steller thomas (20 Ergebnisse)

Zustand: Very Good. 1773136172. 3/10/2026 9:49:32 AM.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. 1. Okrt., 136 Sl, Kl8°. (leichte Altersspuren, gutes Exemplar); 2. Opbd., 118 S., 8°. (Leichte Altersspuren, gutes exemplar); 3. Oln., Blindprägung, Ou., Kopffarbschnitt, XII, 358 S., 8°. (Leichte Alterspuren, gutes Exemplar); 4. Oln., Silberprägung, XVII, 346 S., 8°. (leichte Altersspuren, gutes Exemplar). Abgabe der 4 Titel nur zusammen. Als kostenlose Zugabe: Christiane Schmerl: Sozialisation und Persönlichkeit. Zentrale Beispiele zur Soziogenese menschlichen Verhaltens. Stgt: Ferdinand Enke 1978. Okrt., VIII, 255 S., Kl8°. (Gutes Exemplar). Mit Literatur, Personen- und Sachregister., 1. Mit Anmerkungen, Literatur und Register; 2. Bibliography, author and subject index; 3. Notes, bibliography and index; 4. Bibliography, references, author index, subject index. 3000 gr. 0.0.

Zustand: New.

Hardcover. Zustand: Brand New. 228 pages. German language. 11.22x8.35x0.79 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay aus dem Jahr 2008 im Fachbereich Kulturwissenschaften - Sonstiges, Note: 1,3, Europa-Universität Viadrina Frankfurt (Oder), Sprache: Deutsch, Abstract: Die Geschichte der Moderne wurde von Prof. Kittsteiner als in drei Stufen verlaufend vorgestellt. In dem vorliegenden Essay wird der von Kittsteiner bereitgestellte Reflexionsrahmen für die Reflexion des Schaffens von Richard Wagner fruchtbar gemacht. Wagner wird als Exponent der Bewegungsmoderne vorgestellt. Gleichzeitig wird skizziert wie er Ideen der heroischen Moderne antizipierte und damit als geistiges Bindeglied zu avantgardistischen Strategien des 20. Jahrhunderts diente.

Taschenbuch. Zustand: Sehr gut. 2. leichte Gebrauchsspuren ---. nein.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2007 im Fachbereich Geschichte Europa - and. Länder - Mittelalter, Frühe Neuzeit, Note: 1,3, Europa-Universität Viadrina Frankfurt (Oder), Sprache: Deutsch, Abstract: This paper deals with the question in which way Sultan Saladin was perceived by the western world. For a long time his person has sparked a great number of fictional stories dealing with his life. Remarkably he was perceived quite paradoxically in two distinct ways.Due to the strong Christian perception of history as path to salvation and the Influence of Augustine s division of the world in civitas dei and civitas diaboli, the early accounts of his life are quite negative. As a usurper of power he is seen as salahdinus tyrannus. Quite a number of negative images were constructed in order to integrate him in this universalistic worldview. These propagandistic depictions surface immediately after the first contact of Crusaders and Saladin. This reception started at the end of the 12th and lasted until the end of the 13th century. They form as reaction to the catastrophic defeats which the Christians suffer. They are a way to overcome the shock and integrate these defeats in their teleological worldview so that may seem sensible.A second group of more positive views of Saladin emerged in the 13th until the 15th century. They express a more distanced mentality towards these catastrophic events during the third crusade. Saladins transforms into the ideal noble Knight which exemplifies christian virtues. Again in the medieval historiography and literature the writers tried to integrate Saladin in their worldview.He stands out in contrast to the very negative and dark images of Islam which are common in Europe in this time. In order to make his good deeds plausible stories about him being a knight or even of christian birth were invented. As in the first group he becomes a western instrument of criticism and propaganda though now in an opposite way. He is merely a reflex of western fears and problems than in any way close to the historic Person. Both groups show the same need to cope with Saladin. He posed a challenge to western Christian moral and religious belief-system. That's why he had to be integrated in a positive or negative way. Afterwards a short sketch of Saladin in the Enlightenment and romantic tradition has been given. In his still ongoing reception Saladin has become a more and more flexible, adaptable symbolic figure which was used in diverse contexts to convey quite different messages. Only the scientific research of the 20th century has tried to portrait an objective picture of Saladin.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2007 im Fachbereich Kunst - Architektur, Baugeschichte, Denkmalpflege, einseitig bedruckt, Note: 1,3, Europa-Universität Viadrina Frankfurt (Oder), Sprache: Deutsch, Abstract: The great mosque of Kairouan is one of the great Islamic monuments in North Africa. Built mainly in the ninth century it nevertheless comprises most of the main traits of future developments in North African praying architecture. It served as a model for many other mosques in North Africa. But even more interesting than its profound influence upon other buildings is it own construction history. This essay examines closely the numerous intercultural influences which have contributed to the formation of the monument of the Sidi Okba Mosque. In order to achieve this, the Islamic expansion is recapitulated in the first part and the importance and meaning the architecture of payer in Islam is examined. Furthermore important parts und fixed building methods for mosques are studied. The mosque of Sidi Okba is then thoroughly described and its individual parts dated. The individual parts of the building and its decoration are analyzed concerning their relationship to the architecture of other cultures. The identification and allocation of cultural influences makes it then possible to analyze exchange and adjustment processes between cultures. In the mosque one can easily diferenciate a mixture of different styles from the near east. Ultimately in the Great Mosque of Kairouan one can observe the formation of Islamic Art. Which is a composite art that combines the traditions of various cultures (Byzantine, Persian, Roman and more) and melds them together and refines them into a new art. Thus the study of the Sidi Okba mosque helps us to understand the formation of Islamic art.

