stevenson morley (23 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover , Zustand: Very Good. No Jacket. First Edition. With 89pp - and in vg condition - an interesting item. HARD COVER, NO DUST JACKET, NO MARKINGS, SPLENDID CONDITION, EXCELLENT VALUE.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Glassine; plus slip case. Copyright date of 1938 is given but for the Limited Editions Club--this elegant edition may be as late as the 1960s; 237 p., clean and unmarked on fine quality paper only faintly age-toned; map end pagers; ill.; binding firm; illustrated boards in gray tonalities clean without discernible wear, and gilt lettering on unsunned red patch on spine are still bright; glassine wrapper very yellow with some chipping; celadon slip case has little edge wear but is sunned at edges.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, May 11 (SALE item)* [xii], 105 pp., hardcover faded at spine, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Zustand: Very Good. viii 104p original blue cloth bright with fresh gilt lettering to front and spine, all edges red, black endpapers tight but clipped, attractive volume Language: English.

Hardcover. Zustand: Good. COVER QUITE TATTY. SCUFFED AROUND THE EDGES AND CORNERS. THE SPINE HAS DETACHED FROM THE FRONT BOARD EXPOSING THE BINDING BUT IS STILL ATTACHED AT THE BACK. A LARGE 4CM X 7CM PIECE MISSING FROM TOP OF SPINE. BINDING IS REASONABLY FIRM. CRACK TO THE SPINE. A FEW PENNED PREVIOUS OWNERS NAMES ON INISDE. SOME LIGHT TANNING TO OUTER EDGES. SOME FOXING TO PAGE EDGES. LIBRARY STAMP MARK ON INSIDE. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Zustand: Good. a new edition. Cloth, G. xxiv+309pp+32pp publishers catalogue, b/w frontis, 184 b/w illustrations, cloth rather rubbed, corners bumped, split to the cloth along the rear hinge repaired a little crudely, sporadic foxing to the pages. A good reading copy. Interesting account from some 22 emminent late Victorian authors of the reasons & experiences thay had in writing & getting published their first books. 950 grams.

Good green softcover, 105p.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. 1904. An excellent copy, clean and unmarked throughout with pages edges free from any significant creases or wear, covers firm and secure with gilt titles bright, just some minor rubbing at the corners from ordinary handling and shelving. Why do most sellers not describe their actual item? Buy with confidence, support a genuine Independent Bricks & Mortar Real Bookshop and help to preserve our High Streets as interesting places to shop. We are Maynard & Bradley CAMBO & PBFA (now lapsed) members here in Leicester City Centre, UK Size: 125 x 170 mm. 104 pages. Item Type: Book. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Poetry; Britain/UK; 1900-1920; Inventory No: 33559.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Kartoniert / Broschiert. Zustand: New.

Buch. Zustand: Neu. Neuware.

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

[unpaginated]; 24 x 22.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. Parallel texts in German and English, including interview between Peter Ludwig and Wolfgang Becker. Includes biographies and exhibition chronologies. Artists include Eva Aeppli, Hans Peter Alvermann, John de Andrea, Arakawa, Allan D'Arcangelo, Richard Artschwager, Dieter Asmus, Jo Baer, William Bailey, Robert Bechtle, Saskia de Boer, Christian Boltanski, K.P. Brehmer, Peter Brüning, Rafael Canogar, Mario Ceroli, Dan Christensen, Christo, John Clem Clarke, Chuck Close, Ron Cooper, Alan Cote, George Deem, , Rolf-Gunter Dienst, Donald Eddy, Erro, Wojciech Fangor, Robert Filliou, Gérard Gasiorowski, Juan Genoves, Franz Gertsch, Piero Gilardi, Domenico Gnoli, Ralph Goings, Robert Graham, Gotthard Graubner, Sante Graziani, Nancy Stevenson Graves, Renato Guttuso, Ira Joel Haber, Duane Hanson, Jann Haworth, Paul Harris, Michael Heizer, Alex Hay, David Hockney, Robert Indiana, Alfred Jensen, Allan Jones, Howard Kanovitz, Alex Katz, Ellsworth Kelly, Konrad Klapheck, Alfred Leslie, Barry Le Va, Roy Lichtenstein, Richard Long, Lee Lozano, Walter De Maria, Richard McLean, Rune Mields, Jacques Monory, Nicholas Monro, Malcolm Morley, Robert Morris, Peter Nagel, Bruce Nauman, Lowell Nesbitt, Siegfried Neuenhausen, Ansgar Nierhoff, Pino Pascali, Pavlos, Philip Pearlstein, Walter Pichler, Michelangelo Pistoletto, Tom Phillips, Mel Ramos, Robert Rauschenberg, Gerhard Richter, Klaus Rinke, Dieter Rot [aka Dieter Roth], Dieter Rot [aka Dieter Roth], George Segal, Richard Serra, Leon Polk Smith, Robert Smithson, Keith Sonnier, Bernard Schultze, Lawrence Stafford, Lewis Stein, Curt Stenvert, Nikolaus Störtenbecker, Sidney Tillim, Joe Tilson, Cy Twombly, Dietmar Ullrich, Bernar Venet, Jan Voss, Wolf Vostell, John Walker, Andy Warhol, Robert Watts, Tom Wesselmann, Stefan Wewerka, Doug Wheeler, Lambert Maria Wintersberger, Peter Young, Jim Dine, Alain Jacquet, Jasper Johns, Kenneth Noland, Martial Raysse, James Rosenquist, Dieter Rot [aka Dieter Roth], and John Salt. Fair / Good. Tearing of spine edges measuring 4 cm. and 6.3 cm. with additional rubbing. Light rubbing and scuffing of lenticular covers. Yellowing and dusting of text block edge.1.8 cm. dog-ear to endpaper and light bumping of top right corner of pages. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Size: Folio. Half calf with marbled boards (rather worn, front board detached, backstrip partly missing). Engraved.