stamos theodoros (28 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fine. Catalogue of 1992 exhibition of Greek born abstract expressionist painter. Fourteen full page colour reproductions. Introductory essay in English and German. Faint wear to covers, otherwise a fine copy without marks, inscriptions or noticeable fading. 63 pages. s17.

First Edition. First edition. Softcover. 31 pages. Exhibition catalog for a show that ran May 3 through June 1, 1985. Features an essay by Dore Ashton. Includes 8 color illustrations, list of previous exhibitions, list of public collections, list of awards, and a selected bibliography. A close to near fine copy in stapled wrappers with some minor wear.

[6] pp. (folder) ; [5] pp. (illustrations) + 5 Subscription Sheets; 28 x 21.5 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed 1970 issue of Art Now : New York. Edited by Paul Katz and Ward Jackson. Artists include Jack Beal, Jim Dine, Conrad Marca-Relli, Theodoros Stamos, and Philip Wofford. Off-white folder containing 5 loose-leaf color plates. Includes statements about the artists and statements by the artists. Also includes 5 copies of an Art Now subscription sheet featuring a list of artists who have contributed to the magazine, publicity pull quotes, and a list of exhibitions on view in April/May of 1970. Very Good. Yellowing of cover edges and light rubbing of covers with dust soiling of verso. Light yellowing of illustrations. Contents clean and unmarked.

softcover. Zustand: Sehr gut. [12] p. Includes inviation card and price list of the exhibited works. Sprache: Englisch Gewicht in Gramm: 173.

Zustand: Good. 4to. 4 pp., Single Folded Sheet, Very Good. Color Plates. Art Dealer Brochure.

4°. 78 S,m s/w und farb. Abb. OEngl.-Brosch. Katalog zur gleichnamigen Ausstellung. Sprache: deutsch.

63 (1) Seiten mit mehreren Abbildungen, Orig.-Karton, 4°. - Sehr gutes Exemplar. Kommentar: zweisprachige Ausgabe.

Zustand: Good. Staple-bound 8vo. 32 pp. Eng. Ill. 9 color plates. Essay. NF.

Zustand: Good. Autographed. 4to. 205 pp. Very Good. Soft Cover. Illustrated paper wraps with French folds. Color and B&W plates throughout. Inscribed and signed opposite half title page. Scarce.From the Collection of the Art Historian Peter Selz. ISBN: 9608705150 9789608705159.

23x22,5 cm. 319 S. OKart. Minim berieben, gute Erhaltung. Katalog zur Ausstellung. - Mit 123 Abb. der Werke von Stamos, jeweils mit ausführlicher Beschreibung. Texte in Deutsch, Französisch und Englisch. Sprache: deutsch.

Softcover. Zustand: Very Good. Magazine. Small quarto. 116pp. Illustrated paper wrappers. One tipped-in illustration loose and laid in, creases on wraps and spine, tears at spine ends, very good. A literary magazine feature prose, poetry and artwork from Stephan, Boris Paternak, Kenneth Rexroth, W.J. Parrish-Martin, Raymond Queneau, William Jay Smith, H. Richard Chew, Mary Barnard, Weldon Kees, K.O. Hanson, Doris B. Branch, Thomas Cole, John Nerber, Mario Carreño, Paul Goodman, Harvey Curtis Webster, Philip Murray, Herbert Cahoon, Paul Valley and art from by Leon Kelly, Photographs by Alexander Hammid, Kay Sage, Theodoros Stamos, William Baziotes, René Magritte, Milton Avery, Hokusi, Morris Graves, Max Ernst, and Adolph Gottlieb.

Zustand: Good. Post cards, 6 x 8 inches, Very Good. Color Plates. Mailed to Pasquale Iannetti.

4°. 63 S., mit Abb. 16 Werken. OKart. Sprache: englisch.

Zustand: Good. [Exhibition catalogue]. 8vo. 32 pp. Soft, stapled blue wraps with white decorative lettering. Very good with marginal sunning along spine. Color plates. Thick, gray end papers. Includes text by Dore Ashton. Includes artist C.V. and selected bibliography. Catalogue created to accompany the exhibition of works by Theodoros Stamos, held from May 3 through June 1, 1985 at Harcourts Contemporary in San Francisco, CA. Includes, laid-in as insert, a small signed and inscribed monogrammed Harcourts Gallery card by the owner of Harcourts Gallery: "With My Regards, Steve Banks." From the Collection of the Art Historian Peter Selz.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: Very Good. First edition. Blue cloth-covered boards with giltstamped title. Sunfaded to all margins. PVA glue repair to binding (split to front endpaper at hinge still visible. Textblock edges toned, pages lightly toned. Page 70/71 tipped-in, creased. Some sheets of loose included tissue present. B&W photographs, color tipped-in plates (several fold-out). Dust jacket covered in protective mylar: creased edges, 3" closed tear to lower panel. Signed by Stamos to frontis photo & inscribed to Florence Chester (his art dealer). Includes an angry letter from Stamos to Chester, a letter from the event coordinator & unaffiliated exhibition catalogue from the Spingold Arts Center.

Zustand: Good. 4to. 2 pp. Very Good. Color Plates. Soft Covers.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Zustand: Good. 4to. Very Good, some creasing on outside. Bw and Color plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

softcover. Zustand: Sehr gut. [44] p. Sprache: Deutsch Gewicht in Gramm: 240.

