Still clyfford (48 Ergebnisse)

hardcover. Zustand: very good(+). Zustand des Schutzumschlags: poor. First. With 165 illustrations, including 89 in color, some folding. 222 pages. Oblong 4to, black cloth, worn/torn and lightly soiled d.w. New York: Metropolitan Museum of Art/Abrams, (1979). A very good(+) copy in a poor dust wrapper. Records the 1979-80 exhibition at The Metropolitan Museum of Art, and is the most comprehensive book on Still's work. Still, Clyfford (illustrator).…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Hardback. Zustand: Good.

Paperback. Zustand: Brand New. 188 pages. 9.09x0.56x11.97 inches. In Stock.

First Edition. First edition. Softcover. 175 pages. Exhibition catalog for a show that ran June 21 through September 16, 2001. Features acknowledgements by and an introduction by James T. Demetriion, and essays by David Anfam, Neal Benezra, and Brooks Adams. Includes numerous illustrations, a chronology, a list of paintings in public collections, a list of previous exhibitions, and a selected bibliography. A near fine copy in wrappers.…

Hardcover. Zustand: Very Good. Roughly square 7" Gatefold gala invitation card on textured, stamped boards. Clean and unmarked. An attractive, sturdy invitation card promoting the gala opening of the Clyfford Still Museum in Denver, Colorado, 2011.

Leinen. Zustand: Sehr gut. 32,5x24,5cm 87 Seiten. Hardcover oder Leinen. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Hardcover. Zustand: Very Good. Out of print catalogue of a group show with artists John Chamberlain, Sam Francis, Willem De Kooning, Arshille Gorky, Adolhp Gottlieb, Franz Kline, Joan Mitchell, Jackson Pollock, David Smith, Clyfford Still, here so called "masters of the gesture." Many lovely rich color reproductions. Solid copy. Binding tight, sturdy, square. Interior is bright, crisp, clean, free of marks or damage of any kind. Boards a bit rubbed in parts, with one noticeable scuff to the upper right corner and some minor scuffing along the top edge. A couple of tiny bumps to bottom two edges, very lightly worn at corners. Some dust staining as expected to the all white matte cover, mostly on back, but not egregious, and a very nice example overall.…

First edition. [44 pp]. Small sticker shadow to upper corner of front cover, else near fine in printed wrappers. Essay by Ti-Grace Sharpless. Eight color reproductions, more in b&w.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

SOFTCOVER. Zustand: As New. 1st Edition. Extra Large 4to. in colour printed stiff glossy card covers, 175pp on thick art paper, colour plates, illustrations in text, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy (merest hint of tanning to leaves) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Taschenbuch. Zustand: Neu. Neuware - In late June 1936, American painter, Clyfford Still (19041980), and his Washington State College (WSC) faculty supervisor, Worth Griffin, traveled to the Colville Confederated Tribes Reservation in northeastern Washington and sketched portraits of people they met there, including several Tribal elders. They also captured in detail the nearby Grand Coulee Damthen under constructiona massive project destroying much of the Tribes' traditional lifeways. Most critical was the loss of the salmon runs that gave the Nespelem community physical, spiritual, and cultural sustenance. Deeply affected by contrast between 20th-century progress and what many considered an outdated, dying culture, they proposed a summer art program on the Reservation. Established in 1937, the Nespelem Art Colony produced the first extensive visual record of the Nespelem people.While the impacts of the Nespelem Art Colony on its students, instructors, and the Washington State University community have been well documented, records of the Tribes' views were scarce. Then, in 2022, the Tribe asked if Colville Reservation youth could become part of the Clyfford Still Museum's future activities. The Museum team listened to and learned from Tribal leadership, local indigenous artists, teachers, and the children who eventually served as co-curators, selecting and interpreting Still's art. In his portraits they recognized relatives and loved ones; many landscape paintings represented familiar places and home. In the body of abstract paintings Still made in the decades after he left Washington state, they saw reminders of grandparents; of Indigenous textiles and artworks; and the foundation of our shared present. Their "Tell Clyfford I Said 'Hi'" Exhibitiondelightfully documented in this exhibition catalog by the same nameopened in Denver in September 2025. In both, Indigenous children's voices and perspectives are everywhere, as is the joy these students derived from engaging with Still's art and connecting to their own familial and Tribal histories.…

Zustand: New.

Hard cover. Sewn binding. Paper over boards. 176 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Shelf wear to jacket, now in mylar. Abrasions to ffep from label or sticker removal, else very good.

Erste Auflage. 32,3 x 24,3 cm. 87 S. Geprägtes OLeinen. Einband minimalst angestaubt und mit winzigem Fleckchen, innen papierbedingt an den Rändern wenig lichtschattig, sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Mit einem Künstlerstatement in englischer Sprache.

