stephen duncalf (20 Ergebnisse)

Softcover. Zustand: Fine. First edition. Tall narrow 16mo. Perfectbound wrappers. Fine.

Paperback. Zustand: Fine. Book. 201 x 145 mm,13 pp. printed black on white stock, with hand-coloured illustrated cover by Martin Fidler. A literary magazine, published quarterly, that includes issues about painters, sculptors and people prominent in other fields. Features poems by Simon Cutts, Anne Gardner and Thomas Meyer, and "Deuteronomy" by Stephen Duncalf.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. 24mo. [21pp.] Approximate measurements: 6" x 4 1/4". Sewn brown wrappers, fine in a fine pea green dustwrapper. This is number 160 out of 600 numbered copies.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. 24mo. [21pp.] Approximate measurements: 6" x 4 1/4". Sewn brown wrappers, fine in a fine pea green dustwrapper. This is number 155 of 600 numbered copies.

Hardcover. Small 8vo. Unpaginated. Beige covers with green illustration. Green covered boards with embossed lettering in red at front and spine. Illustrated throughout. John Bevis text at flaps. This book was published in a signed edition of 200. Very good indeed. In very good dust jacket, a bit rubbed along edges and slightly sunned at spine.

Zustand: Near Fine. 295 x 211 mm. Folded sheet of paper, printed black and white. Includes a poem by Stepehn Duncalf, and an advertisement for a title by Karl Torok and Simon Cutts to be published by Coracle Press. With graphic element at the top of the page. COndition: Folded as issued for mailing. Apart from some age toning to the paper, near fine.

Hardcover. Zustand: Very Good. First Edition. Wraps. 12mo. pp 23. Original publishers illustrated olive green covers, lettered black. An edition of 600 copies, this being no. 60. Artists' books. Clean, very good indeed.

Hardcover. Zustand: Very Good. First Edition. Wraps. Small 8vo. pp 4. Original publishers thin green card wraps, lettered black. An edition of 250 copies, this being no. 194. Evidently a catalogue for November 25th - December 31st exhibition with 15 items the titles for the first 11 of which are numbered and printed beneath tipped in short bands of red, blue, green and in one instance black. The cover entitled "a back garden in Clapham" has a tipped in photograph partially revealed by a window cut out in the card dust jacket. Clean, very good indeed.

Zustand: Very good+/Near fine. Folded invitation card. The Weather House and other works, Coracle Press Exhibition 1975, Midland Group Gallery, Nottingham, 1975. 76 x 54 mm. Printed black and white, folded card. Unnumbered, unsigned, no edition size given. Text on verso reads: 'You are invited to the opening by David Brown of the exhibition on Friday July 4th at 8.00 p.m. A reading of poems by Stuart Mills and Simon Cutts will take place on this occasion'. The Weather House group show included the following artists and poets: Simon Cutts, Karl Torok, Martin Fidler, Stephen Skidmore, David Willetts, Ian Gardner, Stephen Duncalf, Kay Roberts, Stuart Mills, Stephen Bann, Edward Lucie Smith.Condition: very minor toning, otherwise fine. Overall: Very good+/Near fine.

Zustand: Near Fine. 125 x 130 mm. 18pp. Printed green on white, sewn binding in green on white printed wraps. Text and simple illustrations in green. Printed in an edition of 150, this copy is numbered 120. Condition: toning to spine cover, inside contents fine. Overall Near Fine.

Zustand: Near fine. Stephen Duncalf, Set of 3 1980s cards: 1) staircase series 1, 1980-81. 81 x 75mm. Folding card printed grey on off-white stock, with stuck-on element to recto. 2) Outcrop, City Garden Press, 1982. 128 x 101mm. Artist's card printed black on cream stock. 2) Homage to Sibelius, 1989. 99 x 56mm. Folding card printed blue on off-white stock. Provenance: Stuart Mills. Condition: Near fine.

Zustand: Very good +. 240x101mm. Printed black on white stapled in plain wraps. 16pp. Numbered 91 of 150 copies. Unsigned. Designed, distrubuted and published by Simon Cutts. Condition: Light toning / soiling to covers. Very Good +.

Couverture souple. Zustand: Très bon. London, Coracle Press, 1979. In-16 broché sous couverture rempliée illustrée, 24 pages. Édition originale de ces poèmes de Stuart Mills, fondateur de Coracle Press, illustrés de dessins reproduits au trait par Stephen Duncalf. Tirage limité à 600 exemplaires numérotés (n° 14).

