Stowitts (23 Ergebnisse)

Hardback. Zustand: Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Very Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Piccuted is a runner who brings the Vicroy information about visitors.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.…

Zustand: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Pictured in the garb used by the Empress Dowager.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.…

Zustand: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Pictured is an ascetic in the garb of Confucius. From his staff hangs a bunch of sacred leave,a gourd and fruit.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.…

Zustand: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Pictured in the garb used by court ladies of the 4th Century.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.…

Grand in-4 carré ( 405 X 335 mm ), cartonnage souple de papier maroquiné, motif en ocre et or estampé en relief au centre du premier plat, dos lisse muet ( Présentation de l'éditeur ). MAGNIFIQUE PUBLICATION illustrée en premier tirage de 59 planches gravées en couleur à l'or et au palladium montées ( 53 pleine page ) d'après des peintures d'Hubert Julian STOWITTS pour FAY-YEN-FAH Opéra en 3 actes, Poème de Charles TEMPLETON CROCQUER sur une Musique de Joseph REDDING. Nombreuses vignettes et le texte imprimé en trois couleurs. Edition originale limitée à 200 exemplaires numérotés ( N°35 ). Très minimes défauts à la couverture, bel exemplaire aux coloris éclatants illustrant avec beauté et élégance les personnages et les scènes de cet opéra sur la Chine ancienne. Musique Opéra Gravure Edition-Originale Littérature Chine.…

HARDCOVER. Limited edition. 44pp, multi-colored, gold leaved + 53 tipped in color silk screened prints with facing text page, folio, printed cloth covers Binding by Fox Los Angeles. #5 of 400 cc. tight binding, clean throughout, remarkable color, Very Good+.