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Zustand: New. pp. xiv + 320 Figures.

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Buch. Zustand: Neu. Neuware - The story of the Ramayana is well-known in all Indian language and Hindi literature is no exception to it. It has a long and rich tradition based on Ramkatha that through the centuries has challenged many authors.

Zustand: New. KlappentextrnrnThe story of the Ramayana is well-known in all Indian language and Hindi literature is no exception to it. It has a long and rich tradition based on Ramkatha that through the centuries has challenged many authors.

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Hardbound. Zustand: As New. New. Contents Preface. Introduction. I. The story and its authors 1. Before Tulsidas the beginnings of the Ramayana tradition in Hindi literature. 2. In the world of Tulsidas's Ramkathas. 3. Ramkatha in the seventeenth and eighteenth centuries in the shadow of Tulsidas. 4. On the threshold of modernity Ramkathas in the nineteenth century. 5. Modernizing the tradition Ramkathas of the first half of the twentieth century. 6. Ramkathas of the second half of the twentieth century. II. The protagonist of the story 7. On the nature of Tulsidas's Ram. 8. The heaven on earth builder Ram in Gupta's Saket. 9. Creating new mythological spaces On tradition society and the role of people in Bhagvan Simh's Apne apne Ram. The infinite story. Appendices. Bibliography. Index. The story of the Ramayana is well known in all Indian languages and Hindi literature is no exception to it. It has a long and rich tradition based on Ramkatha that through the centuries has challenged many authors. The main aim of this work is twofold. Firstly it seeks to analyse the development of the Ramayana tradition in Hindi literature from the perspective of its most important achievements against their historical background and socio cultural context. Secondly it attempts to examine the relationship between the story i.e. Ramkatha as told by different authors and Ram the protagonist of the Ramayana who functions as a cultural hero and serves as model of right behaviour for the others and at the same time appears to be one of the most important factors in the continuing popularity of the tradition. The volume opens with an introduction that outlines the diversity of the Ramayana tradition in India beginning with the first known Ramayana ascribed to the sage Valmiki. It discuses later developments in Sanskrit and vernacular literatures as exemplified by their best achievements originating from Hindu Buddhist and Jaina contexts. It also considers the implications of all these works for the unfolding of the tradition in Hindi. In its closing portion the volume provides an overview of the growth of the cult of Ram in North India. This is an indispensable volume for scholars of Hinduism and North Indian cultural life. 320 pp. …

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Hardcover. Zustand: New. Literary Cultures in Early Modern North India: Current Research grows out of over a 40-year tradition of the triennial International Conferences on Early Modern Literatures in North India (ICEMLNI), initiated to share 'Bhakti in current research.' This volume brings together a selection of contributions from some of the leading scholars as well as emerging researchers in the field originally presented at the 13th ICEMLNI (University of Warsaw, 18-22 July 2018). Considering innovative methodologies and tools, the volume presents the current state of research on early modern sources and offers new inputs into our understanding of this period in the cultural history of India. This collection of essays is in the tradition of 'Bhakti in current research' volumes produced from 1980 onward but reflecting our current understanding of early modern textualities. The book operates on the premises that the centuries preceding the colonial conquest of India, which in scholarship influenced by orientalist concepts, has often been referred to as medieval. However these languages already participated in modernity through increased circulation of ideas, new forms of knowledge, new concepts of the individual, of the community, and of religion. The essays cover multiple languages (Indian vernaculars, Sanskrit, Apabhramsha, Persian), different media (texts, performances, paintings, music) and traditions (Hindu, Jain, Muslim, Sant, Sikh), analyzing them as individual phenomena that function in a wider network of connections at textual, intertextual, and knowledge-system levels.…

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