strawinsky stravinsky igor (27 Ergebnisse)

Soft cover. Zustand: Fine. First Edition Thus. 14 Pp. Fine.

Soft cover. Zustand: Fine. First Edition Thus. 7 Pp. Fine.

Soft cover. Zustand: Fine. First Edition Thus. 20 Pp. Fine.

Paperback. Zustand: Good. Does not have the cover shown. For voice and piano, text in Russian, French, and English.

Illustrated Wrappers. Zustand: Near Fine. Cover Drawing (illustrator). First Edition, First Printing. 36 pp. First issue with Printed in England statement, and no label over "Woodwind" on title page. Former owner's name stamped at top of front cover, otherwise near fine.

Softcover. Zustand: Very Good. First edition. 12mo. 38pp. Stapled printed wrappers. Pages lightly age-toned, wrappers with a few small stains, very good. Hawkes Pocket Scores.

2 volumes in-12, brochés. 187, 190 pages. Dans le volumes 1 : 6 dessins hors-texte. Le dos du volume 1 a été réparé.

Zustand: Gut. revised edition. gr. 8°. (= B & H 16371). 36 S. OBroschur, gutes Ex. Notenheft.

1957 1st edition with B&W illustrations and text in English, French and German; tightly bound in slightly discoloured red boards with gilt lettering to front; wear to corners and top/base of spine; faint foxing to top page fore-edge; owner's name stamp on front free endpaper; otherwise, a clean, tidy copy. Used - Very Good. VG hardback (no dust jacket).

Soft cover. Zustand: Very Good. Later edition. Wrappers. 4to, 64 pp. Very good copy,small edge tear in lower right corner of front wrapper. Facsimile inscription from Stravinsky to Madame la Princesse Edmond de Polignac in Russian and French opposite first page of music.

Zustand: Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday SALE item)* quarto, 39 pp., hand stamps, else near very good, softcover. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Wie neu. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Datenträger ohne Kratzer. Copyright:. 2000 Sprache: Englisch Gewicht in Gramm: 200 Audio CD, Maße: 14.61 cm x 12.7 cm x 1.27 cm.

Softcover. Zustand: Sehr gut. (ohne Jahr,). 19 S., 4° (Quart, 25 bis 35 cm), Orig.- Heft (Softcover). Sprache: Französisch, Sehr gut, nahezu tadellos/neuwertig, erhalten. - As new.

Zustand: Gut. Formateinband: Ringbuchbindung 132 S. (30 cm) Eight Edition / Special Order Edition; In gutem Zustand. (In französischer Sprache). Sprache: Französisch Gewicht in Gramm: 600 [Stichwörter: Noten, Partitur].

Ca. 33 x 26,5 cm. 4 Blätter, 172 Seiten. Original-Karton. Reprinted with corrections 1965. Verlags-Nr.: B. & H. 16236. Einband minimal fleckig. Schönes Exemplar.

Erste Ausgabe, erschien zur deutschen Uraufführung in Berlin (unter dem Dirigat Otto Klemperers). kl.-8°. 36 Seiten, Obrosch., Titelbl. mit altem Buchh.-Stemp., Umschlag gebräunt.

Zustand: Very Good. New version, 1948. Paperback. Folio. 144pp. Slight wear, slight edge creasing, tear at head of spine, small chip at fore-edge of last three pages, but contents not affected and clean, very good. French and English text.

36 pages, with (up to 3 bars) piano- and (up to 4 bars) vocal-scores throughout. - Olive-grey red-titled stapled softcover; large-4to.(ca. 32 x 23 cm). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 45% REDUZIERTER PREIS / PRICE-REDUCTION of over 45%; ehemaliger Preis / previously EUR 180,-] --- PROBABLY FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL OF SOULIMA STRAVINSKY'S PIANO-TRANSCRIPTION of his father's famous vocal composition; BOLDLY SIGNED BY GERMAN CONDUCTOR HERBERT VON KARAJAN AT FRONTCOVER and with a tipped-in magazine-photograph of Karajan conducting his orchestra in front of a standing choir at inner frontcover. - Not the only signed musical score which she collected on the occasions of her rehearsels from the estate by a female Berlin-choirsinger (u.a. Berliner Singakademie) with her date (25.1.73) at the titlepage. In the fall of the same year Karajan performed the work in the Berlin-Philharmonie where the 'frontispice-picture' could be taken and the Autograph might be given to the singing participant. . .

