Steuber jason (16 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Clean cover boards, unmarked pages. Binding is tigh. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Very Good. Secure packaging for safe delivery.

Zustand: Very Good. Dust jacket has light scratches and outer edges have minor scuffs, book content is in like new condition.

Zustand: New.

Hardcover. Zustand: Brand New. 1st edition. 268 pages. 12.25x10.25x1.25 inches. In Stock.

Soft cover. Zustand: Very Good. 676pp. Illustrated in colour. heavy item, may attract additional postage.

Zustand: New. &Uumlber den AutorJason Steuber is Cofrin Curator of Asian Art, Laura K. Nemmers is registrar, and Tracy E. Pfaff is development coordinator at the Samuel P. Harn Museum of Art, one of the largest university-affiliated art museums in.

Hardcover. Zustand: Brand New. 414 pages. 12.25x10.25x1.75 inches. In Stock.

Zustand: New. Editor(s): Pearce, Nicholas; Steuber, Jason. Num Pages: 320 pages, Illustrations (chiefly col.), col. map. BIC Classification: ACBP. Category: (G) General (US: Trade). Dimension: 305 x 254 x 33. Weight in Grams: 1200. . 2012. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - 'I congratulate the Samuel P. Harn Museum of Art on its twentieth birthday. This catalogue, which highlights those twenty years of collecting, is an impressive tribute to the museum's donors and supporters as well as to the staff.'--Brian A. Dursum, director, University of Miami Lowe Art Museum The Samuel P. Harn Museum of Art at the University of Florida opened in 1990, dedicated to promoting the power of the arts to inspire, educate, and enrich people's lives. Today, more than 7,400 works are represented in the Harn's various collections. This brilliantly illustrated volume is the museum's first overall collection catalogue. It offers 50 highlights from the museum's five major collecting areas--African art, Asian art, contemporary art, modern art, and photography--as well as selections from its ancient American and Oceanic collections. Featuring fine, full-page photography and expert commentary from the curators, it is the most complete guide to the museum's collection ever produced. In addition, this innovative volume also provides a history of the facility and offers exclusive, behind-the-scenes information about registration, education, development, marketing, public relations, and community engagement. The result is a truly comprehensive and fascinating look at the Harn's collection, history, and operations.…

Hardcover. Zustand: Brand New. 302 pages. 9.75x11.00x1.00 inches. In Stock.

Zustand: New. &Uumlber den AutorNicholas Pearce, professor of Chinese art and Head of the School of Culture and Creative Arts at the University of Glasgow, is the author of Photographs of Peking, China, 1861-1908. Jason Steuber, Cofrin Curator of A.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 302 pages : illustrations (chiefly colour), colour map ; 32 cm Contents: A flash in the pan : the "Bushell Bowl" controversy revisited / Nick Pearce -- Canon formation and the development of western Chinese art history / Roger Covey -- Pigment style and workshop practice in the Yuan dynasty wall paintings from the Lower Guangsheng Monastery / Ling-en Lu -- Qing dynasty emperors Kangxi and Qianlong : rule through replication in architecture and the arts / Jason Steuber -- Replicating the past : ink rubbing and its related ideas in contemporary Chinese art / Wei-Cheng Lin -- Copying and transmitting, knowledge and nonsense : from the Great encyclopedia to A book from the sky / Shane McCausland -- Some considerations of the bronze inscription techniques used during the Shang and Zhou dynasties / Changping Zhang. …

Buch. Zustand: Neu. Neuware - For both museums and collectors, questions of ''authenticity'' often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.…

Geb., met stofomslag, groot formaat, nette staat, 240 pagina's.

London 2007, 234 pp., plates dust jacket e41.