Dutch cartographer, publisher and printmaker. In good condition, cropped within platemark. Minimal surface damage in the lower edge. Both sides and the lower edge backed with contemporary paper. References: Hollstein p. 226: 58; Dutuit 1; Wussin 1; Muller 6341.

Bust portrait of law Professor Adriaan Beeckerts van Thienen, turned towards the viewer. In oval frame and further rectangular frames. Inscribed under the portrait: "ADRIANUS BEECKERTS VAN THIENEN Juris Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 73. Address below: "Lugd. Bat ex Officina Petri Vander Aa". Engraving with some etching on paper from three plates; larger plate mark: 351 x 254 mm, total: 420 x 327 mm; paper of the central plate rather cooked, otherwise in good condition, despite a small spot on the bottom. Van Someren 147.

Bust portrait of Cornelis Trigland, bust to the left; in an oval.Inscribed below: Cornelius Triglandius S:S: Theologiæ Doctor, Ecclesiæ Hagiensis Pastor; / Celsissimi Principis Arausionensis primæ educationi Præfectus, Eidemque a Sacris.Cut above signature.Trigland was a Dutch Calvinist preacher; tutor of William III of Orange from 1656.[NL] Portret van Cornelis Trigland, doctor in de theologie, predikant te Den Haag en onderwijzer van prins Willem III. Onderaan in de marge zijn naam en functies in het Latijn. Gemaakt door Suyderhoef. Engraving on laid paper, cut within plate mark and mounted on a larger sheet of paper; total: 354 x 262 mm; rather stained, many repairings on the margins, traces of folding damages on the surface, lacuna filled in in pen and ink on the bottom left margin. Despite the condition, rather charming impression. Rare. Hollstein 124, Muller 5401a.

Oval portrait of Marcus Zuerius van Boxhorn (1612-1653), a Dutch scholar and linguist. Etching and engraving on hand laid paper, sheet size 241 x 335 mm., 232 x 326 mm., engraved by Jonas Suyderhoef (1613-1686) after Pieter Dubordieu (1609-1698), and published by Cornelis Danckerts (II) in Haarlem. In excellent condition. References: Hollstein . 230-231: 68; Wussin 21-22: 14; LeBlanc III.616: 25 iii/5.

Portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptor of his day. Bust to right; in lettered oval within cartouche; four lines with Dutch verses by Vondel printed separately below impression. Signed on the bottom left: 'TDKeyser delineavit 1621'(TDK monogrammed), on the right: 'I. Suyderhoff F.' On the oval frame around the portrait: 'HENDRICK DE KEYSER, BEELDT EN STEENHOUWER DES STADT AMSTERDAM'; on the cartouche below the portrait: 'Gheboren 1565 dem 15 May / Ghestorven 1621 / den 15 May.' Inscribed below with another plate: "Hier leeft, die, leven gaf aen marmer, aen metael / yvoor albast en klay dies laet zich, Uytrecht hooren / is Roome op Kaysers prat en keyserliche prael, / de kayser van de kunst uyt myn schoot ghebooren / I.V. Vondelen". l Engraving on laid paper, broad margins; two plates; plate I (with the portrait): 204 x 158 mm, plate II (text): 35 x 159 mm; total: 339 x 252 mm; state II/2; Hollstein 91.

Half-length portrait of Conradus Viëtor, Lutheran preacher from Haarlem. A six-line poem in Dutch in the lower edge. Engraving on hand laid paper, sheet size 344 x 249 mm., platemark 322 x 230 mm. Made by Jonas Suyderhoef after Frans Hals, published c. 1660-1680. Jonas Suyderhoef (Haarlem 1614-1686) was a Dutch printmaker and etcher. Frans Hals (Antwerp 1582/83 - 1666 Haarlem) was a famous Dutch painter, remembered as one of the most important Old Masters. In good condition. Restored paper loss in the caption (backed with contemporary paper). Some foxing in the margins. References: Hollstein p. 255-256: 127 (ii or iii/3); Wussin p. 15-16: 2; Muller p. 270: 5669.

