Sumana chandrashekar (3 Ergebnisse)

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  • Verlag: Speaking Tiger, 2025

    9363369625 / 9789363369627

    • Hardcover

    Anbieter: Vedams eBooks (P) Ltd, New Delhi, IndienVedams eBooks (P) Ltd

    Verkäufer/-in mit 4 Sternen
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    Zustand: Neu

    EUR 11,47

    EUR 17,50 Versand 
    Versand von Indien nach USA

    Anzahl: 5 verfügbar

    Hardcover. Zustand: New. "Who was the first ghatam player in the universe? Was it Lord Ganesh, who drummed out a rhythm on his potbelly? Or Shiva, whose love for the clay pot was so great that he decided to manifest on earth as one, becoming Kumbheswara, a form in which he is still worshipped in Tamil Nadu? Or was it Gundayya, the potter, who played and played on the pots he made, until the 'whole world danced to the sound of the pot'? Or was it the village women who, since time immemorial, have walked home every evening with their pots on their heads, playing on them with their rings and bangles? In this fascinating book, Sumana Chandrashekar describes her love affair with the ghatam from the time when it called to her in her dreams, leading her to Sukanya Ramgopal, contemporary India's first woman ghatam player, and to Sukanya's own guru, Vikku Vinayakram, who, in 1966, had played the ghatam in New York, as an accompanist for the legendary M.S. Subbulakshmi, bringing this humble instrument onto the world stage. In tracing the journey of the ghatam, from the moment it is shaped on the potter's wheel from clay gathered from pond and lake beds, to its entrée on stage, Chandrashekar regales us with nuggets from the history of Carnatic music, including musical censorship that led to the rejection of the ghatam and AIR's ban on the harmonium from 1940 to 1971. She talks eloquently about the hierarchies amongst instruments the ghatam being fifth in the line after the main artist, violin, mridangam and khanjira and how this affects equations between artists. She is candid about the gender biases against women artists, and the pressure to 'conform'an aspect she has frequently experienced, having eschewed the traditional kanjeevaram sari and neatly coiled hair, for a kurta pajama and turban. Written as lyrically as the music it describes, Song of the Clay Pot is a deeply researched and thought-provoking book, replete with history, legend and romance, essential reading for all music lovers, and for those who love a good story.".…

  • Sprache: Englisch

    Verlag: Speaking Tiger Books, 2025

    9363361241 / 9789363361249

    • Softcover

    Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books

    Verkäufer/-in mit 5 Sternen
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    Zustand: Neu

    EUR 38,39

    EUR 11,91 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 2 verfügbar

    Paperback. Zustand: Brand New. 278 pages. 5.50x0.63x8.50 inches. In Stock.

  • Sprache: Englisch

    Verlag: Speaking Tiger Books Aug 2025, 2025

    9363361241 / 9789363361249

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

    Verkäufer/-in mit 5 Sternen
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    Zustand: Neu

    EUR 42,09

    EUR 35,00 Versand 
    Versand von Deutschland nach USA

    Anzahl: 1 verfügbar

    Taschenbuch. Zustand: Neu. Neuware - 'Who was the first ghatam player in the universe Was it Lord Ganesh, who drummed out a rhythm on his potbelly Or Shiva, whose love for the clay pot was so great that he decided to manifest on earth as one, becoming Kumbheswara, a form in which he is still worshipped in Tamil Nadu Or was it Gundayya, the potter, who played and played on the pots he made, until the 'whole world danced to the sound of the pot' Or was it the village women who, since time immemorial, have walked home every evening with their pots on their heads, playing on them with their rings and bangles In this fascinating book, Sumana Chandrashekar describes her love affair with the ghatam from the time when it called to her in her dreams, leading her to Sukanya Ramgopal, contemporary India's first woman ghatam player, and to Sukanya's own guru, Vikku Vinayakram, who, in 1966, had played the ghatam in New York, as an accompanist for the legendary M.S. Subbulakshmi, bringing this humble instrument onto the world stage. In tracing the journey of the ghatam, from the moment it is shaped on the potter's wheel from clay gathered from pond and lake beds, to its entrée on stage, Chandrashekar regales us with nuggets from the history of Carnatic music, including musical censorship that led to the rejection of the ghatam and AIR's ban on the harmonium from 1940 to 1971. She talks eloquently about the hierarchies amongst instruments-the ghatam being fifth in the line after the main artist, violin, mridangam and khanjira-and how this affects equations between artists. She is candid about the gender biases against women artists, and the pressure to 'conform'-an aspect she has frequently experienced, having eschewed the traditional kanjeevaram sari and neatly coiled hair, for a kurta pajama and turban. Written as lyrically as the music it describes, Song of the Clay Pot is a deeply researched and thought-provoking book, replete with history, legend and romance, essential reading for all music lovers, and for those who love a good story.'.…