Steina (15 Ergebnisse)

Zustand: New. In English.

Soft cover. Zustand: Very Good. See photos. Includes CD-ROM. Phone number in black ink on FFEP. Contents otherwise unmarked.

Taschenbuch. Zustand: Neu. Neuware.

Soft cover. Zustand: Very Good. Catalogue accompanying survey exhibition of the work of the Czech-born video artists. Illustrated by colour video stills accompanied by a brief essay for each installation. Slight curl to fore-edge of covers. No marks or fading to covers or pages. Binding is sound. 80 pages. C6.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Stapled paper cover. Exhibition catalogue. 14 p. Ills in colour. -very good.

Site Santa Fe, Santa Fe 2008. Large 8vo. 124 pages. Orig. boards. Near Fine-.

Softcover. Zustand: Gut. n/a. 21x15 cm Original-Karton-Band ohne Schutzumschlag, Einband leicht fleckig, sonst GUTES EXEMPLAR---Mit zahlreichen Abbildungen Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 70 Seiten. nein.…

12 pp.; 21.5 x 25.4 cm; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in two parts: Part 1 held September 9 - October 4, 1986 and Part II held October 14 - November 8, 1986. Artists in Part I include Doug Hall, Steina, and Francesc Torres. Artists in Part II include Howard Fried, Shigeko Kubota, and Tony Oursler. Essay by Renny Pritikin. Includes artist biographies. Very Good. Rubbing of cover edges and light rubbing of covers. Light bumping of top right corner of publication. Contents clean and unmarked.…

Zustand: Near Fine. WOMEN'S VIDEO FESTIVAL, poster + concert flyer printing details of the second annual Women's Video Festival held in The Kitchen Theatre at the Logiudice Gallery, NYC, September 28-October 14, 1973. The Women's Video Festival highlighted women as producers and as subjects, and included work by individual filmmakers (Steina Vasulkas, Shigeko Kubota, Susan Milano, among others) and video collectives (including the Women's Television Project and Vulva Video). Poster printed offset in black on pale cream stock, recto and verso. 406x270 mm (unfolded). The flyer (217x279 mm.) advertises accompanying concerts by Charlotte Moorman, which included performances of "Crotch Music" and "C. Moorman in Drag" by Jim McWilliams (Joan Rothfuss has observed how both works "alluded to his own identity as a homosexual by lampooning forms of live entertainment popular with gay men" ["Topless Cellist", p.289]). Moorman usually declined invitations to participate at women's events, her only other known appearance being at the Women's Music Festival at Mills College, Oakland in the following year. Condition: central horizontal fold to poster. 4mm closed tear to top of smaller program sheet. Otherwise both items Near Fine.…

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.…

No. 3 OF 25 COPIES. 615 x 510 mm. (24 1/4 x 20"). [2] leaves of text. Original linen portfolio, with gray paper folder, cover with paper label, linen ribbon ties. Eight photocollage plates, numbered and signed in pencil on verso by Rubenstein, all with tissue guards. With pencilled signature and inscription: "For Arnold [Horwitch] with admiration and gratitude 7/15/95." The tiniest bit of soiling to label on portfolio, otherwise in mint condition. This is a very rare portfolio based on Rubenstein's photo/text/video installation "Critical Mass," created between 1989 and 1993 in collaboration with Ellen Zweig, with technical assistance from Steina and Woody Vasulka. According to the Exhibition description at the MIT List Visual Arts Center, "The 50th anniversary of the atomic bomb, developed at the Los Alamos Laboratory and first detonated in the southern New Mexico desert on July 16, 1943, inspired artists Meridel Rubenstein, Woody and Steina Vasulka, and Ellen Zweig to probe the ironic juxtaposition of two very different elements of American society. 'Critical Mass,' a multimedia installation, examines the unusual meeting of J. Robert Oppenheimer and other Manhattan Project scientists with the American Indians of San Ildefonso Pueblo, whose land adjoins Los Alamos, New Mexico. Their worlds fused at 'the house at Otowi Bridge,' Edith Warner's Rio Grande riverside home where both groups patronized a small restaurant she operated during the 1940s." Born in Detroit, Michigan, in 1948, Rubenstein received her bachelor's degree in social science, with a film-making emphasis, from Sarah Lawrence College, and a Master's and M.F.A. degree from the University of New Mexico. She is the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Pollock-Krasner Foundation, and has taught photography at San Francisco State University and the Institute of American Indian Arts. The New Mexico Museum of Art, the San Francisco Museum of Modern Art, and Smithsonian American Art Museum are among the institutions with her works in their collections. She currently lives and works in Santa Fe. Rubenstein inscribed our copy to its original owner, Arizona collector Arnold Horwitch. We could find no record of this item being offered or sold at auction.…

Ars Electronica, New Mexico, 1992, 240 Seiten, mit einigen Abbildungen, Spiralbuch---- Text in Englisch - 602 Gramm.