Zustand: Good. Oblong 4to. 19 x 27.7 cm. [2], 14pp. Original wraps. . Signed at Morges, Switzerland and dated 21 Nov. 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières, Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside, it was described this way in an early account: "A theater decidedly unlike any other. A sort of vast chalet, a kind of huge barn, smelling of resin, dried hay, fresh fruit, and on days when there was a performance, Sunday clothes, but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit ?"The theater was closed for several years during the Great War, and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart (who, incidentally, had recently funded the creation of Stravinsky's Soldier's Tale) telling him that he was taking inspiration from Hindu theater for this work, his patron offered to lend rare Hindu drums, in addition to financial assistance. The text is drawn from the Hebrew Bible (I and II Samuel, I Kings), in addition to the Huguenot Psalter, which includes poetry by Clément Marot. The poet's brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down, René, on the advice of Stravinsky and the distinguished conductor Ernest Ansermet, chose the then unknown, twenty-eight year old Arthur Honegger. "When Swiss poet Rene Morax (1873-1963) was looking for a composer for his new King David libretto, Stravinsky recommended the twenty-nine-year-old Arthur Honegger, a composer who, just six years later, creating the film score for Abel Gance's Napoleon, would reveal himself as a master of music's ability to translate epics into sweeping, evocative sound. In 1921, right on the cusp of his first successes, Honegger wrote the David score in a flush of creative energy.". Provenance from the estate of René Morax. Expertise by Claire PIGUET, Geneva,

Zustand: Good. 4to. 28 x 19.8 cm. [8], 64pp. Original wraps. Front cover mainly detached. Signed at Morges, Switzerland and dated 1918 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières, Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside, it was described this way in an early account: "A theater decidedly unlike any other. A sort of vast chalet, a kind of huge barn, smelling of resin, dried hay, fresh fruit, and on days when there was a performance, Sunday clothes, but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit ?"The theater was closed for several years during the Great War, and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart (who, incidentally, had recently funded the creation of Stravinsky's Soldier's Tale) telling him that he was taking inspiration from Hindu theater for this work, his patron offered to lend rare Hindu drums, in addition to financial assistance. The text is drawn from the Hebrew Bible (I and II Samuel, I Kings), in addition to the Huguenot Psalter, which includes poetry by Clément Marot. The poet's brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down, René, on the advice of Stravinsky and the distinguished conductor Ernest Ansermet, chose the then unknown, twenty-eight year old Arthur Honegger. "When Swiss poet Rene Morax (1873-1963) was looking for a composer for his new King David libretto, Stravinsky recommended the twenty-nine-year-old Arthur Honegger, a composer who, just six years later, creating the film score for Abel Gance's Napoleon, would reveal himself as a master of music's ability to translate epics into sweeping, evocative sound. In 1921, right on the cusp of his first successes, Honegger wrote the David score in a flush of creative energy."., Provenance from the estate of René Morax. Expertise by Claire PIGUET, Geneva,

Zustand: Good. Oblong 4to. 19.8 25.7 cm. [2],8pp. Original wraps, loose as issued. Signed at Morges, Switzerland and dated Noel 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières, Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside, it was described this way in an early account: "A theater decidedly unlike any other. A sort of vast chalet, a kind of huge barn, smelling of resin, dried hay, fresh fruit, and on days when there was a performance, Sunday clothes, but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit ?"The theater was closed for several years during the Great War, and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart (who, incidentally, had recently funded the creation of Stravinsky's Soldier's Tale) telling him that he was taking inspiration from Hindu theater for this work, his patron offered to lend rare Hindu drums, in addition to financial assistance. The text is drawn from the Hebrew Bible (I and II Samuel, I Kings), in addition to the Huguenot Psalter, which includes poetry by Clément Marot. The poet's brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down, René, on the advice of Stravinsky and the distinguished conductor Ernest Ansermet, chose the then unknown, twenty-eight year old Arthur Honegger. "When Swiss poet Rene Morax (1873-1963) was looking for a composer for his new King David libretto, Stravinsky recommended the twenty-nine-year-old Arthur Honegger, a composer who, just six years later, creating the film score for Abel Gance's Napoleon, would reveal himself as a master of music's ability to translate epics into sweeping, evocative sound. In 1921, right on the cusp of his first successes, Honegger wrote the David score in a flush of creative energy.". Provenance from the estate of René Morax. Expertise by Claire PIGUET, Geneva,

Zustand: Good. 24 x 31.5 cm. [4], 20pp. Original wraps. Front cover stained along edges. . Signed and dated 28 viii 17 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières, Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside, it was described this way in an early account: "A theater decidedly unlike any other. A sort of vast chalet, a kind of huge barn, smelling of resin, dried hay, fresh fruit, and on days when there was a performance, Sunday clothes, but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit ?"The theater was closed for several years during the Great War, and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart (who, incidentally, had recently funded the creation of Stravinsky's Soldier's Tale) telling him that he was taking inspiration from Hindu theater for this work, his patron offered to lend rare Hindu drums, in addition to financial assistance. The text is drawn from the Hebrew Bible (I and II Samuel, I Kings), in addition to the Huguenot Psalter, which includes poetry by Clément Marot. The poet's brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down, René, on the advice of Stravinsky and the distinguished conductor Ernest Ansermet, chose the then unknown, twenty-eight year old Arthur Honegger. "When Swiss poet Rene Morax (1873-1963) was looking for a composer for his new King David libretto, Stravinsky recommended the twenty-nine-year-old Arthur Honegger, a composer who, just six years later, creating the film score for Abel Gance's Napoleon, would reveal himself as a master of music's ability to translate epics into sweeping, evocative sound. In 1921, right on the cusp of his first successes, Honegger wrote the David score in a flush of creative energy.". Provenance from the estate of René Morax. Expertise by Claire PIGUET, Geneva,