Zustand: Near fine in near fine jacket. First printing. First edition of this exhibition book on one of the fathers of abstract expressionism, focusing on a period of his career wherein his "creativity burst forth and flowered." 11.5'' x 9.75''. Original black paper boards, silver-lettered spine. In original color pictorial jacket, no price (as issued). Black endpapers. Illustrated throughout in black and white and color. 176 pages. Jacket with trace edgewear. Touch of toning internally. Bright and tight.…

Zustand: Very good in very good plus. First Edition. First edition catalogue of the largest exhibition ever held of this noted Abstract Experssionist, from the library of artist and photographer William Christenberry. 10.5'' x 11.25''. Original black cloth, red lettering on front and spine. In original color pictorial jacket (no price, as issued). 165 illustrations including 89 in full color. 222 pages. From the collection of noted artist and photographer William Christenberry, with his penciled name to the front pastedown. Jacket with some gentle toning. Book with a few small spots of soil on front board; dampstain to lower corner of rear endpapers and last few leaves. Else sound.…

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. First Edition. Dust jacket in acceptable condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. SMALL AMOUNT OF SPINE LEAN. CLEAN CONTENT PAGES. See photos for more information. Secure packaging for safe delivery.…

First Edition. First edition and first printing. Hardcover. 87 pages. Features a foreword by Katharine Kuh and a biographical note by Ethel Moore. Includes an artist statement along with 33 color images. A near fine copy in cloth boards with some very minor wear. No dust jacket.

Paperback. Zustand: Good. PAPERBAC edition. Fading to spine. Light rubbing to extremities. Minor marks to covers.

Paperback. Zustand: Near fine in wraps. First Edition. 23 x 30cm 42pp near fine paperback auction catalogue Includes an anthology of writings by the artist and others about himself and his work togerther with full page colour reproductions plus a black and white reproduction of a portrait of Still by Hans Namuth.…

hardcover. Zustand: very good(+). 27 full page illustrations, many in full color. Unpaginated, approximately 40 pages, oblong 4to, stiff white wrappers (very slight rubbing). Philadelphia: Philadelphia Institute of Contemporary Art, 1963. First Edition. Very good (+). Catalog printed for solo exhibit October 18-November 29, 1963. Clyfford Still (illustrator).…

Hardcover. Zustand: Very Good. First Edition. No jacket, some wear to cover, endpapers foxed, name on ffep.

Zustand: New.

Buch. Zustand: Neu. Neuware - In late June 1936, American painter, Clyfford Still (19041980), and his Washington State College (WSC) faculty supervisor, Worth Griffin, traveled to the Colville Confederated Tribes Reservation in northeastern Washington and sketched portraits of people they met there, including several Tribal elders. They also captured in detail the nearby Grand Coulee Damthen under constructiona massive project destroying much of the Tribes' traditional lifeways. Most critical was the loss of the salmon runs that gave the Nespelem community physical, spiritual, and cultural sustenance. Deeply affected by contrast between 20th-century progress and what many considered an outdated, dying culture, they proposed a summer art program on the Reservation. Established in 1937, the Nespelem Art Colony produced the first extensive visual record of the Nespelem people.While the impacts of the Nespelem Art Colony on its students, instructors, and the Washington State University community have been well documented, records of the Tribes' views were scarce. Then, in 2022, the Tribe asked if Colville Reservation youth could become part of the Clyfford Still Museum's future activities. The Museum team listened to and learned from Tribal leadership, local indigenous artists, teachers, and the children who eventually served as co-curators, selecting and interpreting Still's art. In his portraits they recognized relatives and loved ones; many landscape paintings represented familiar places and home. In the body of abstract paintings Still made in the decades after he left Washington state, they saw reminders of grandparents; of Indigenous textiles and artworks; and the foundation of our shared present. Their "Tell Clyfford I Said 'Hi'" Exhibitiondelightfully documented in this exhibition catalog by the same nameopened in Denver in September 2025. In both, Indigenous children's voices and perspectives are everywhere, as is the joy these students derived from engaging with Still's art and connecting to their own familial and Tribal histories. …

30x23 cm, 172 S., OKart., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Munich, Prestel, 1992.175 pp. Col. & b./w. ills. Orig. softcover. - Corners & edges sl. worn. Spine discol.

First Edition. First edition and first printing. Hardcover. Exhibition catalog for a show that ran October 13 through November 10, 1990. Features text by Ben Heller as well as remarks by Iving Sandler, Katherine Kuh, Thomas B. Hess, and others. Includes numerous color illustrations and a bibliography. A fine copy in illustrated cloth boards. No dust jacket as issued. An attractive but austere catalog that seems fairly uncommon.…

Paperback. Zustand: Near fine in wraps. First Edition. 20 x 28cm 126pp near fine exhiobition catalogue which includes: 'Sweat Equity: An Interview on Clyfford Still with Mark Bradford' by Michael Auping plus colour reproductions showing Still and Bradford'spaintings.