'Jo. Jacob van Wassenaer Heere van Obdam, Hoensbroeck, Spierdyck [.]' Engraving on laid paper, sheet size 309 x 402 mm. Made by Jonas Suyderhoef after Gerard van Honthorst, and published by T.V. Bosch. Margins cropped to the platemark. The sheet was extensively folded, but consequently flattened and reinforced using contemporary paper on the verso. The folds are still faintly visible in the image, especially in the caption. A very tiny hole in the cross-hatching in the top right corner. Nevertheless a fine portrait. References: Hollstein 133 (II/2); Wussin 96.

Portrait of Maerten Harpertsz. Tromp (1598-1653) in an oval made with a double wreath of laurel and palm leaves ending on the top with two trumpets. The wreats are created from two cannons placed on the opposite sides of a cartouche reading:'Martinus Trompius H.F. / Hollandiæ et Occidentalis / Frisiæ Rerum Maritimarum / Vicepræfectus'. On the four corners cannon balls. The cartouche rests on two big sea shells and coral branches. Signed on he bottom:'H. Pot Pinxit I. Suyderhoef Sculp.' l Engraving on paper, trimmed within platemark, pasted on another leaf; print: 406 x 318 mm; total: 475 x 350; right lower corner damaged; singular state. Hollstein (Suyderhoef), p. 255, nr. 125 PP01T(Tromp).

Portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptor of his day. Bust to right; in lettered oval within cartouche; four lines with Dutch verses by Vondel printed separately below impression.Signed on the bottom left: 'TDKeyser delineavit 1621'(TDK monogrammed), on he right: 'I. Suyderhoff F.' On the oval frame around the portrait:'HENDRICK DE KEYSER, BEELDT EN STEENHOUWER DES STADT AMSTERDAM'; on the cartouche below the portrait: 'Gheboren 1565 dem 15 May / Ghestorven 1621 / den 15 May.'Inscribed below with another plate: "Hier leeft, die, leven gaf aen marmer, aen metael / yvoor albast en klay dies laet zich, Uytrecht hooren / is Roome op Kaysers prat en keyserliche prael, / de kayser van de kunst uyt myn schoot ghebooren / I.V. Vondelen." Engraving on laid paper, trimmed on platemark pasted on thicker paper; total: 253 x 178 mm. Some dirt on the lower left corner. Hollstein 91, Muller 2392-a.

Half-length portrait of preacher Eleazar Swalmius, with a six-line caption in Dutch by H. Geldorpius. Engraving on hand laid paper, sheet size 328 x 259 mm. Made by Jonas Suyderhoef after Rembrandt van Rijn, and published by Pieter Goos, ca. 1660 in Amsterdam. Jonas Suyderhoef (Haarlem 1614-1686) was a Dutch printmaker and etcher. Pieter Goos (Amsterdam 1615/16-1672) was a Dutch cartographer, publisher and printmaker. In very good condition, cropped within platemark. A minimal spot of paper damage in the lower left of the caption. References: Hollstein p. 252-253: 120 (i/3); Wussin p. 51:85; Muller p. 249: 5217c.

Profile portrait of Jacobu Hollebeek (1593-1650) theologian in Amsterdam at the age of 57. An earlier version of this portrait was engraved by Jonas Suyderhoef. In this case the composition is mirrored; the title is preserved: 'IACOBUS HOLBEKIUS THEOLOGIS ECCLESIASTES AMSTELREDAMENTIS.' The plate has been altered by Tangena after it was engraved and published b Jan Cralinge. At the bottom of the portrait eight lines of Dutch text by H. F. Waterloos. Dated above on the left: 'AEtatis suae 57 A. 1650' signed at the bottom: 'J. Tangena Excudit'; rare. l Engraving and etching on paper with small margins; plate mark: 294 x 217mm, total: 301x 224 mm; the print is in oustanding conditions, paper with watermark with fool's cap, on the verso traces of earlier mounting not in van Someren.

Portrait of Eleazar Swalmius, theologician and priest in Amsterdam, seated on a chair, right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'; below in the center in brown ink '387'. Book nr. 59578 other version l Engraving with some etching; trimmed on platemark: 328 x 259 mm; total: 330 x 262 mm; state: I/3; Hollstein (Suyderhoef), p. 252, nr. 120. On the verso unidentified collector's mark. PP01S.

