Stepanova maria (379 Ergebnisse)

Liberties Journal of Culture and Politics: Winter 2022
Nussbaum, Martha C.; Moyn, Samuel; Stepanova, Maria; Marcus, Celeste; Wieseltier, Leon
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Paperback. Zustand: Good. From the renowned Russian author of In Memory of Memory, a stunning new dreamlike work about exile and art.

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Sprache: Englisch
Verlag: Fitzcarraldo Editions, United Kingdom, London, 2021
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Paperback. Zustand: Very Good. With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms - essay, fiction, memoir, travelogue and historical documents - Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

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Paperback. Zustand: Very Good. Maria Stepanova is one of Russias most innovative and exciting poets and thinkers. This first full English translation of her poetry includes three recent long poems on conflict, Spolia and War of the Beasts and the Animals, written during the Donbas conflict, and The Body Returns, commemorating the Centenary of the First World War.…

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Paperback. Zustand: Good. The outbreak of Covid-19 cut short Maria Stepanova?s 2020 stay in Cambridge. Back in Russia, she spent the ensuing months in a state of torpor?the world had withdrawn from her, time had ?gone numb.? When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of a transformative, epochal experience. Her book-length poem Holy Winter, written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Stepanova finds sublime imagery for the process of falling silent, interweaving love letters and travelogues, Chinese verse and Danish fairy tales into a polyphonic evocation of frozen time and its slow thawing. As a poet and essayist, Stepanova was a highly influential figure for many years in Moscow?s cosmopolitan literary scene until it was strangled by Putin, along with civil liberties and dissent. Like Joseph Brodsky before her, she has mastered modern poetry?s rich repertoire of forms and moves effortlessly between the languages and traditions of Russian, European, and transatlantic literature, potently yet subtly creating a voice like no other. Her poetry, which here echoes verses by Pushkin and Lermontov, Mandelstam and Tsvetaeva, is not hermetic. She takes in and incorporates the confusing signals from social networks and the media, opening herself up to the voices of kindred poets like Sylvia Plath, Inger Christensen, and Anne Carson.…

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Paperback. Zustand: New. With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. Dipping into various forms - essay, fiction, memoir, travelogue and historical documents - Stepanova's In Memory of Memory assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.…
Weitere Bilder- Softcover
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Paperback. Zustand: New. The writer M has lived in the city of B ever since her homeland declared war on a neighboring state. Exiled, she is unable to write there and suffers from loneliness, shame, and despair, but then M is invited to give a reading at a literary festival in a nearby country. After a series of missed connections and mishaps, including losing her phone, she finds herself all alone in the wrong coastal town, befriending a local man and attending the circus.In this brief interlude, severed from reality, it seems as if M may finally escape from herself, from her past, from her nationality. She could start all over from scratch and join the circus. Written in Maria Stepanova's rich and hypnotic prose, The Disappearing Act oscillates between reality and dream, between an oppressive present and a lost past, between life and literature. …

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Paperback. Zustand: New. War of the Beasts and the Animals is Russian poet Maria Stepanova's first full English-language collection. Stepanova is one of Russia's most innovative and exciting poets and thinkers, and founding editor of Colta.ru, an online independent site which has been compared to Huffington Post in its status and importance. IImmensely high-profile in Russia for many years, recognition in the West has followed the publication of her documentary novel In Memory of Memory, first in German translation in 2018 and now with Sasha Dugdale's English translation - published by Fitzcarraldo in the UK and by New Directions in the US - longlisted for the International Booker Prize in 2021. War of the Beasts and the Animals includes her recent long poems of conflict 'Spolia' and 'War of the Beasts and Animals', written during the Donbas conflict, as well as a third long poem 'The Body Returns', commissioned by Hay International Festival in 2018 to commemorate the Centenary of the First World War. In all three long poems Stepanova's assured and experimental use of form, her modernist appropriation of poetic texts from around the world and her constant consideration of the way that culture, memory and contemporary life are interwoven make her work both pleasurable and deeply necessary. This collection also includes two sequences of poems from her 2015 collection Kireevsky: sequences of 'weird' ballads and songs, subtly changed folk and popular songs and poems which combine historical lyricism and a contemporary understanding of the effects of conflict and trauma. Stepanova uses the ready forms of ballads and songs, but alters them, so they almost appear to be refracted in moonlit water. The forms seem recognisable, but the words are oddly fragmented and suggestive, they weave together well-known refrains of songs, apparently familiar images, subtle half-nods to films and music.…