Taschenbuch. Zustand: Neu. Die Sidi Okba Moschee | Die Ursprünge der islamischen Gebetsarchitektur - eine Spurensuche in Kairouan | Thomas Steller | Taschenbuch | 44 S. | Deutsch | 2011 | GRIN Verlag | EAN 9783640790357 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Saladin in Europa | Überblick über die Rezeptionen Saladins im christlichen Europa | Thomas Steller | Taschenbuch | 40 S. | Deutsch | 2011 | GRIN Verlag | EAN 9783640790364 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2007 im Fachbereich Geschichte - Weltgeschichte - Frühgeschichte, Antike, Note: 1,3, Europa-Universität Viadrina Frankfurt (Oder), Sprache: Deutsch, Abstract: The Byzantine church Hagia Sophia has been marvelled about for its size and beauty throughout many centuries. The scholarly approaches have so far been concerned mainly with the architectural history of this building. This paper constitutes an attempt to explain sense and meaning of the church in the wider context of the cultural history of the justinian time. It argues that the shape of the building not only represents a singular step in the process of the architectural development of sacral christian buildings but that it reflects upon political ideology and liturgical developments in the specific context of the empire of Byzantium. Along these lines it is perceived as a mirror of cultural dispositions of the late antiquity. The paper examines precursory buildings types which lead to the architectural design of the Hagia Sophia. It identifies the church as an ingenious hybrid of longitudinal and central building shapes. In the course of combining the two former separate types a new specific kind of space has been created. It is characterised by the increasingly intense interconnection of the religious and imperial power during the reign of Justinian I. This is observed by examining both architectural as well as functional aspects of the building. It is argued that central dome with its connotations of power and the heavenly cosmos is the pivotal point to understand the imperial signification of the building. Besides that various other architectural instruments in combination with the great dome are applied to convey an overall sense of uplifting transcendency. The church of Hagia Sophia served as the focal point of imperial religion. It functioned as the stage for the participation of the Emperor in the celebration of the Eucharist. By studying the liturgy of the church it becomes clear that the emperor took on an exalted position which added to his worldly authority. As such the Hagia Sophia symbolised the symbiotic relationship of worldly and religious power. Furthermore it is demonstrated that emperor played the dominant role in religious and tried to present himself ruling under Gods guidance and with his authority. By its pure size and elaborate decoration it confirmed the power and the self-confidence of the Justinian Empire. The Hagia Sophia is thus one places where it became manifest that Justinian clearly raised the claim to continue the roman legacy and maybe surpass it.