Portrait of Maerten Harpertsz. Tromp (1598-1653) in an oval made with a double wreath of laurel and palm leaves ending on the top with two trumpets.The wreats are created from two cannons placed on the opposite sides of a cartouche reading:'Martinus Trompius H.F. / Hollandiæ et Occidentalis / Frisiæ Rerum Maritimarum / Vicepræfectus'.On the four corners cannon balls. The cartouche rests on two big sea shells and coral branches.Signed on the bottom:'H. Pot Pinxit I. Suyderhoef Sculp.' Before 1686.[NL] Portret van Maarten Harpertszoon Tromp, luitenant-admiraal van Holland en West-Friesland, in een decoratieve omlijsting van lauwertakken, kanonnen en kanonskogels. De lijst wordt bekroond door twee trompetten. Engraving on paper, trimmed within platemark: total: 410 x 320 mm; only state. Hollstein (Suyderhoef), p. 255, nr. 125. Muller 5439c.

Thomas de Keyser (illustrator). 'EFFIGIES NOBILISSIMORUM ET AMPLISSIMORUM DD. CONSULUM QUI REIP. AMSTELODAMENSI PRAEFUERE TUNC, CUM EORUM MANDATO ADVOCATUS CORNELIUS A DAVELAE., D. ANTONIUS OETGENS ., D. ALBERTUS CONRADI BURGH ., D. PETRUS HASSELAER, D. ABRAHAMUS BOOM .'Portrait group of four seated Amsterdam burgomasters (Antonius Oetgens van Waveren, Albertus Conradi Burgh, Petrus Hasselaer, Abraham Boom) with Cornelis Davelaer standing left; scene from the 1638 ceremonial entry of Marie de' Medici.Made by Jonas Suyderhoef after Thomas de Keyser.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 38 x 29.3 cm (14.96 x 11.54 inch). Image size: 38 x 29.3 cm. (14.96 x 11.54 inch).AMSTERDAM BURGOMASTERS, MARIE DE MEDICI, DUTCH GOLDEN AGE, CIVIC PORTRAIT, THOMAS DE KEYSER, JONAS SUYDERHOEF, GROUP PORTRAIT, 17TH-CENTURY AMSTERDAM | PCO-E15-2-9BACKGROUND INFORMATIONIllustration to Caspar Barlaeus' 'Medicea Hospes', Amsterdam 1638.Reference: Hollstein 14.I; Muller 1793.B.Biography engraver: Jonas Suyderhoef (c. 1613-1686), Dutch engraver known for finely detailed portrait engravings and reproductions of paintings by Dutch masters. He was active in Haarlem and produced many prints after contemporary painters including Frans Hals and Thomas de Keyser.Biography artist: Thomas de Keyser (c. 1596-1667) was a Dutch painter and architect, prominent in early 17th-century Amsterdam. He was renowned for portraiture and was a key predecessor to Rembrandt. His work reflects detailed realism and a focus on Amsterdam's patrician class. Condition: very good, given age. Light foxing, creasing, and soiling. Rear paper edges reinforced with paper. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Portrait of Maerten Harpertsz. Tromp (1598-1653) in an inscribed oval frame. Twenty lines of French text below, divided into two columns.On the four corners cannon balls.Inscribed on the oval frame: MARTINUS HARPERTZ. TROMPIUS ADMIRAEL DE HOLLANDE ET DE LA FRISE OCCIDENTALE.Text below: Toy qui par ta Conduite as defait une flotte. Et cueilli des lauriers ou l'on n'en uit imais.Signed on the bottom: C. Duran excu avec Privilege du Roy.Unknown context of production.[NL] Portret van admiraal Maarten Harpertszoon Tromp, luitenant-admiraal van Holland en West-Friesland. Gemaakt doorC. Duran naar Jonas Suyderhoef. Engraving on paper, cut within margins; total: 276 x 192 mm; some light foxing on the margins, some smudges due to handling; mounted on cardboard passepartout. Muller 5439 (variant).

Portrait of Maerten Harpertsz. Tromp (1598-1653) in an oval made with a double wreath of laurel and palm leaves ending on the top with two trumpets.The wreats are created from two cannons placed on the opposite sides of a cartouche reading:'Martinus Trompius H.F. / Hollandiæ et Occidentalis / Frisiæ Rerum Maritimarum / Vicepræfectus'.On the four corners cannon balls. The cartouche rests on two big sea shells and coral branches.Signed on the bottom:'H. Pot Pinxit I. Suyderhoef Sculp.' Before 1686.[NL] Portret van Maarten Harpertszoon Tromp, luitenant-admiraal van Holland en West-Friesland, in een decoratieve omlijsting van lauwertakken, kanonnen en kanonskogels. De lijst wordt bekroond door twee trompetten. Gemaakt door Suyderhoef. Engraving on paper, with small margins; total: 424 x 333 mm; only state; reinforced margins on verso, somewhat cooked paper towards the regions where the supportive backing begins. Overall in good condition. Hollstein 125. Muller 5439c.

