Stella davis (22 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: New. In English.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 29 through June 30, 1998. Features a brief essay by Kate Davis Satz and Richard York. Includes numerous color plates and a checklist. A fine copy in wrappers.

Zustand: New. In English.

Softcover. Zustand: Very Good. Exhibition catalog. Small quarto. Illustrated in both color and black and white. Printed wrappers. The text block neatly re-glued to the wraps, light rubbing on the wraps, very good or better. Published on occasion of the exhibition in New York at the Andrew Crispo Gallery, October 17 to November 17, 1973, featuring work by Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, John Marin, Georgia O'Keeffe, Charles Sheeler, Joseph Stella, and Max Weber.…

Paperback. Zustand: Brand New. 203 pages. 9.00x6.25x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 288 pages. 10.83x8.66x0.63 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - La Batalla Espiritual, la séquela del primer libro de Stella Davis, titulado Dándole a Dios la Gloria, provee enseñanzas de batalla espiritual para tanto sacerdotes como para laicos, por medio del recuento de las experiencias de ministerio de Stella y las de su equipo. Como una veterana misionera que es, Stella creyó que los varios libros que leyó disponibles al publico y a los sacerdotes no trataban acerca de la batalla espiritual en la profundidad necesaria, especialmente en un tiempo en que el mal ha crecido tanto, y la necesidad de saber como combatirlo es tan grande. Fenómenos supernaturales y extraordinarios se han vuelto mas y mas comunes en nuestros días y son ya imposibles de ignorar. Incluso aquellos que se consideran a si mismos 'iluminados' que mantienen que el poder de la naturaleza es ilimitado, están siendo retados por los hechos innegables de lo sobrenatural. Intrigas y dudas sobre Satanás son tan activas y comunes ahora, como lo eran cuando Dios primero llamó a Stella a comenzar su ministerio. Por lo tanto, La Batalla Espiritual trata de llenar la necesidad de tratar con estas ocurrencias, ofreciendo un llamado al arrepentimiento, sanación, liberación y acción.…

Soft cover. Zustand: Near Fine. 1st Edition. A4 s/bk, pictorial card wraps. Ownership signature top of half-title o/w fine internally, no inscriptions. Illustrations in text. vii,219pp. CD at rear.

Zustand: New.

Zustand: New. Created to support students and teachers through the OCR Core Maths (MEI) courses and designed to create confident mathematicians able to apply their learning to a wide range of situations.KlappentextrnrnCreated to support students and teach.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | "The tug of history steers these poems into view. Poems of this order not only provide an aesthetic pleasure - Stella Davis is rigorous, a precisionist - these personal histories become part of a wider history. Knowing, lyrical, meticulous, delightful: these are poems to savour and admire, to come back to and read again."Julian Stannard, Winchester UniversityGlyn Purslove in Acumen writing about Last Boat to Avalon states: "Stella Davis writes with an inviting directness (though without undue simplification); this is a poetry which engages with personal memories of the everyday and does so with both humour and an awareness of the "Eden-shining moment."Wendy Cope in MsLexia writing about Last Boat to Avalon writes:".a very good and very readable poet. I don't often come across a collection that includes so many poems that make me exclaim, "Yes!". …

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

30 pp.; 28 x 17.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. Includes glossary of printing techniques, time-lines and exhibition checklist. Front and back covers, printed by offset lithography, by Bill Davison, designed as an artwork specifically for the catalogue. Good. Rubbing and scratching of covers with light edge wear and wear to corners. Contents clean and unmarked. …

First Edition. Softcover. First Edition. Produced in conjunction with an exhibition at the Des Moines Art Center that ran from March 6 to April 22, 1973. Very Good plus in wrappers, with brief scuffing overall and light toning on the front wrapper and spine.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. [1st ed,; 1st printing ] vii, 123, [2] ; illustrated ; 25 cm ; tan stiff paper wrappers ; Contents: Atkinson County School History -- Members Atkinson County retired Teachers Association -- Superintendents of Atkinson County Schools -- Schhols of Atkinson County -- Arnie (Arna) Line School -- Axson School -- Bird Pond School -- Bradwell School -- Crossroads (Rosenwald) -- Ethel School -- Sureka School -- Evergreen School -- Fales (Line) School -- Forks School -- Fussell School (New Bethel) -- Harmony Grove School -- Henderson Still School -- Inman School -- Johnson Settlement School -- Kiekey House School -- Kirkland School -- Leliaton School -- Liberty School -- Live Oak School -- Mora School -- Mount Zion School -- O'Berry School -- Old Providence (Box Ankle) -- Olive School -- Peason Negro Education Program -- Pine grove School -- Pine View School -- Plain View School -- Red Bluff (Fiddler's green) School -- Sand Bottom School -- Satilla Park School -- Sears Still School -- Sherland School -- Shiloh School -- Stokesville (Line) School -- Sunnyside School -- Sweetwater Church School -- Sycamore School -- Temperance School -- Tillman (Tillman Head) School -- Union Hill School -- White School -- Willacoochee Public School -- Young's Still School -- Schools existing in Atkinson County in 1992 -- Atkinson County High School -- Pearson Elementary School -- Willacoochee Elementary School ; some yellow highlighting ; ownership name on front endpaper ; not held by any library worldwide ; no OCLC number ; extremely scarce ; owner name on front endpaper ; despite some highlighting, FINE. Book.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…