Original plu Original publishers paper-covered boards, Cardboard box, 25.5x20cm, Illustrated. **NUMBERED N° 124/362. Damage to spine. ** With collage of Kate Blacker. on the occasion of exhibitions with works by Kate Blacker, Stephen Duncalf, Antony Gormley, Tony Hayward, David Nash, Emma Park, David Roe, Martin Rogers, Keir Smith, Trevor Sutton, Yoko Terauchi, Jean-Luc Vilmouth, Richard Wentworth, the book contains many artists? pages or hand added alterations, 0 g.

A collection of materials spanning 1980-2010, the centrepiece being original source artworks - ink and mixed-media on card - for a long-running collaborative back-and-forth mail art project conducted over the years 1980 to 1985 between the artists Martin Fidler, Stephen Duncalf, Steve Wheatley, and Les Coleman. Coleman described it as "working loosely on the principle of the children's party game Chinese whispers - using the conventions of comics - the poetics of this 'experimental' narrative [hark] back to various chain games explored by surrealists in the 1930s". Also included are three publications and some ephemera: (1) A copy of the first 'Consequences' book published in 1980, limited to 750 copies (of which this is numbered 120), paperback [62pp], this being the artists' initial cooperative graphic storytelling project made between January and June 1978 by Martin Fidler, Les Coleman, Steve Wheatley, Stephen Duncalf, and John Digby; (2) A copy of 'Ambit' issue 105, 1986, a magazine containing an article by Les Coleman and a fully illustrated preview of the artists' second 'Consequences' project, more ambitious in scope (remaining unpublished until 2010), 96pp; (3) the long-delayed final published form of 'Cartoon Consequences' retitled as 'So The Story Goes', In House Publishing, 2010, signed by Martin Fidler, paperback, [64pp], limited to 100 copies. Also included are: 'Star in the North East', an unmarked, undated [c.1985] greetings card by [Les] Coleman and [Charlie] Holmes, a Bill Culbert postcard titled 'Tracks, 1985' produced by Coracle Press with handwritten message on rear from Les Coleman to Colin Sackett. Regarding the artwork panels spanning 1 to 60, six of these (as showcased in the final project) are absent here, but an unrecorded extra card numbered 32 is included which does not appear in the final 2010 book. Duplicates and variants are included. Unique to these handmade panels are the working notes exchanged between the artists, which are very revealing of the group's creative process. The first contribution is from Martin Fidler - undated, circa June 1980 - and the ensuing five years saw fifty-nine panels produced between Fidler, Coleman, Duncalf, and Wheatley. The original plan was for each participant to post a response on the same day as receipt of the panel, but this lapsed into a looser time-frame after Fidler went to Helsinki, Finland, with his contributions arriving via Air Mail. Panel 29 is pasted and backed on a cropped 1982 exhibition card for Dick Lindgren at the Taidemaalariliiton Galleria. On panel 34, Wheatley asks "I wonder if these little comments might form an interesting history of the story behind 'Cartoon Consequences'?" - an idea evidently not pursued for the final book. There is reference to a two-year delay around number 31 in the sequence. The accompanying books are near fine condition. The artworks vary: some have glue acidity staining and a few detached from their backing.

Zustand: Near fine. A collection of 26 Stuart Mills cards and folding cards, Aggie Weston's Editions, Derbyshire, mostly post-2000. 'Seagull' with seagull, postcard, AG 1985. 'Like many poets' (with Ian Gardner), folding Christmas card, AG 1990. Jasmine Nudiflorum (with Stephen Duncalf), folding card, AG 1994. The Avant-Garde of the 20th Century, card, AG 2001. Cooking the Books, folding card with insert, AG 2002. Erica's Tureen, postcard, AG 2002. In The Fall, folding card in brown envelope, AG 2002. XXV, Christmas card with folded sheet printed with text, AG 2002. Handy Hint, folding card with insert, AG 2003. It's a Rum Go!, postcard, AG 2003. 'Anyone whose mother', postcard/compliments slip, AG 2004. Buying Plums, postcard (with photograph by Andrew Eden), AG 2004. The Canon (abc), postcard, AG 2004. There is nothing outside the text, folding card with colour insert, AG 2004. Cythera, postcard, AG 2005. A Day Out, postcard printed black on green, AG 2005. Handy Hint 2, folding card with insert, AG 2005. In Whatever Order, postcard, AG 2005. Homage to Max Bill, large format card printed with text on verso, AG undated (c. 2000). Prima Pensieri, folding card with insert, AG undated (c. 2000). Riva del Garda folding card in brown envelope printed 'Poets Abroad Series', AG undated (c. 2000). A Peaceful Christmas Day, folding card, AG undated (c. 2002). A Mid-summer Sentiment, postcard (printed one side only), AG undated (c. 2004). The Old Man and the PC, folding card, AG undated (c. 2004). Entente Cordiale, postcard (printed one side only), AG undated. A Colourful Little Boat, hand-sewn booklet (with poems by Ian Hamilton Finlay and Stuart Mills, photograph by Roger Brown), AG 1998.Condition: near fine.

