Stephan bourgeois (14 Ergebnisse)

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Soft cover. Zustand: Near Fine. 1st Edition. 9" x 12" 4000 copies. Orig. green card wrappers, sewn and glued binding. [23] pp., [24] pp. B&W illustrations. With list of exhibition sponsors laid in. Spine tilted, bumping to lower corners. Bookplate of C.B. Farrar.

Taschenbuch. Zustand: Neu. Neuware - 'The Adolph Lewisohn Collection of Modern French Paintings and Sculptures' offers a comprehensive overview of one of the most distinguished private art assemblies of the early twentieth century. The work serves as both a detailed catalog and a scholarly examination of the evolution of French painting and sculpture during the nineteenth and early twentieth centuries. Central to this volume is an insightful essay that explores the major stylistic shifts and cultural influences that defined French art during this transformative period.The text provides biographical sketches and critical notes for each artist represented, contextualizing their specific contributions to the modern movement. By documenting a wide array of masterpieces, the work highlights the development of Impressionism, Post-Impressionism, and subsequent modern trends. Its focus on both two-dimensional and three-dimensional works offers a balanced perspective on the era's creative output. This volume is an invaluable resource for art historians and collectors, preserving the legacy of a collection that captured the spirit of modern French artistic innovation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - 'The Adolph Lewisohn Collection of Modern French Paintings and Sculptures' offers a comprehensive overview of one of the most distinguished private art assemblies of the early twentieth century. The work serves as both a detailed catalog and a scholarly examination of the evolution of French painting and sculpture during the nineteenth and early twentieth centuries. Central to this volume is an insightful essay that explores the major stylistic shifts and cultural influences that defined French art during this transformative period.The text provides biographical sketches and critical notes for each artist represented, contextualizing their specific contributions to the modern movement. By documenting a wide array of masterpieces, the work highlights the development of Impressionism, Post-Impressionism, and subsequent modern trends. Its focus on both two-dimensional and three-dimensional works offers a balanced perspective on the era's creative output. This volume is an invaluable resource for art historians and collectors, preserving the legacy of a collection that captured the spirit of modern French artistic innovation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

252 pp.; 23.5 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. Documents, in depth, multiples produced by Editionen MAT, Richard Artschwager, Joseph Beuys, Claes Oldenburg, as well as multiples by Arman, John M. Armleder, Hans Arp, Enrico Baj, Stephan Balkenhol, Guillaume Bijl, Ross Bleckner, Barbara Bloom, Bernhard Johannes Blume, Alighiero Boetti, Davide Boriani, Martha Boto, Louise Bourgeois, George Brecht, Marcel Broodthaers, Werner Büttner, Pol Bury, John Cage, Mario Ceroli, Christo, Chryssa, Hanne Darboven, H.R. Demarco, Jessica Diamond, Mark Dion, Marcel Duchamp, Maria Eichhorn, Hans-Peter Feldmann, Robert Filliou, Ian Hamilton Finlay, Peter Fischli & David Weiss, FLATZ, Sylvie Fleury, Günther Förg, Lucio Fontana, Katharina Fritsch, General Idea, Karl Gerstner, Jochen Gerz, Piero Gilardi, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Georg Herold, Damien Hirst, Ottamar Hörl, Rebecca Horn, Ilya Kabakov, Allan Kaprow, Mike Kelley, Jon Kessler, Herbert Kiecol, Martin Kippenberger, Yves Klein, Milan Knizak, Imi Knoebel, Jeff Koons, Joseph Kosuth, Sean Landers, Louise Lawler, Annette Lemieux, Julio Le Parc, Sherrie Levine, Sol LeWitt, Roy Lichtenstein, Heinz Mack, Piero Manzoni, Hans-Jörg Mayer, Paul McCarthy, Olaf Metzel, John Miller, François Morellet, Matt Mullican, Maurizio Nannucci, Bruce Nauman, Daniel Oates, Markus Oehlen, Dennis Oppenheim, Tom Otterness, Nam June Paik, Blinky Palermo, Panamarenko, Giuseppe Penone, Dan Peterman, Lucio Del Pezzo, Sigmar Polke, Man Ray, Patrick Raynaud, Larry Rivers, Mimmo Rotella, Dieter Roth, Gerhard Rühm, Allen Ruppersberg, Reiner Ruthenbeck, Niki de Saint Phalle, Icolas Schoeffer, Cindy Sherman, Robert Smithson, Francisco Sobrino, Jesus Raphael Soto, Daniel Spoerri, Klaus Staeck, Haim Steinbach, Paul Talman, Joe Tilson, Rirkrit Tiravanija, Lincoln Tobier, Rosemarie Trockel, Richard Tuttle, Günther Uecker, Meyer Vaisman, Gregorio Vardanega, Victor Vasarely, Villeglé, Wolf Vostell, Jeff Wall, Franz Erhard Walther, Lawrence Weiner, Tom Wesselmann, Bill Woodrow, Jean Pierre Yvaral, Peter Zimmermann and Heimo Zobernig. Includes bibliographies for each artist. Texts in German. Very Good. Light rubbing corners with light dust soiling of covers, spine and text block edge. Contents are clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.…

Kartoniert / Broschiert. Zustand: New.

Zustand: Buono (Good). 254 pagine con ill. nel testo; 31,5 cm. Mezza tela editoriale. Qualche fioritura. Buono (Good).

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First edition. Folio. Note: pages 105-6 and 109 are duplicated following page 124, thus pages 125-128 are missing, frontispiece illustration detached but present, else near fine in very good or better dustwrapper.