Stelarc (12 Ergebnisse)

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Robots and Art | Exploring an Unlikely Symbiosis | Damith Herath (u. a.) | Taschenbuch | Cognitive Science and Technology | xix | Englisch | 2018 | Springer | EAN 9789811091322 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

385 pp.; 22.2 x 14.7 cm.; sewn bound; other special feature[s]; black-and-white; unsigned and unnumbered; offset-printed Collection of essays on the subject of audio / sound works by artists. Edited by Dan Lander and Micah Lexier. Includes contributions by Daina Augaitis, Bruce Barber, Max Bruinsma, John Cage, Kevin Concannon, Moniek Darge, Godfried-Willem Raes, Suzanne Delehanty, Jack Goldstein, Graf haufen, Ihor Holubizky, Douglas Kahn, Richard Kostelanetz, Christina Kubish, Marysia Lewandowska, Annea Lockwood, Alvin Lucier, Donal McGraith, Rita McKeough, Gordon Monahan, Ian Murray, Mystery Laboratory, Maurizio Nannucci, Max Neuhaus, R. Murray Schafer, Stelarc, Rod Summers, Chris Twomey, Bill Viola, Hildegard Westerkamp, Gregory Whitehead, and Caroline Wilkinson. Christian Marclay's contribution, "Sound Page," consists of a audio Flexi-Disc bound into the book. Extensive back-matter including "A Selection of Recorded Works by Artists," selected bibliographies, notes on contributors, and index. Very Good / Fine. Very minimal discoloration of covers along upper edge and spine from sun exposure. Contents clean and unmarked and pages tight to the spine. …

Hardcover. Zustand: Brand New. 456 pages. 9.00x6.25x1.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring - and into the minds and works of some of the world's most prolific creators of robotic art.Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human-robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring - and into the minds and works of some of the world's most prolific creators of robotic art.Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human-robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.…

hardbound. Images in colour and b&w of various Stelarc performance art pieces, all involving the suspension of the naked body in space held by hooks attached to cord and hooked into the artist's skin; Event for Clone Suspension Maki Gallery Tokyo 1982, Moving/Modifying Suspension for Obsolete Body Espace DBD Los Angeles 1982, Trajectory Ibaraki Kenmin Bunka Centre 1983, Tilted/Twisting Event for Cone Configuration Tamura Gallery 1980, Event for Obsolete Body La Mama Melbourne 1980, and many more; various authors, including extracts from Japanese art journals; compiled and edited by James D Paffrath (with the artist); Signed in black texta by Stelarc to translucent prelims page; Very Good and clean throughout; dustwrapper edgeworn and rubbed, with minor loss to head of spine. Dustwrapper. 160pp. 4to. Very Good in chipped & rubbed dustwrapper Very Good in chipped & rubbed dustwrapper. profusely illustrated (illustrator).…

[10800].

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Zustand: Very Good+ in Very Good DJ. dj. First Printing. First Printing. Hardcover. Very graphic images and textual descriptions by and of the artist in a variety of suspensions (various hook numbers, positions, locations). In 2007 the artist had his ear attached to his arm. Uncommon generally, scarce signed. Minor shelf/edge wear, signed by the artist, else tight, bright, and unmarred. DJ shows light shelf/edge wear, small closed tear, minor rubbing. Dark blue cloth boards, gilt lettering. 4to. 156pp. Illus. (color and b/w plates). Signed by the artist.…

