sullivan herbert (27 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

No Binding. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

Hardcover. Zustand: Fair. Seventh. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

hardcover. Zustand: very good. Frontis. illustrated. ix + 306pp., 8vo, cloth; cloth dirty. London: Cassel & Company, (1950). Second edition. A very good copy.

Zustand: Good. New York: George H. Doran Company, (1927)., (1927). Good. - Octavo, 8-3/4 inches high by 5-7/8 inches wide. Hardcover, bound in blue cloth titled in black on the front cover and the spine. The covers are soiled & stained and the corners and head & tail of the darkened spine are chipped. 393 pages, illustrated with 2 color plates, including a color frontispiece portrait and 29 half-tone plates. A previous owner's bookplate is mounted on the front pastedown and another on the front endpaper. The rear hinge is cracked. Good. First American edition.

Hardcover. Zustand: Good. Octavo. Full blue cloth. 393 pp. With occasional illustrations. Binding slightly worn; upper joint split; endpapers browned.

Hardcover. Zustand: Near Fine. First Edition. Color and half-tone plates; 8vo 8" - 9" tall; 314 pages; 1927 George H. Doran Company. HC 1st American edition. Snugly bound and fresh in royal blue cloth with titles brightly in gilt to cover and spine. Just trace shelf evidence to cloth at extremities. Illustrated with b&w half-tone plates and 2 color plates. NF.

Stapled Wrappers. Zustand: Near Fine. First Edition. Iowa City: State University of Iowa, 1950. First edition. 8vo. Stapled wrappers, 80 pp. New view on Finnegans Wake, Interpretation of Keats, Poems by Valery. Near fine. Size: 8vo. Periodical.

Soft cover. Zustand: Very Good. 1st Edition. The wraps are slightly shelf rubbed.Internally clean.Excellent binding.Very good copy.[R.K]. Our orders are shipped using tracked courier delivery services.

First Edition. First edition. Reading copy. Former library book with stamps etc. Cover is rubbed and wearing along edges and spine.

Hardcover. Zustand: Good. No Jacket. 2nd. the boards are shelf rubbed. some markings. binding has been repaired. all text is clear and legible. may require extra postage [SK]. Our orders are shipped using tracked courier delivery services.

Zustand: Gebraucht / Used. second edition. 1950. Or.cloth. ix,306pp. 8°. Illustr. Bibliogr. Index. Paper sl. Foxed.

Gebundene Ausgabe. Auflage: 3.,. 180 S., Gebraucht, sehr gut. T 27485 Sprache: Englisch Gewicht in Gramm: 690.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. First edition copy. . Acceptable dust jacket. In protective mylar cover. (composers, biographies).

Kartoniert / Broschiert. Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First edition. Quarto. 48pp. Biographical commentaries by Morris Watson and Ernest L. Meyer. Toning on the endpapers and boards thus very good in a very good dust jacket with chips and tears. Compilation of tributes.

Zustand: Good. 1950. Second edition. Hardback. 306pp. Index. Plates. Original cloth. Title on spine. Cover is slightly stained. Minimal foxing to page edges. Usual library stampings. . . Former Library book. .

CD. Zustand: D'occasion - Comme neuf.

Zustand: Good. 1950. Second edition. Hardback. 306pp. Index. Plates. Original cloth. Title on spine. Cover is slightly stained. Minimal foxing to page edges. Usual library stampings. . . Former Library book. . Books ship from the US and Ireland.

Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Hardcover. Zustand: Brand New. 8th edition. 1238 pages. 10.00x7.75x2.00 inches. In Stock.

Original stapled illustrated souvenir theatre programme 9'' x 7½''. Contains 20 printed pages of text. In Very Good condition. Filmed in 1955 by London Film Productions and 20th Century Fox, directed by Anatole Litvak from a script by Terence Rattigan and starring Vivian Leigh, Kenneth More and Sir Emlyn Williams. Member of the P.B.F.A. THEATRE PROGRAMMES.

Cassell, London, 1950. Hardcover (clothbound) with dust jacket. Dustjacket has signs of wear. 23 x 16 cm. Frontispiece. 306 pag. - Some light foxing, Good condition. [Biography / international [(Auto)Biografieën] ].

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in "Joan of Arc." | Period Charles XII of France ( he reigned from 1403 to 1461.) The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them?' Were the dresses 'fanciful' it would be easy for Anderson to describe them, but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'.

Zustand: Very Good. J. G. Keulemans, Herbert Railton, & Edmund J. Sullivan (illustrator). Limited Edition. Two volume limited set of 208 printed copies for America, of which this is No. 42. Light green cloth boards with gilt title to spines and emblem on covers. Blue stain on cover of volume two. Foxing to first and last pages, but otherwise no previous owner's name or other markings in books. Vol one Pp. [xxiii] 427 Vol two Pp. [xv] 443 6.5 x 9 in or 16.5 x 23 cm.

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the "M[?]"'. Ends: 'I thought everything as good as it cd be I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle. It was most thoughtful of you.' He ends in the hope that 1913 will be a crowning success you for [sic] & that you will have a very happy time'. THREE: 19 January [no year]. He is seeing 'Mr. Simmons' at 11 am the following day, and will 'look in' on Clarkson afterwards. He thanks him 'for all the good work' on 'The Country Girl', adding: 'I want you to put all yr "guts" please into the "Ulysses" wigs'. FOUR: 10 September [no year]. 'It is too kind of you to send me those lovely figs. There's nothing I like better, & I am most grateful.' FOUR: 31 December [1912]. The recipient William Clarkson was the owner of Clarkson's Wigs, Wellington Street, London. James Morton, in his 'Gangland Soho' (2012), alleges that Clarkson (who has a blue plaque to his name at 41-43 Wardour Street) was not only a repeated insurance fraudster, but a notorious homosexual blackmailer, after whom the public lavatory in Dansey Place was named 'Clarkson's Cottage'. RE Anderson & G & S: "The artist and costume designer Percy Anderson (1851-1928) was based in London where he exhibited watercolours at the New Water Colour Society in 1886. He designed costumes for the original productions of the last four Gilbert and Sullivan operas at the Savoy Theatre - The Yeomen of the Guard (1888), The Gondoliers (1889), Utopia, Limited (1893), and The Grand Duke (1896), and for several D'Oyly Carte revivals including that for Utopia, Limited considered by Rupert D'Oyly Carte in 1926 and but never realised. Given Gilbert's exacting attitude to his productions it is an accolade to Anderson that he worked with Gilbert on so many, including Gilbert and Edward German's Fallen Fairies (1909), when Gilbert said Anderson: 'surpassed himself'".