First Edition. 25 x 20 cm unpaginated, with illustrations No. 67 of an edition of 365 copies, made by the press and artists. Card cover and dustwrapper, with cut-outs and additions, all contained within a card box showing minor signs of wear. Contributors include: Kate Blacker, Stephen Duncalf, Anthony Gormley, Tony Hayward, David Nash, Emma park, David Roe, Martin Rogers, Ker Smith, Trevor Sutton, Yoko Terauchi, Jean-Luc Vilmouth and Richard Wentworth.

[73] pp.; 6.9 x 4 x 1.5 cm.; loose leaves; slipcase; black-and-white; edition size 2000; unsigned and numbered; offset-printed Exhibition catalogue published in conjunction with show held at Coracle Press, London, in 1977. Artists include Roger Ackling, Reg Ashton, Tony Ashton, Robin Bagilhole, Allen Barker, Glen Baxter, Gavin Bennett, Boris Brook, David Brown, Jennifer Buxton RMS, Peter Cartwright, John Christie, Tom Clark, Laurie Clark, Les Coleman, Martin Cook, Simon Cutts, Rosemary Deval, Stephen Duncalf, Paul Eachus, Kenelm Evans, Martin Fidler, Noel Forster, Terry Frost, John Furnival, Phillida Gili, Peter Gordon-Stables, Paul Hammond, Jonette Harley-Peters, Glynn Boyd Harte, Adrian Heath, Anthony Hill, Charlie Holmes, Patrick Hughes, Tess Jaray, David Johnstone, Ron King, Brian Lane, Eileen Lawrence, Edwina Leapman, David Lehrle, Kim Lim, Stuart Mills, Brodnax Moore, Dave Morris, Glen Onwin, Eduardo Paolozzi, Roy A. Perry, Tom Phillips, David Prentice, Dinah Prentice, Kay Roberts, Martin Rogers, Archie Puff, William Scott, Stephen Skidmore, Birgit Skiöld, Diane Slocock, Karl Torok, Ian Tyson, Darrell Viner, Shelagh Wakely, Warren Editions, Alan Welsford, Madelaine Westwood, Steve Wheatley, David Willetts, Julia Wilson, Richard Wilson and Trevor Winkfield. Catalogue consists of 71 loose cards each one devoted to an artist in the exhibition with a black-white-image of their work one side and caption information on the other, housed in a printed paper slipcase. Very Good. Complete set. Cards in Fine condition. Light flattening of box, with 2 mm. of soiling to recto. Number 679 / 2000.

Zustand: Very good. Simon Cutts, A Coracle no. 1-12, Coracle Press, Camberwell, London, January-December 1975. Together, these monthly broadsheets are the first things published by Coracle Press. 12 issues in 11 A4 sheets, printed black on cream stock. The issues are as follows: no. 1 statement of intent by Simon Cutts, no. 2 various quotations and offer of the earliest publications, no. 3 Stephen Duncalf, no. 4 juxtaposition of two images of cafe signs, no. 5 homage to Eric Mendelsohn, no. 6 quotation from Stephen Bann and invitation to The Weather House and other works exhibition, no.7/8 Thumb poem (by Cutts?), no.9 Medley 2 consisting of quotations including 'Don't blame me if your cheese-on-toast is leathery' unknown, no. 10 a cartoon, no.11/12 i. statement by Simon Cutts, no. 11/12 ii. printed on card with glue patch to centre, missing the plastic sliding letter puzzle that would have been affixed but nearly always falls off. Condition: all folded with the exception of no. 1 and nos. 11/12 i. and ii., no. 3 slight foxing to edge, no. 6 to no. minor toning to edge, no. 10 toning and foxmarks, no. 11/12 i. some foxing and childlike pink felt-tip pen mark and no. 11/12 ii. light foxing and spotting, glue mark to centre. Condition: very good.

Zustand: Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.