stange ken (12 Ergebnisse)

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. Toronto: York Publishing, [1981]. First edition. First printing. Softbound. Near Fine, in illustrated white wraps. One of an unknown number of such copies. Just one very slight corner bruise. SALE.

Soft cover. Zustand: Good. 1st Edition. minor damage to edges of covers; some curling.

Paperback. Zustand: Brand New. 106 pages. 8.80x5.80x0.10 inches. In Stock.

Paperback. Zustand: Brand New. 216 pages. 8.00x5.00x0.54 inches. In Stock.

Paperback. Zustand: Brand New. 72 pages. 8.80x5.80x0.30 inches. In Stock.

Booklet. Zustand: Fine. First Edition. 39 p. 22 cm. Staplebound softcover.

Softcover. Zustand: Very good. First Edition of 500 copies. 96 p. 22 cm. Light soiling and discolouration to exterior, including spine. Colour art by Claire Rumin Wilks.

Softcover. Signed Edition 95 pp., First edition, signed by the author on the half title. Drawing on front cover and half title. Cream colour wrappers. Light soiling of cover, name inside front cover blackened, o/w very good.

Zustand: New.

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmqui.

Zustand: New. &Uumlber den AutorKen Stange s diverse interests are reflected in the range of his publications: 18 books of poetry, fiction and non-fiction essays and reviews a newspaper column scientific reports and a weekly blog themed about int.

Taschenbuch. Zustand: Neu. Neuware - Ken Stange, the prize-winning author of eighteen books of poetry, fiction, and non-fiction, has also devoted substantial effort to the creation of visual art. He attributes the opportunity to satisfy his desire to create with images as well as words to scientific advances and the resulting technology-specifically the personal computer. So all his artworks are digital images. This book is a retrospective 'hard copy' of the complete first one hundred digital art series in full colour, with notes on the all the works appended. An introductory essay explains the philosophy behind the work: a self-described 'klutz' in terms of traditional artistic ability, he and others lacking the formerly required skills associated with creating visual art have been empowered by science and technology. The computer is Stange's creative tool, not the brush or pencil. Science has provided not only the means but also the inspiration for many of his artworks: ideas and images from physics, cosmology and other sciences are central to some of the works.