Stephens michelle ann (37 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. Periodical softcover pp246. Condition Fine marred only by some fading on front cover.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: New. 2017. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. Explores the writings of Marcus Garvey, Claude McKay and C.L.R. James and argues that these black transnationals articulated a novel conception of black identity that reconfigures the meaning of American nationality Series: New Americanists. Num Pages: 384 pages, 5 b&w photos. BIC Classification: 1H; 1KBB; GTB; JFC; JFSJ; JPFN. Category: (P) Professional & Vocational. Dimension: 5983 x 3971 x 28. Weight in Grams: 608. . 2005. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 282 pages. 8.75x5.75x0.50 inches. In Stock.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. pp. 384.

Paperback. Zustand: Brand New. illustrated edition. 384 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 478 pages. 9.00x6.00x1.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other-intersubjective, pre-discursive, and sensuous-forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.…

Kartoniert / Broschiert. Zustand: New. In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the ski.

Zustand: New. Explores the writings of Marcus Garvey, Claude McKay and C.L.R. James and argues that these black transnationals articulated a novel conception of black identity that reconfigures the meaning of American nationality&Uumlber den Autor.

Taschenbuch. Zustand: Neu. Neuware - In Black Empire, Michelle Ann Stephens examines the ideal of "transnational blackness" that emerged in the work of radical black intellectuals from the British West Indies in the early twentieth century. Focusing on the writings of Marcus Garvey, Claude McKay, and C. L. R. James, Stephens shows how these thinkers developed ideas of a worldwide racial movement and federated global black political community that transcended the boundaries of nation-states. Stephens highlights key geopolitical and historical events that gave rise to these writers' intellectual investment in new modes of black political self-determination. She describes their engagement with the fate of African Americans within the burgeoning U.S. empire, their disillusionment with the potential of postWorld War I international organizations such as the League of Nations to acknowledge, let alone improve, the material conditions of people of color around the world, and the inspiration they took from the Bolshevik Revolution, which offered models of revolution and community not based on nationality.Stephens argues that the global black political consciousness she identifies was constituted by both radical and reactionary impulses. On the one hand, Garvey, McKay, and James saw freedom of movement as the basis of black transnationalism. The Caribbean archipelago-a geographic space ideally suited to the free movement of black subjects across national boundaries-became the metaphoric heart of their vision. On the other hand, these three writers were deeply influenced by the ideas of militarism, empire, and male sovereignty that shaped global political discourse in the early twentieth century. As such, their vision of transnational blackness excluded women's political subjectivities. Drawing together insights from American, African American, Caribbean, and gender studies, Black Empire is a major contribution to ongoing conversations about nation and diaspora. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 319 pages. 12.00x9.00x1.25 inches. In Stock.

Zustand: New. 2017. Illustrated. Hardback. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Gebunden. Zustand: New. In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the ski.

Hardcover. Zustand: Brand New. 282 pages. 9.25x6.00x0.75 inches. In Stock.

Zustand: New. In English.

Buch. Zustand: Neu. Neuware - In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other-intersubjective, pre-discursive, and sensuous-forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.…