Archive of eighteen self-published postcards of performances by Stelarc, 1976-1984, eight SIGNED (seven also dated) by the artist on the versos, a flyer, printed on the recto and verso for a 1981 performance of "The Third Hand Event" at Galeria Sloane Racotta, a flyer for "Suspensiones 1976-1981," a 1981 photography exhibit documenting Stelarc performances at Centro Teotihuacan S.A., and a program for "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Technologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC), a 1981 multi-media lecture by Stelarc and photographer Mario Mutschlechner. Stelarc is a Cyprus-born, Australian based performance artist whose work explores body suspensions, robotics, medical instruments, prosthetics, and the internet, to test and extend the limits of the human body which Stelarc defines as "obsolete." The archive includes: Eighteen self-published postcards of performances by Stelarc: "Event for Stretched Skin" at the Maki Gallery, Tokyo on May 16, 1976. Unmailed. "Event for Penetration/Extrapolation" at Museu Universitario, Mexico City on August 14, 1976. Unmailed. "Event for Stretched Skin No. 4" at Art Academy, Munich on August 8, 1977. Unmailed. "Event for Lateral Suspension" at Tamura Gallery, Tokyo on March 12, 1978, SIGNED and dated "24/4/1978" on the bottom of the verso by the artist, addressed to librarian, archivist, lecturer, and author Judith Hoffberg and curator Joan Hugo. "Event for a Propped Body" at Tokiwa Gallery, Tokyo on May 14, 1978, SIGNED and dated "23/8/1978" on the bottom of the verso by the artist, addressed to Hoffberg and Hugo. "Event for Inclined Suspension" at Tamura Gallery, Tokyo on January 1, 1979. Unmailed. "Event for Support Structure" at Tamura Gallery, Tokyo on July 9-15, 1979. Unmailed. "Event for Amplified Tension" at Tenjo Sajiki, Tokyo on August 6, 1979. Unmailed. "Pull Out/Pull Up: Event for Self Suspension" at Tokiwa Gallery, Tokyo on March 2, 1980. Unmailed. "Sitting/Swaying: Event for Rock Suspension" at Tamura Gallery, Tokyo on May 11, 1980. Unmailed. "Event for Obsolete Body" at La Mama, Melbourne on August 13, 1980. Unmailed. "Up/Down: Event for Shaft Suspension" at Hardware Str. Studio, Melbourne on August 17, 1980. Unmailed. "The Third Hand / The Third Hand" at Tamura Gallery, Tokyo on May 8, 1981, SIGNED and dated "18/6/1981" on the bottom of the verso by the artist. Unmailed. "Handswriting (Evolution)" at Maki Gallery, Tokyo on May 22, 1982, SIGNED and dated "6/12/82" on the bottom of the verso by the artist, addressed to curator Bob Smith, curator at LAICA (Los Angeles Institute of Contemporary Art). "Moving/Modifying: Suspension for Obsolete Body" at Espace DBD, Los Angeles on July 17, 1983, SIGNED and dated "5/1/1983" on the bottom of the verso by the artist, addressed to Smith. "Prepared Tree Suspension: Event for Obsolete Body No. 6" at Black Mountain, Canberra on October 10, 1982, SIGNED and dated "9/5/1983" on the bottom of the verso by the artist, addressed to Smith. "Event for Amplified Hands No. 2" at City Art Institute, Sydney on October 15, 1982, SIGNED on the bottom of the recto by the artist, addressed to LAICA. And "Street Suspension" at Mo David Gallery on July 21, 1984, SIGNED and dated "'84" on the bottom of the verso by the artist. Unmailed. A long rectangular flyer, printed with matte black and white photographs on the recto, and illustrated on the verso, for "Evento Para La Tercera Mano (The Third Hand)" at Galeria Sloane Racotta on August 25, 1981. A flyer for "Suspensiones 1976-1981," a photography exhibit documenting Stelarc performances, at Centro Teotihuacan S.A., on August 18-25, 1981. And a four page program for the multi-media lecture by Stelarc and photographer Mario Mutschlechner, "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Tecnologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC) on August 20, 1981. Postcards, 6 x 4 inches. Near Fine overall with faint soiling, six with address labels and stamped with postmarks, one with a brief pencil annotation on the verso, and one with a small chip to the top left corner. "Evento Para La Tercera Mano (The Third Hand)" Flyer, 9.25 x 5.25 inches. Near Fine. "Suspensiones 1976-1981" Flyer, 8.5 x 12.25 inches. Very Good plus, with light edgewear and a tiny bruise to the top right corner. "Modified Man" Program, 8.5 x 11 inches, saddle-stapled. Light toning, else Near Fine. Signed.…