stadler j c (45 Ergebnisse)

Zustand: Good. Hand-colored Aquatint. 10.5" x 8". Good with edge tears and minor losses. In mylar protective sleeve.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1988. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 1988. Ammareal gives back up to 15% of this item's net price to charity organizations.

gr. in-8vo, X + 150 p., ill n./b., cartonnage original. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Hardcover. Zustand: Very Good. A.C. E.K. Saunders. Rev T Rackett. J.S. Mertz. W. Boys. S.H.Grimm. JG Wood. J. Caldwall. J. Storer. J.C. Stadler. G Richardson. (illustrator). 1st Edition. Four volumes with One Hundred and Eighty Five Plates 1799-1805, First editions, 185 pls, some coloured, some folding, in 4 Vols in green cloth, corners bumped. Spines faded at base, edges bumped, gilt titles to red labels (some loss). Vol 1, half title, frontis, [4], [1], (ii-xxxii), [1], 326, [326* ie 4O1 is a cancel), 327-345 pp, [1], [8] index, [2] pl list, [1] errata, 29 pls (3 large folding), with 43 views + 1 vignette, paper repair at p33. Vol 2, 1801, half title, frontis, [4], [1], (ii-iv), [1], 2-289 pp, [1], [11] index, [2] p-l list, [1] errata, 37 pls with 39 views (3 coloured & 1 folding). Vol 3, half title, frontis, [4], [1], (ii-vi), [1], 2-270 pp, [10] index, [2] pl list, 41 pls (with 50 views, with 2 large folding). Vol 4, 1805, half title (with crease), frontis, [6], [1], (ii-vi), [4], [1], 2-279 pp, [1], [12] index, [2] pl list, 78 pls (with 100 views). [4], [1], 2-35 (Appendix answers to PML Dutens), [1], [12] index, [1] advert, tp dated 1805, introduction & appendix pages dated 1806, txt leaves water marked 1803. Short crack to Vol 2 spine joint, Malvern Library label to fpds, occasional unobtrusive oval stamps, lib pocket to epds V1,2 & 4, removed from 3. Oval embossed stamp of AJV Radford to tps, some light spotting, but overall an excellent copy. An important work on the castles and other important buildings, ruins and sites of Britain by the end of the 18th century. (446*280 mm). (ESTC T136033).

Bundle. Zustand: New. Wie funktioniert das Ohr? Was kann die Zunge alles? Wie lesen blinde Menschen? In dieser Lernwerkstatt gehen Ihre Schueler diesen und weiteren spannenden Fragen rund um die auf den Grund. Sie erwerben grundlegendes Wissen ueber die erstaunliche Leistungsfaehi.

Zustand: Good. 10.5" x 8" mounted on white backing board. Color Engraving. In mylar protective sleeve. Very Good.

Kein Einband. Zustand: Gut. 15 x 23 cm Original-Karton-Band ohne Schutzumschlag Einband mit leichten Gebrauchsspuren, Schnitt leicht fleckig, sonst GUTES EXEMPLAR---"ISSN 0018-2613. B 1918 F. In Verbindung mit Jochen Bleicken, Knut Borchardt, Johannes Fried, Erich Meuthen, Gerhard A. Ritter, Eberhard Weis herausgegeben von Lothar Gall. Aufsätze: F. J. Bauer: Von Tod und Bestattung in alter und neuer Zeit; P. Stadler: Kulturkampf in der Schweiz - ein Sonderfall?; C. Simon: Revolution und Stabilität. Funktionen der Erinnerung an "1789" für die Schulgesetzgebung von Jules Ferry." Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , IV, 280 Seiten. nein.

