sugarman david (27 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 200.

Paperback. Zustand: Brand New. 1st edition. 200 pages. 9.00x6.00x0.25 inches. In Stock.

Zustand: New. In.

Zustand: Good. Volume 11. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0126760802.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. Center for Holocaust Studies, Burlington, 2001. First edition. First printing. A fine copy, issued without a jacket. A clean, unmarked copy. Dedicated to Raul Hilberg, world-renowned expert on the Holocaust. Contributions from fellow University of Vermont scholars, notably from Richard I. Sugarman, preeminant expert on Emmanuel Levinas and advisor to Bernie Sanders during his 2016 presidential campaign. A beautiful copy. F800A.

Zustand: New. In.

Zustand: New. This is the first book that directly addresses the cultural history of the legal profession. Editor(s): Sugarman, David; Pue, W. Wesley. Num Pages: 410 pages, black & white illustrations. BIC Classification: JFC; LAS; LAT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 164 x 28. Weight in Grams: 602. . 2004. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 410 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. In.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780415093620.

Zustand: New. In.

Zustand: New.

Zustand: New. 1996. hardcover. . . . . . Books ship from the US and Ireland.

Gebunden. Zustand: New. This is the first book that directly addresses the cultural history of the legal profession.&Uumlber den AutorDavid Sugarman is Professor of Law and Director of the Law in History Programme at Lancaster University.Wesley Pue is .

Zustand: New. In.

Hardcover. Zustand: Brand New. 631 pages. 10.25x7.25x2.00 inches. In Stock.

Zustand: New. This is the first book that directly addresses the cultural history of the legal profession. Editor(s): Sugarman, David; Pue, W. Wesley. Num Pages: 410 pages, black & white illustrations. BIC Classification: JFC; LAS; LAT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 32. Weight in Grams: 734. . 2003. Hardback. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware.

Hardcover. Zustand: Brand New. 288 pages. 9.50x6.25x1.25 inches. In Stock.

Buch. Zustand: Neu. Neuware - This is the first book that directly addresses the cultural history of the legal profession. It seeks to understand the complex ways in which lawyers were imaginatively and institutionally constructed, and their larger cultural significance.

Zustand: New. This work examines the on-going efforts of lawyers and allied professionals to construct, police and redefine their respective boundaries. It focuses on the leading corporate practitioners and on the ways in which they are reshaping the roles and structure of their respective fields. Editor(s): Dezalay, Yves; Sugarman, David. Num Pages: 300 pages, black & white illustrations. BIC Classification: 1DBK; JHBL; LAS; LAT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 18. Weight in Grams: 635. . 1995. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 1st edition. 300 pages. 9.50x6.25x1.25 inches. In Stock.

Hardcover. Zustand: Very Good-. Zustand des Schutzumschlags: Very Good-. Hardcover; 8vo, 304 pages. Scarce. Blue paper hardcovers with gilt lettering on spine. Slight skew to binding. Edges a little faded.The pages are bright and clean, save for several pen marked pages. With a grey jacket with white text. Faded around edges. Moderate shelfwear/rubbing and edgewear. VG-/VG-. Book.

194 pp.; 30.3 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. Additional texts by Seitz, Robert Goldwater, Sidney Geist, Gene Baro, Clement Greenberg, Werner Hofmann, Vivien Raynor, Annette Michelson, Martica Sawin, Dora Vallier, Anita Ventura, Mercedes Molleda, José María Moreno Galván, Bruce Glaser, Lyman Kipp, George Sugarman, David Weinrib, Richard Stankiewicz, Richard Hamilton, George Rickey, Herbert Bronstein, Anne Hoene, Jacqueline Barnitz, Margaret Buhler. Contains commentary and illustrations of works by David Smith, Alexander Calder, Jacques Lipchitz, Reuben Nakian, Louise Nevelson, Richard Hunt, James Rosati, Raoul Hague, Edward Higgins, Fritz Bultman, Isamu Noguchi, Gabriel Kohn, Naum Gabo, Peter Agostini, Louise Bourgeois, Peter Grippe, Mark di Suvero, Mike Nevelson, George Spaventa, Dimitri Hadzi, Paul von Ringelheim, Jason Seley, Frederick Kiesler, Lyman E. Kipp, Wilfrid Zogbaum, Paul Granlund, Jack Squier, Italo Scanga, Anthony Caro, Fritz Wotruba, Costantino Nivola, Miguel Berrocal, William King, Etienne Hajdu, Manuel Neri, Eduardo Chillida, Pablo Serrano, Anne Arnold, Mary Frank, Alvin Light, Henry Moore, Barbara Hepworth, Hans Arp, Rudolf Hoflehner, Robert Jacobsen, Etienne-Martin, Alberto Giacometti, Giacomo Manzu, William Turnbull, Kenneth Armitage, Max Bill, Robert Müller, Lynn Chadwick, Shamai, Haber, Reg Butler, Hubert Dalwood, Robert Adams, Eugene Dodeigne, Elizabeth Frink, Emil Cimiotti, Yitzchak Danziger, jean Ipoustéguy, Lee Bontecou, James Wines, Ronald Bladen. Judd's "Specific Objects" is illustrated with works by Claes Oldenburg, Bontecou, Robert Rauschenberg, George Ortman, Yves Klein, Jasper Johns, Frank Stella, Phillip King, Richard Smith, John Anderson, Tony Delap, Robert Watts, H.C. Westermann, Robert Morris, Dan Flavin, Richard Artschwager, Lucas Samaras, Yayoi Kusama, John Chamberlain. Good. Former library copy. Moderate rubbing to covers and bumping to edges and corners. "1965" written in blue pen on spine and on recto. 2 cm. tear to spine. "3339" written in blue pen twice on title page and once on inside of recto which also has a name plate for the Library of the San Francisco Museum of Art. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Single Issue Magazine. Zustand: Good. Peskin, David; Kraft, Arthur; Haberman, Irving; Junco, Pio; Varady, Frederic; Blossom, Earl; Cooke, Jerry; Sugarman, Tracy; La Salle, Charles; (illustrator). First Edition. 90 pages. Articles: Crazy Like a Box Top - the golden age dawns for folk who enter guessing contests; How America will Defend Herself - the technique of modern warfare; Silver Scrapper - Florida Tarpon put up a savage fight; Doodles International - a study of the subconscious scribblings of men who make history; Behind the Palestine Reversal - The case for partition - by a member of the U.N. Special Committee; For Young Adults Only - in Madison, WI ex-G.I.s and others form a club to replace USO; Jaunt with Janie - author claims he went to Chile for this story on Jane Greer. Ads include: Nash cars; Bell telephone; Zenith radios adn phonographs; GMC Trucks; B.V.D. sportswear; RCA Victor phonographs; Pabst beer featuring colour photo of artist James Montgomery Flagg; Dodge cars; Plymouth cars; Good Year tires; New York Central railway; Ballantine's Ale; Hudson cars; Goebel beer; Santa Fe Railroad; Budweiser beer (medieval golf illustration); Miller beer; Camel cigarettes (back cover) featuring roller skater Raven Malone. Unmarked with average wear. A nice vintage copy.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.