Zustand: Good. [Exhibition catalogue]. 4to. 62 pp. Soft, glossy black wraps with red and white lettering and French folds. Very good. Color plates, including frontis. Gray end papers. Includes an essay by Barbara Cavaliere. Includes artist chronology and C.V. Catalogue created to accompany the exhibition "Theodoros Stamos: An Overview", held from December 12, 1991 through January 18, 1992 at ACA Galleries in New York, NY. Previous owner's name inscribed in black ink on top of gray first free front end paper: Peter Selz. In English und Auf Deutsch. Scarce. From the Collection of the Art Historian Peter Selz.

Zustand: Good. [Exhibition catalogue]. 8vo. [10 pp.]. Soft, stapled white and color illustrated wraps. Very good. Black and white and color plates. Includes an introduction by Theodore F. Wolff, art critic for the Christian Science Monitor. Includes list of artist's work in selected public collections. Catalogue created to accompany the exhibition "Theodoros Stamos: Recent Work" held from April 26 through May 10, 1990 at Louis Newman Galleries in Beverly Hills, CA. .From the Collection of the Art Historian Peter Selz.

Paris : Georges Fall (Collection «Le Musée de poche», dirigée par Jean-Clarence Lambert), 1960. Un volume 19x14cm broché et cartonné sous couverture illustrée, de 46 pages avec 12 hors texte en couleurs contrecollés. Bon état. Texte en anglais. Créée par l?éditeur Georges Fall, la collection Le Musée de poche publia 52 monographies d?artistes entre 1955 et 1965, chacune rédigée par des écrivains et critiques de renom. Excellente collection dédiée au nouveau courant d?art abstrait, notamment de la nouvelle Ecole de Paris, qui permis de faire découvrir des artistes alors inconnus du grand public. Livres.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Fine. This is a very good hardcover copy with a fine dust jacket with almost no wear. SIGNED by the artist, Theodoros Stamos, with a blue ballpoint pen, on the frontispiece portrait photograph of himself. Signed 'Stamos' and inscribed to a friend. Otherwise completely clean. Illustrated in black & white and color with many tipped in color plates. Exhibition history. Bibliography. Scarce signed. 11" square, 273 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Fine. This is a very good hardcover copy with a fine dust jacket with almost no wear. SIGNED by the artist, Theodoros Stamos, with a blue ballpoint pen, on the frontispiece portrait photograph of himself. Just signed 'Stamos' not inscribed to anyone. Otherwise completely clean. Illustrated in black & white and color with many tipped in color plates. Exhibition history. Bibliography. Scarce signed. 11" square, 273 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

This Greek-born American artist was the youngest of that fabled group of abstract expressionist painters that included Jackson Pollock, Mark Rothko and Willem de Kooning, active in New York in the 1940s and '50s. Signed First Day Cover, 6½" X 3½", cancelled in Boston, Massachusetts on 27 October 1976 and with "First Day of Issue" boldly stamped. Single 13-cent "Winter Pastime" Christmas stamp at upper right. Simple blue and gold "First Day Cover" printed cachet at left. No distracting recipient's name/address. Just right of center, Stamos signs boldly in black ballpoint -- unfortunately his pen skips on the first name (only), which he partly overwrites. A most uncommon signature. (This stamp NOT designed by Stamos, by the way, but by Stevan Dohanos.).

274 S. Mit 199 Bildtafeln. 4°, Orig.-Leinenbd. mit illustr. -Schutzumschlag. In englischer Sprache. - Umschlag etwas lagerspurig, sonst gut. 2350 gr.

Zustand: Near Fine. Theodoros Stamos (1922- 1997) was an abstract expressionist painter based in New York City and associated with The Irascibles Eighteen, a group of artists who penned a letter to the Metropolitan Museum of Art rejecting the museum's exhibition American Painting Today - 1950 on the grounds of bias against abstraction in painting. This was monumental in developing a platform for representation of the avant-garde and caused monumental shifts in visual art. During the course of his career Stamos taught at the Black Mountain College as well as the Art Students League of New York and the Cummington School of Fine Arts, and was well connected among other successful artists. Following the death of his friend and fellow painter, Mark Rothko, Stamos along with Bernard Reis who was the director of Marlborough Gallery, became executors to Rothko's estate and were ultimately exposed for a scam that attempted to omit Rothko's children from receiving payment from sales citing that the gallery in fact owned all of the artist's works, and through a series of deals with high valued customers, deflated the artist's market in an attempt to create a bubble that they would benefit from. After a protracted legal dispute the family won and the executors were fined nine million dollars. Stamos' career never recovered from the scandal. T.L.S. from gallerist Lee Nordness, two exhibition mailers from Automation House and Castelli Graphics featuring collages by Robert Rauschenberg,an exhibition mailer for the Futurism show at Albert Loeb & Kugier Gallery, four items of correspondence featuring original art from an unknown Krakow-based painter, a Greek publication list from Adelfon Toldi, a greeting card from unknown sender, a manuscript envelope with Stamos' home address, and a New York Times review clipping for a 1985 exhibition of Stamos' paintings; a near fine assortment.