Taschenbuch. Zustand: Neu. Hagia Sophia - Ein Versuch über Sinn und Bedeutung zur Zeit Justinians I | Thomas Steller | Taschenbuch | 48 S. | Deutsch | 2011 | GRIN Verlag | EAN 9783640790340 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware Sandstein Kommunikation, Goetheallee 6, 01309 Dresden 228 pp. Deutsch.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Menschen anschauen | Selbst- und Fremdinszenierungen in Dresdner Menschenausstellungen | Stadtmuseum Dresden (u. a.) | Buch | 228 S. | Deutsch | 2023 | Sandstein Kultur | EAN 9783954987412 | Verantwortliche Person für die EU: Sandstein Verlag, Goetheallee 6, 01309 Dresden, verlag[at]sandstein-kultur[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Masterarbeit aus dem Jahr 2008 im Fachbereich Gesch. Europa - Deutschland - I. Weltkrieg, Weimarer Republik, Note: 1,0, Europa-Universität Viadrina Frankfurt (Oder), Sprache: Deutsch, Abstract: This paper is a study of the formation and development of the Deutsches Hygiene-Museum in Dresden. It tells the history of the Museum ranging from 1900 to 1931. Its main objective is to point out essential stages in the development of the institution and identify important persons as well as essential cultural trends which influenced the museum. Furthermore ideas concerning the human as a being which structured the hygienic teachings of the museum and its predecessors are examined. Considering this the methodical approach is a dual one. On the one hand a chronological overview is given and important cultural developments are treated in short digressions. On the other hand relevant original sources are analysed. The genesis of the DHMD is divided into two major periods. In the first phase Karl August Lingner had a strong influence. This was until about 1912. The second phase covers the development of the institution after this time 1931. In the first part of the paper the importance of the Hygiene discourse is discussed, as well as the development of the city of Dresden. Finally the analysis of Lingners social engagements serves as a key towards the understanding of the hygienic developments in Dresden. The institution had developed to be a hybrid ensemble of very different parts ranging from exhibitions, to academy, to the profit-oriented production of educational materials. The museum conveyed its messages by using the most sophisticated methods of communication available in the 1920s. It was the protagonist of a very rational, science-based and body-focussed view of the modern human. Thus it was a reaction to the instability brought by the modern constantly changing industrialised way of living. Five main ideas were identified which structured the hygienic education of the museum. 1. Given the difficult social, political and partly economic time, it is necessary to devise means for a human economy. 2. The human body is seen analogue to a well constructed machine. 3. Furthermore the body can be seen as similar to human society. Thus it is deduced that each individual needs to contribute towards the health of the Volkskörper (folk body). 4. In order to achieve an effective and adequate health care the individual must be hygienically educated because a knowledge deficit exists. The basis must be to inform about human anatomy and physiology. 5. The hygienic education must take into account its recipient and must strive to convey its contents vividly.

Taschenbuch. Zustand: Neu. Das Neue Wissen vom Menschen. Entstehung und Entwicklung des Deutschen Hygiene-Museums in Dresden 1900 - 1931 | Zur Popularisierung eines modernen Menschenbildes | Thomas Steller | Taschenbuch | 164 S. | Deutsch | 2010 | GRIN Verlag | EAN 9783640787616 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware 228 pp. Deutsch.

Zustand: Sehr gut. 228 Seiten Zustand: Einband minimal berieben // Mit zahlreichen Abbildungen. Menschenschauen haben eine lange Geschichte, die bis heute nachwirkt. Wie in anderen europäischen Städten wurden in Dresden bereits im 18. Jahrhundert Menschen öffentlich zur Schau gestellt. Als Angehörige »fremder Völker« oder mit bestimmten körperlichen Merkmalen sollten sie die Sensationslust des Publikums bedienen. Der fürstliche Hof war ebenso Ort solcher Schauen wie später Jahrmärkte und Zirkusse. Ab den 1870er Jahren fanden »Völkerschauen« im Dresdner Zoo statt inszenierte Shows, die als »authentisch« beworben wurden. Solche Menschenschauen transportierten und erzeugten während des Kolonialismus Klischeebilder, die bis heute in rassistischen Stereotypen fortleben. Dieser Sammelband gibt erstmals für Dresden einen Überblick über die Praxis dieser Schaustellungen und bringt regionale und überregionale Forschungen, unterschiedliche Perspektiven und aktuelle Diskurse zusammen. /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Deutsch Gewicht in Gramm: 11200 28,5 x 21,5 cm, Hardcover/Pappeinband.