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Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Paperback. Zustand: New. The outbreak of Covid-19 cut short Maria Stepanova's stay in Cambridge. Back in Russia, she spent the ensuing months in a state of torpor - the world had withdrawn from her, time had 'gone numb'. When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of an epochal experience.Her book-length poem Holy Winter 20/21, written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Stepanova finds sublime imagery for the process of falling silent, interweaving love letters and travelogues, Chinese verse and Danish fairy tales into a polyphonic evocation of frozen and slowly thawing time.Following her previous book of poetry, War of the Beasts and the Animals - in part a response to the Donbas conflict - her book's title is even more prophetic now, echoing a famous patriotic Soviet song from 1941, 'a holy war is underway'.Born in 1972, Maria Stepanova - as poet and essayist - was a highly influential figure for many years in Moscow's cosmopolitan literary scene until its suppression along with civil liberties and dissent under Putin's latter-day reign of terror. Her first prose work In Memory of Memory established her internationally as one of the most important intellectual voices of contemporary Russia. Her poetry, which here echoes verses by Pushkin and Lermontov, Mandelstam and Tsvetaeva, is not hermetic. She takes in the confusing signals from social networks and the media, opening herself up to the voices of kindred poets like Sylvia Plath, Inger Christensen and Anne Carson. She has moreover mastered modern poetry's rich repertoire of forms and moves effortlessly between the linguistic and traditional spaces of Russian, European and transatlantic literature.In her prose, Stepanova searches for the essence of the moment in the maelstrom of historical time. As an essayist, she traces the reactions of her critical consciousness; taken together, her politically alert commentaries form a chronicle of the troubled present.…

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Paperback. Zustand: New. War of the Beasts and the Animals is Russian poet Maria Stepanova's first full English-language collection. Stepanova is one of Russia's most innovative and exciting poets and thinkers, and founding editor of Colta.ru, an online independent site which has been compared to Huffington Post in its status and importance. IImmensely high-profile in Russia for many years, recognition in the West has followed the publication of her documentary novel In Memory of Memory, first in German translation in 2018 and now with Sasha Dugdale's English translation - published by Fitzcarraldo in the UK and by New Directions in the US - longlisted for the International Booker Prize in 2021. War of the Beasts and the Animals includes her recent long poems of conflict 'Spolia' and 'War of the Beasts and Animals', written during the Donbas conflict, as well as a third long poem 'The Body Returns', commissioned by Hay International Festival in 2018 to commemorate the Centenary of the First World War. In all three long poems Stepanova's assured and experimental use of form, her modernist appropriation of poetic texts from around the world and her constant consideration of the way that culture, memory and contemporary life are interwoven make her work both pleasurable and deeply necessary. This collection also includes two sequences of poems from her 2015 collection Kireevsky: sequences of 'weird' ballads and songs, subtly changed folk and popular songs and poems which combine historical lyricism and a contemporary understanding of the effects of conflict and trauma. Stepanova uses the ready forms of ballads and songs, but alters them, so they almost appear to be refracted in moonlit water. The forms seem recognisable, but the words are oddly fragmented and suggestive, they weave together well-known refrains of songs, apparently familiar images, subtle half-nods to films and music.…

- Softcover
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Paperback. Zustand: New. Polina Barskova, Anna Glazova, and Maria Stepanova all were born in the early to mid-1970s and came of age during perestroika. They are old enough to have visceral memories of Soviet life but young enough to move adeptly with the new influences, new media and new life choices introduced in the post-Soviet era. In distinct ways all three are engaged in the project of renovating Russia's great modernist tradition for a radically different historical situation. They write poems of imaginative daring, pushing recognizable scenarios into the fantastic, the surreal or the speculative, bending form and language to the task. They also display a cerebral firepower boosted by their education in institutions Soviet, European and American, and which they exercise in their chosen professionsBarskova and Glazova are academics, teaching at Hampshire College and Cornell University respectively, and Stepanova is chief editor of the influential online journal Open Space. Barskova, Glazova, and Stepanova read one another attentively and have published reviews of each other's work, a mark of how they perceive themselves as engaged in the same project of "modernizing" Russian poetry. The broad trend in Russian poetry after the collapse of Soviet-era literary paradigms has been dispersalof hierarchies, of institutions, of poetic models and of poets themselves, many of whom live and work outside the cultural capitals, whether abroad or in the provinces. These poets are moving beyond the Russian modernists' engagement with totalitarianism to address subjects such as the Holocaust and the war in Chechnya, and they are doing so in a fundamentally new mode."Relocations is a highly enjoyable collection of poetry introducing the English-language world to three incredibly diverse and talented women poets writing in Russian that could be as meaningful to a casual fan of poetry as to a comparative literature scholar. A much-needed, timely, fun, and all-too-relevant read in 2014." Will Evans, Three Percent.…

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Paperback. Zustand: New. LONGLISTED FOR THE 2026 NATIONAL BOOK AWARD IN TRANSLATED LITERATUREThe writer M has lived in the city of B ever since her homeland declared war on a neighboring state. Exiled, she is unable to write there and suffers from loneliness, shame, and despair, but then M is invited to give a reading at a literary festival in a nearby country. After a series of missed connections and mishaps, including losing her phone, she finds herself all alone in the wrong coastal town, befriending a local man and attending the circus.In this brief interlude, severed from reality, it seems as if M may finally escape from herself, from her past, from her nationality. She could start all over from scratch and join the circus. Written in Maria Stepanova's rich and hypnotic prose, The Disappearing Act oscillates between reality and dream, between an oppressive present and a lost past, between life and literature.…