Zustand: Good. Oblong 4to. 19.5 x 27.3 cm. [2], 8pp. Original wraps. . Signed at Morges, Switzerland and dated 5 Juillet 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières, Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside, it was described this way in an early account: "A theater decidedly unlike any other. A sort of vast chalet, a kind of huge barn, smelling of resin, dried hay, fresh fruit, and on days when there was a performance, Sunday clothes, but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit ?"The theater was closed for several years during the Great War, and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart (who, incidentally, had recently funded the creation of Stravinsky's Soldier's Tale) telling him that he was taking inspiration from Hindu theater for this work, his patron offered to lend rare Hindu drums, in addition to financial assistance. The text is drawn from the Hebrew Bible (I and II Samuel, I Kings), in addition to the Huguenot Psalter, which includes poetry by Clément Marot. The poet's brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down, René, on the advice of Stravinsky and the distinguished conductor Ernest Ansermet, chose the then unknown, twenty-eight year old Arthur Honegger. "When Swiss poet Rene Morax (1873-1963) was looking for a composer for his new King David libretto, Stravinsky recommended the twenty-nine-year-old Arthur Honegger, a composer who, just six years later, creating the film score for Abel Gance's Napoleon, would reveal himself as a master of music's ability to translate epics into sweeping, evocative sound. In 1921, right on the cusp of his first successes, Honegger wrote the David score in a flush of creative energy.". Provenance from the estate of René Morax. Expertise by Claire PIGUET, Geneva,

In-4 de 12 pages, broché sous couverture illustrée de Pablo PICASSO et coffret au premier plat ajourée d'une fenêtre de plexiglass laissant voir l'illustration de la couverture, dos titré au palladium ( Présentation signée de Yves RAMEAU ). EDITION ORIGINALE et PREMIER TIRAGE de la couverture de PICASSO. Rousseurs éparses sur la couverture avec légères usures. Bon exemplaire magnifié par l'élégante présentation de Yves RAMEAU. Très rare.Colophon: "Le ragtime d'Igor STRAVINSKY a ete tire a Beaux-Arts Musique Gravure.

Signed and dated by Stravinsky in March 1937. Plate no. 3830.1. In publisher's printed, brown wrappers. 7, (1) p. Composed in 1917 in Morges and first published in 1923 by J. & W. Chester. Tilimbom is a piece wherein Stravinsky continues his exploration of the animal world, it tells the story of a fire in a farmyard. . Torn at head of spine. A small blot on front cover. Trace of creasing to lower corner. Overall in fine condition. In publisher's printed, brown wrappers Signed and dated by Stravinsky in March 1937. Plate no. 3830.1.

4°., Original-kartoniert, XXXII, 188 S., ehemaliges Bibliotheksexemplar mit Rückenschild und Stempeln ("ausgeschieden"), gut erhaltenes und sauberes Exemplar, Einleitung in Englisch, Deutsch und Französisch, Sprache: Deutsch Gewicht in Gramm: 477.

Zustand: Good. 30.7x 24.4 cm. [8],62, [2]pp. Light foxing on a few pages and tfhe cover. . From the collection of the poet and playwright René Morax . He founded his Théâtre du Jorat near Mézières, Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside, it was described this way in an early account: "A theater decidedly unlike any other. A sort of vast chalet, a kind of huge barn, smelling of resin, dried hay, fresh fruit, and on days when there was a performance, Sunday clothes, but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit ?"The theater was closed for several years during the Great War, and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart (who, incidentally, had recently funded the creation of Stravinsky's Soldier's Tale) telling him that he was taking inspiration from Hindu theater for this work, his patron offered to lend rare Hindu drums, in addition to financial assistance. The text is drawn from the Hebrew Bible (I and II Samuel, I Kings), in addition to the Huguenot Psalter, which includes poetry by Clément Marot. The poet's brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down, René, on the advice of Stravinsky and the distinguished conductor Ernest Ansermet, chose the then unknown, twenty-eight year old Arthur Honegger. "When Swiss poet Rene Morax (1873-1963) was looking for a composer for his new King David libretto, Stravinsky recommended the twenty-nine-year-old Arthur Honegger, a composer who, just six years later, creating the film score for Abel Gance's Napoleon, would reveal himself as a master of music's ability to translate epics into sweeping, evocative sound. In 1921, right on the cusp of his first successes, Honegger wrote the David score in a flush of creative energy.". Provenance from the estate of René Morax. Expertise by Claire PIGUET, Geneva,