sutton john richard (13 Ergebnisse)

Paperback. Zustand: Very Good. Dialect and Folk Phrases of the Cotswolds This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Unknown. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. 1959. First Edition. 195 pages. Beige pictorial dust jacket over black cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking. Moderate tanning to spine and edges.

Hardback Edition. Good copy in the original title-blocked cloth. Spine bands and panel edges somewhat bumped and stained as with age. Remains quite well-preserved overall. Physical description; 195 pages. Subjects; Stamps. Finance. Collections; stamps. Stamps; history. Postal service; history. 1 Kg.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Near Fine. 1st Edition. Xv, 323 Pp. Pp. First Printing. Very Near Fine, No Marks.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Early First Draft Continuity script for the 1942 film, thirteen months before the beginning of the production (according to the AFI Catalog), by screenwriter Tom Reed. Front wrapper contains annotation of "Legal Dept." in manuscript ink on upper right margin and ."3" amending "2152" stamp, a Twentieth Century Fox "Received" stamp, dated "Nov 12 40," and "Permanent Legal Records," production number "574," and copy number "7" stamps. Laid in is a four page mimeograph duplicated letter, dated December 10, 1940, on a Twentieth Century-Fox interoffice form, from Darryl Zanuck, who was in charge of the production, to Lou Edelman, who was originally assigned to produce, of suggestions and criticisms to a December 6, 1940 treatment of the script. Front page of letter contains two annotations in manuscript pencil, and "Permanent Legal Records" and production number "2152" stamps. Congress reestablishes a military academy at West Point, lead by a strict commander (Laird Cregar) who pushes the young men in hopes of breaking their spirits. After a grueling trial, the remaining ten men are sent to the Indiana territory to fight with General William Henry Harrison (Douglass Dumbrille). Nominated for an Academy Award for Best Cinematography. Set in West Point, NY. Orange titled wrappers, noted as FIRST DRAFT CONTINUITY on the front wrapper, rubber-stamped copy No. 7 and production No. 547, dated NOV. 11. 1940. Distribution page present, with receipt intact. Title page present, dated November 11, 1940, noted as 1st Draft Continuity, with credits for screenwriter Tom Reed and story credit for Malvin Wald. 170 leaves, with last page of text numbered 165. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads. Letter, 8.5 x 11 inches. Near Fine.

The three items in fair condition, lightly aged and worn. ONE: ALS [to Bartelot] from 'J. Crosland'. (There are postcards printed by 'J. Crosland and Son, Post Office, Sutton Bridge Wisbech.') 3pp., 12mo. He begins with reference to a Wesley letter which 'has been in the family about 50 years more rather than less the family has been connected with Methodism almost from the days of Wesley himself without a break.' He also discusses 'a statue in white (parian marble) I think it is standing 6 ½ in high (Base on which he stands 1 in) in full clerical robe with open book in left hand & the right hand uplifted evidently in the act of addressing the people or preaching.' This has been 'in the family 3 generations at least'. TWO: ALS to Bartelot from Rev. J. S. Simon. 2pp., 4to. He is 'interested in John Wesley's pedigree' and has been in correspondence with 'Mr. Broadley of Bridport', who suggested he should write. He asks for elucidation regarding 'Calamy's statement', going into detail on the question of Wesley's wife's uncle Thomas Fuller. He requests 'light on the subject of the marriage and death of John Westley, and on the place of his burial'. THREE: Printed handbill in light blue and red, headed: 'The Liverpool Wesleyan Methodist Council. | BI-CENTENARY OF WESLEY'S BIRTH, | 1703 JUNE 17th 1903. | PROGRAMME'. 1p., 8vo. Includes an organ recital by Dr A. L. Peace, and contributions by seven clergymen: Joseph Jackson, T. J. Choate, E. T. Carrier, T. Hughes, Owen Roberts, H. J. Taylor and Robert Killip. No other copy traced, either on OCLC WorldCat, or on COPAC.

[1] pp.; 74 x 18.5 cm.; accordion; duotone; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. Mathews, Preston McClanahan, Jim McWilliams, Peter Neumann, Henry Niese, Andrew Noren, Ralph Ortiz, Nam June Paik, Benjamin Patterson, Lil Picard, John Pierce, Dick Preston, Ely Raman, Jim Raridon, Earl Reiback, Jean Claude Risset, Sal Romano, Paul Ryan, Ira Schneider, Michael Snow, Rudi Stern, Tal Streeter, Sandra Sutton, Aldo Tambellini, Jean Toche, Jerry Tublin, John van Alstine, John Van Saun, Frank Lincoln Viner, Gerald Vis, Laurence Warshaw, Todd Watts, Joyce Wieland, Kenneth Werner, Pat Willard, David Wise, Ted Wolf, Jud Yalkut, and Gary Zeller performing works by Les Levine, Allan Kaprow, Philip Corner, Stan Brakhage, Jean Toche and many others. Very Good. Hand addressed mailed copy with mailing marks and wear including two 7 mm. tears to bottom edge along closure on either side of 1.6 cm. stain from removed tape. 1 cm. glue staining on verso from closure. Otherwise clean and unmarked.