strobl gerwin (20 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0521782651.

Zahlreiche Abbildungen. Einband leicht bestoßen und angestaubt, innen gut. (Kunst). Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. This book explains Hitler's view of Britain as both Nordic ally and role model. Gerwin Strobl shows that there was a surprising level of affection for Britain and British culture among ordinary Germans, from the discourses of the 1920s to the vigorous anti-British propaganda of the war years. Despite Hitler's tactical duplicity at Munich, there is overwhelming evidence that one of the Nazis' fundamental objectives was to forge an alliance with Britain and to emulate the 'ruthlessness' of the British Empire in dealing with eastern Europe. For the German public, admiration of Britain and enjoyment of its culture were enduring factors, even during Goebbels' frequent attacks; but both the Reich leadership and ordinary Germans otherwise lacked first-hand knowledge of Britain, while independent sources were suppressed. The book includes a number of unusual and striking illustrations, most of which will be unfamiliar to modern readers. In very good condition.

Zustand: New. An account of Nazi preoccupation with Britain as a role model, even during the war. Num Pages: 288 pages, 36 b/w illus. BIC Classification: 1DBK; 1DFG; 3JJG; 3JJH; HBJD; HBLW; JPS. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 16. Weight in Grams: 430. . 2007. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Zustand: New. Explores the origins of Nazi theatre and the role of theatre in German national life. Series: Cambridge Studies in Modern Theatre. Num Pages: 356 pages, 18 tones. BIC Classification: 1DFG; 3JJH; AN; JPFQ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 154 x 229 x 27. Weight in Grams: 554. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 1st edition. 353 pages. 8.75x6.00x0.75 inches. In Stock.

Zustand: New. In.

gebundene Ausgabe. Zustand: Sehr gut. 8°, X, 274 Seiten mit einigen Abbildungen, OPbd. mit illustr. Originalumschlag - sehr guter Zustand - 2000. MA6750 ISBN: 0521782651 Sprache: Englisch Gewicht in Gramm: 640.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses.

cloth, 278 pp.

Zustand: New. In.

Hardcover. Zustand: Brand New. 274 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New. Explores the origins of Nazi theatre and the role of theatre in German national life. Series: Cambridge Studies in Modern Theatre. Num Pages: 354 pages, 18 tones. BIC Classification: 1DFG; 3JJH; AN. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 690. . 2007. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Zustand: New. An account of Nazi preoccupation with Britain as a role model, even during the war. Num Pages: 286 pages, 36 b/w illus. BIC Classification: 1DBK; 1DFG; HBJD; HBLW; JPS. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 21. . . 2000. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explains Hitler's view of Britain as both Nordic ally and role model. Gerwin Strobl shows that there was a surprising level of affection for Britain and British culture among ordinary Germans, from the discourses of the 1920s to the vigorous anti-British propaganda of the war years. Despite Hitler's tactical duplicity at Munich, there is overwhelming evidence that one of the Nazis' fundamental objectives was to forge an alliance with Britain and to emulate the 'ruthlessness' of the British Empire in dealing with eastern Europe. For the German public, admiration of Britain and enjoyment of its culture were enduring factors, even during Goebbels' frequent attacks; but both the Reich leadership and ordinary Germans otherwise lacked first-hand knowledge of Britain, while independent sources were suppressed. The book includes a number of unusual and striking illustrations, most of which will be unfamiliar to modern readers.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses.

Hardcover. Zustand: gut. 2020. Between 1933 and 1936, so-called "Thingstätte" were erected as propagandistic open-air theaters and meeting places for National Socialism. Four hundred were planned, and around sixty constructed. Many of these today almost barely known sites, can still be found in Germany, Poland, and Russia. In the form of an interdisciplinary research project, art and documentation, texts and images by twenty-three international artists and scholars facilitate a pluralistic examination of the unusual history of the "Thingstätte" and the importance of the past for the present. For further reading and supplementary material visit the project website (www.thingstaetten.info). Artists Katharina Bosse, Rebecca Budde de Cancino, Doug Fitch, Jan Merlin Friedrich, Jakob Ganslmeier, Andrea Grützner, Rebecca Hackemann, Konstantin Karchevskiy, Hendrik Lüders, Daniel Mirer, Felix Nürmberger, Ralph Pache, Abhijit Pal, Philipp Robien, Jewgeni Roppel, Simon Schubert, Kuno Seltmann, Erica Shires, Thomas Wrede Zwischen 1933 und 1936 wurden die sogenannten Thingstätten" als propagandistische Freilichtbühnen und Versammlungsplätze des Nationalsozialismus erbaut. 400 waren geplant, etwa 60 wurden errichtet. Viele dieser bis heute kaum bekannten Orte sind heute noch in Deutschland, Polen und Russland auffindbar. In Form einer interdisziplinären Recherche ermöglichen Kunst und Dokumentation, Text und Bild von 23 internationalen KünstlerInnen und WissenschaftlerInnen eine pluralistische Auseinandersetzung mit der außergewöhnlichen Geschichte der Thingstätten sowie der Bedeutung der Vergangenheit für die Gegenwart. Thingstätten: Von der Bedeutung der Vergangenheit für die Gegenwart Bosse, Katharina, Gelderblom, Bernhard, Strobl, Gerwin, Wielgosik, Beata, Wunsch, Stefan Weiterführende Texte und ergänzendes Material finden Sie unter www.thingstaetten.info. Künstler*innen Katharina Bosse, Rebecca Budde de Cancino, Doug Fitch, Jan Merlin Friedrich, Jakob Ganslmeier, Andrea Grützner, Rebecca Hackemann, Konstantin Karchevskiy, Hendrik Lüders, Daniel Mirer, Felix Nürmberger, Ralph Pache, Abhijit Pal, Philipp Robien, Jewgeni Roppel, Simon Schubert, Kuno Seltmann, Erica Shires, Thomas Wrede Detailangaben zum Buch - Thingstätten: Von der Bedeutung der Vergangenheit für die Gegenwart EAN (ISBN-13): 9783735606938 ISBN (ISBN-10): 3735606938 Taschenbuch Erscheinungsjahr: 2020 Herausgeber: Bosse, Katharina, Kerber Verlag ISBN/EAN: 3735606938 ISBN: 3-7356-0693-8, 978-3-7356-0693-8 Autor des Buches: gelderblom bernhard, katharina bosse Titel des Buches: thingstätten, archäologie niedersachsen, die gegenwart der vergangenheit In deutscher Sprache. 256 pages. 24 x 30 cm.

Hardcover. Zustand: gut. 2005. Reichgau Oberdonau Aspekte 2 In deutscher Sprache. pages.