steven a dean (27 Ergebnisse)

Hardcover. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

mass_market. Zustand: Very Good. Shows minor wear, tanned pages.

Zustand: Fair. Acceptable condition. (Croatian Sculptors, Sculpture, Art) A reading only copy. Boards/spine/hinges may be broken, detached, or missing. All pages of text are present, but they may include extensive notes/highlighting, be heavily stained, or detached. May be missing non-text pages (e.g. end pages, half title, title, frontispiece.).

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 28 through June 23, 1974. Includes numerous illustrations including 5 in color. A very good copy in wrappers with some minor wear wear to the top of the front panel.

Zustand: Very Good. University of Notre Dame 1974 large 8vo. 80 pages.

Softcover. Zustand: Very Good. First edition. 40pp. Illustrated. Stapled illustrated wrappers. Corners and spine ends lightly bumped, very good. Contributions by Norman Moser, Dean Phelps, Ellis Worth, Lee Richard Hayman, John Pemelton, Steven A. Luff, James P. White, Emilie Glen, R. Carande, Marcia Muth Miller, Leonard Opalov and more.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Wrappers. Zustand: Very Good. 80 pp., 75 illustrations 4 in color. A small pull tear to the front cover, top right-hand side. A touch of soiling to the reverse cover. Published on the occasion of the exhibition from April 28-June 23, 1974.

Zustand: New. In.

Hardcover. Zustand: Brand New. 208 pages. 10.00x6.50x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; xix, 127 pages : illustrations ; 26 cm ISBN 9780252015533, 0252015533 OCLC 17676686 LCCN 88004825 LC KF5692 .C67 1989 Dewey 346.73045 and 347.30645 ; grey cloth in pictorial dustjacket ; Contents : Aesthetics in the Museum and in the Courthouse -- East side, west side all around the town (and nation) -- The case for coherence -- Aesthetics at any price opr no aesthetics at all -- The case for legal aesthetics -- Aesthetics and the Legal System -- The swinging pendulum -- A blessed union? -- A return to first principles -- Legal Aesthetics and legal institutions -- Icons and Aliens -- A format for aesthetics controversies -- The aesthetics impulse: Beauty as a nonstarter -- Aesthetics and Process Values -- Legal language and lay language -- Process and end-state values: Pathways to accommodation -- Epilogue -- Notes -- Index ; Discusses issues surrounding the daily war being fought in cities across the country--developmental change and business growth versus historic preservation. Can there be a meeting of the minds beween those who strive to preserve our environment and historical landmarks and those who continue to try to meet the needs of a changing society? publisher's promotional materials laid in, associated with a Kiwanis Club presentation to Memphis area Law alumni ; SIGNED letter to attorney Richard W. Foster from the author with comments upon the city of Memphis, laid-in with envelope ; John Costinis was dean of the Vanderbilt Law School who previously taught in the urban design, historic preservation and property fields on the law faculties of New York University and Illinois. A frequent contributor of essays on design and land use topics to legal and lay publications, Costonis was also the author of Space Adrift, Landmark Preservation and the Marketplace, a seminal study of the use of incentive zoning to finance the preservation of endangered urban landmarks. ; Allan Jacobs was was a professor of environmental design, University of California at Berkeley and the former director of planning, Department of City Planning, San Francisco ; includes discussions about the Zucchini on Park Avenue, East Side buildings on Manhattan's West Side, Billboards along a scenic Arizona highway, Sodium vapor lamps in downtown Bronxville, An international style tower atop the Beaux Arts Grand Central Terminal, a Con Ed pumping station on Storm King Mountain, the Transamerica Building in San Francisco, McDonald's Speedee Service Drive-in, Goodyear Airdock, Isaac I Rice Mansion, Upper East Side Historic District, ; inlcudes numerous New Yorker cartoons and black and white photographs ; FINE/FINE. Signed by Author(s). Book.

Hardcover. Zustand: Brand New. 328 pages. 9.30x6.47x1.27 inches. In Stock.

Taschenbuch. Zustand: Neu. Thinking about Science, Reflecting on Art | Bringing Aesthetics and Philosophy of Science Together | Otávio Bueno (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2023 | Routledge | EAN 9781032569864 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Hardcover. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Brand New. 1st edition. 461 pages. 10.50x7.50x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. 192 pages. 6.40x1.10x8.90 inches. In Stock.

Buch. Zustand: Neu. Neuware - Global tax policy has long determined which states can access the resources necessary to flourish. Today, even the wealthiest states struggle to tax rich individuals and multinationals. Anti-Black racism has enriched affluent states at the expense of marginalized ones and undermined the taxing power of all nations.In a compelling narrative interwoven with personal storytelling, Racial Capitalism and International Tax Law: The Story of Global Jim Crow connects Dr. Martin Luther King Jr.'s metaphor of the 'bad check'-representing unfulfilled promises of freedom and equality to Black Americans-to contemporary anti-Black global tax policies. The book uncovers lost connections, such as those between Edwin Seligman, an architect of our global tax system, and the Dunning School, which laid the foundation for Jim Crow laws, and between Stanley Surrey, a Harvard professor and advisor to President John F. Kennedy, and key moments of the Cold War.Furthermore, it takes a global view and reveals how racial panic triggered by African decolonization allowed an exclusive club of white countries to deliver a second bad check to newly sovereign states like Kenya and Nigeria. By circumventing the inclusive one-country, one-vote system of the United Nations, the OECD and its double tax treaty dismantled the generous arrangements that helped Europe rebuild after both World Wars.Racial Capitalism and International Tax Law exposes the surprising role anti-Black racism played in shaping an international tax system that benefits billionaires at the expense of billions of people. This eye-opening account challenges readers to rethink the global tax system and its profound impact on racial and economic justice.

Zustand: New. In.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Shows some signs of wear but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.