Portrait of Eleazar Swalmius, theologician and priest in Amsterdam, seated on a chair, right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'. Book nr. 59578 other version. Engraving with some etching; trimmed within platemark: 328 x 259 mm; state: I/3; Hollstein (Suyderhoef), p. 252, nr. 120. PP01S.

Portrait of Eleazar Swalmius, theologician and priest in Amsterdam, seated on a chair, right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'. Book nr. 59578 other version l Engraving with some etching; trimmed on platemark: 328 x 259 mm; total: 333 x 260 mm; state: I/3; Hollstein (Suyderhoef), p. 252, nr. 120. On the verso unidentified collector's mark. PP01S.

Etching and engraving on laid paper, sheet size 382 x 323 mm. Made by Jonas Suyderhoef after Thomas de Keyser. Published in 1638. This print was sometimes added to Caspar Barlaeus's book 'Medicea hospes, sive descriptio publicae gratulationis, qua. Mariam de Medicis, excepit senatus populusque Amstelodamensis'Amsterdam: Joh. & Corn. Blaeu, 1638. Seated around the table are the burgomasters Antonius Oetgens van Waveren, Albert Coenraads Burgh, Pieter Hasselaer and Abraham Boom. Standing to the left is solicitor Cornelis Davelaer. Two lines of Latin text in the caption, and the names of the depicted persons. Margins cropped to or over the platemark. An old restoration to the top edge of the sheet, where small tears crept into the image (backed with contemporary paper and later reinforced with paper tape). References: Hollstein 14 (II/2); Wussin 102; Muller Hist. 1793; Van Stolk 1822.

Three old ladies in an interior, believed to be three witches. On bottom right: 'Nicolaus Visscher excu'. Signed within the oval, on the top right: 'A Ostade pinx / J. Suyderhoef excudit'. In pen and brown ink at the bottom in French: 'Les trois fileuses'. In fact, looking at the tools included in the representation, these three ladies look like the three mythological Parcae, the personification of Destiny in Greek and Roman Mythology. They were named Nona, Decima and Morte. Nona spun the thread of life from her distaff onto her spindle, Decima measured the thread of life with her rod, Death cut the thread determining the death of the person's thread. Engraving on paper, trimmed to plate mark; total: 292 x 224 mm, state IV/6, although Danckerts' signature has been removed. Therefore this might be an undocumented state in between; some smudges, scribblings in pencil and pen and ink on verso. Hollstein 21, Wuss 120; D.120; Wurzbach 120.

'Martinus Trompius H.F. Hollandiae et Occidentalis Frisiae rerum maritimarum vicepraefectus'. Lieutenant Admiral Tromp (1598-1653) was a famous Dutch navy officer and naval hero. Engraving on hand laid paper, sheet size 332 x 422 mm., platemark 329 x 419 mm. Engraving by Jonas Suyderhoef (1613-1686) after the painting by Hendrick Pot (ca. 1580-1657) dated 1639. Therefore, this print was made between 1639 and 1686. Margins cropped close to the platemark, some inobtrusive creasing in the corners, margin edges with faint foxing. On the verso the collection mark of W. Edwards (Lugt 2616). References: Hollstein 125, only state; Wussin 90; Muller Port. 5439.

'Mauritius Nassavius, Princeps Auriacus, etc.' Maurits van Oranje (1567-1625). Etching and engraving on laid paper, sheet size 362 x 444 mm. The portrait was engraved by Jonas Suyderhoef, after Pieter Soutman. Soutman is also credited with engraving the border of putti and arms, with a crown, laurel and oak wreaths in the corners. The print was published by Pieter Soutman in the 1643 series 'Comites Nassoviae'. Margin cropped to or over the platemark. An old restoration filling some spots of lost paper in the top edge of the image. References: Hollstein 54 (II/3); Wussin 58.