Stapleton larry (17 Ergebnisse)
- Softcover
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- Softcover
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Soft cover. Zustand: Very Good. minor shelf wear only.
- Softcover
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Soft cover. Zustand: Very Good. as new unused.
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.
- Softcover
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- Softcover
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Paperback. Zustand: Brand New. 209 pages. 9.00x6.00x0.75 inches. In Stock.
- Softcover
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Zustand: Good. Light bumps/wear at edges/corners. Light marks/scratches to cover. Storage bend through book. Some light marks at 1st page. Text good, clean and unused.
- Softcover
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Zustand: New. pp. 104.
- Softcover
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Paperback. Zustand: Brand New. 104 pages. 11.50x8.25x0.50 inches. In Stock.
- Softcover
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- Softcover
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Zustand: New. Extracts from Van Gogh s letters are presented as `found poems , mainly in the form of sonnets. They record many of the pivotal moments in his life, and Van Gogh s frame of mind and his emotional state at these times are evident in the content and tone of t.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - The boundless and miraculous is what Vincent van Gogh believed we should all seek ¿ and to be satisfied with nothing less. This is exactly what he achieved in his art, despite many profound difficulties which he recorded in his letters. These letters later became recognised for their literary… virtues, such as simplicity, clarity, spontaneity and rich imagery. Such qualities are among those most prized in poetry. In The Boundless and Miraculous, extracts from Van Gogh¿s letters are presented as ¿found poems¿ ¿ writing not originally intended to be a poem, reinterpreted as such ¿ mainly in the form of sonnets. They record many of the pivotal moments in Van Gogh¿s life and his struggles and emotional state at these times are evident in the content and tone of the writing. There are also his views on the work of other artists, both his contemporaries and those who went before him. In particular, the poems encapsulate much of the thinking behind the way van Gogh¿s art developed, and notably the thought processes behind some of his most iconic paintings. With 87 colour plates, The Boundless and the Miraculous celebrates Van Gogh¿s spectacular art as well as his wonderful writing in what could be considered a series of brief autobiographical sketches. A fabulous gift book aimed at all lovers of Van Gogh¿s work, this volume will also make a major contribution to our understanding of his short and amazing life. To TheoYou must understand how I regard art.One must work long and hard to arriveat the truthful. What I want is difficult,and yet I don¿t believe I¿m aiming too high. I would like to reach the point where peoplesay of my work, that man feels deeply, feels subtly.What am I in the eyes of most people A nonentity or an oddity. Very well ¿ assuming that, I¿d like to showwhat there is in the heart of such an oddity,such a nobody. This is my ambition,based less on resentment than on love. Even though I¿m often in a mess, inside methere¿s still a calm ¿ pure harmony.The Hague c. 21 July 1882.
- Softcover
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Taschenbuch. Zustand: Neu. The Boundless and Miraculous | Found Poems from the Letters of Vincent Van Gogh | Larry Stapleton | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | The Liffey Press | EAN 9781916099814 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | A…nbieter: preigu.
Weitere BilderAll in the Family: Little Miss Bunker (Original screenplay for the 1978 television episode)
Norman Lear (creator, developer); Bud Yorkin (developer); Mel Tolkin, Larry Rhine (screenwriters); Carroll O'Connor, Jean Stapleton, Danielle Brisebois (starring)
Verlag: Tandem Productions, Los Angeles, 1978
- Softcover
- Manuskript
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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First Draft script for the season 9, episode 1, "Little Miss Bunker," of the classic television series, which aired on September 24, 1978. Script preceded by a "Rehearsal and Tape Schedule," a two page "Rundown," and a "Cast" and "Sets" page. Edith's cousin Floyd (Marty Brill) abandons his nine year old daughter Stephanie (Danie…lle Brisebois) with the Bunkers. This episode introduces the character of Stephanie who became a regular for the final season, following the previous season's departure of Mike and Gloria. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated August 22, 1978, noted as FIRST DRAFT, with credits for screenwriters Mel Tolkin and Larry Rhine, and director Paul Bogart. 41 leaves, with last page of text numbered II-III-36. Mimeograph duplication, rectos only. Pages Near Fine, unbound, attached with metal clip to top left.
Weitere BilderAll in the Family: What'll We Do with Stephanie? (Original screenplay for the 1978 television episode)
Norman Lear (creator, developer); Bud Yorkin (developer); Larry Rhine, Mel Tolkin (screenwriters); Carroll O'Connor, Jean Stapleton, Danielle Brisebois (starring)
Verlag: Tandem Productions, Los Angeles, 1978
- Softcover
- Manuskript
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Final Draft script for the season 9, episode 4, "What'll We Do with Stephanie?," of the classic television series, which aired on October 15, 1978. Script preceded by a "Rehearsal and Tape Schedule," a two page "Rundown," and a "Cast" and "Sets" page. Archie and Edith must decide what to do when Stephanie's father fails to retur…n for his daughter. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Yellow titled self wrappers, integral with title page, dated September 14, 1978, noted as FINAL DRAFT, with credits for screenwriters Larry Rhine and Mel Tolkin, and director Paul Bogart. 39 leaves, with last page of text numbered II-II-33. Mimeograph duplication, rectos only. Pages Near Fine, unbound, attached with metal clip to top left.