Zustand: Good. Folio. 18 x 12.5 inches. 46 x 3.5 cm. Original qtr. red morocco gilt spine rubbed with later marbled boards and matching morocco corners , together with a matching slipcase with leather ties housing the aquatints.iv, [2], 42, [2]pp. Abbey, Travel in Aquatint and Lithography, no. 381; Colas 2788; Blackmer 1585; OCLC Number: 458998508.This unique package includes 6 aquatints from Spilsbury and 7 from Luigi Mayer, "Views in Palestine," Abbey, Travel, 369, Vol. II.The Spilsbury aquatints include Abbey 381, nos. 1; 4; 7 (stained in lower margin) ; 12; 13; 14; three with full margins and three trimmed but with margins. The Mayer aquatints include, Abbey 369, nos. 5; 6; 7; 12; 18; 20; 21. Full margins, few with remnants of corner hinges; 3 matted. First edition of English naval surgeon Francis Spilsbury's account of his travels in the Holy Land and Syria during the Napoleonic campaigns there.Spilsbury was surgeon on board HMS Tigre during the campaigns of 1799 and 1800. The Tigre brought Sir William Sidney Smith to defend Acre against Napoleon's siege, and led a naval force in support of Turkish armies which finally relieved Acre, and his text gives some account of the military campaigns and the Turkish dignitaries. In his reminiscences Napoleon accused Smith of making him miss his destiny, as Smith's timely appearance thwarted Napoleon's drive to invade Syria and forced him to retreat to Egypt. The magnificent views (sadly missing from this book which is reflected in the price) are mostly connected with the coastal towns of modern Lebanon and Israel, though several are from Spilsbury's travels inland to meet the Grand Vizier in charge of the Turkish army, Jezzar Pacha, and other dignitaries.

Aquatint. Size: 29 x 23.5 cm. Vertical fold line across plate, some discolouration, in good condition.

Aquatint printed in colours, finished by hand. Dimensions: 310 x 415mm. (12.25 x 16 inches).

Dimensions: 310 x 415mm. (12.25 x 16 inches).

Aquatint printed in colour, finished by hand; very slight tears on lower left margin. Dimensions: 305 x 415mm. (12 x 16.25 inches).

Aquatint printed in colours and finished by hand.

22,2 x 29,2 cm. 8¾ x 11½" inches Aquatinta. Unter Passepartout. Gut erhalten. A fine and good condition. Reference: Porter, R. K. "Travelling sketches in Russia and Sweden during the years 1805-1808", an English archaeologist and diplomat. The theatre was built in 1783 and was in the 19th century the main Russian theatre for Ballet and Opera. Sprache: english.

Zustand: Good. Color aquatint. 12.5 x 16.5 inches. A little soiled. From History of the River Thames, Abbey no. 432. Marginal tears.

Aquatint with hand-colour. Dimensions: 305 x 415mm. (12 x 16 inches).

Technic: Copper print- Aquatinta, colorit: original colored, condition: Perfect condition, size (in cm): 19,5 x 24, Decorative view of Gamla stan (The Old Town) and Stockholm Palace.

Technic: Copper print, colorit: original colored, condition: Perfect condition, size (in cm): 16,5 x 21,5 cm, View of the city of Haifa with Mount Carmel in Israel.

Original hand-coloured aquatint engravings, some fading and overall browning. Dimensions: Plate size: 445 x 642mm (17.5 x 25.25 inches).

Boydell's Thames Hand-coloured copper engraving with aquatint. A view from St Mary Lambeth's tower looking across the Thames to Westminster Abbey, and up the river to the City of London. Westminster Bridge is in the centre, and Lambeth Palace, seat of the Archbishop of Canterbury, to the right. From the second volume of Farington's 'History of the River Thames', (London: J. & J. Boydell, 1794). The work, issued with plates either printed in sepia or coloured, contained two double-page spreads of London, this view from the west and a companion view from the Royal Observatory in the east. Joseph Farington wrote in his diary, on 17 August 1794: "Went to the top of Lambeth steeple to look at the view of London" (Farington). On 18 August he writes: "Went this morning to Lambeth & from the top of the Steeple began the view of London." Smirke dined with Farington on 3 September. J.C. Stadler, who would engrave the plates, joined them. The three men examined the drawings for the second volume of the book together, and voiced their approval of John Boydell's idea of providing two general views of London. Adams 75/59; Joseph Farington, Diaries Vol 1: 1793 - 1802 (Hutchinson & Co: London, 1922). Image: 305 by 520mm. (12 by 20.5 inches). Sheet: 470 by 685mm (18.5 by 27 inches).

History of the River Thames Four etchings with aquatint, coloured, view of Westminster Bridge trimmed to upper and side neatline. A set of four prints of the River Thames, produced for Joseph Farington's series 'History of the River Thames'. Farington made 76 drawings of the course of the Thames, which required some negotiation: his wife's cousin, Horace Walpole, wrote to the Earl Harcourt asking for permission for Farington to sketch on his land. There was some delay between the drawings and publication while a suitable author was found to provide the accompanying text; Farington records in his diary on 15th July 1793 that publication "will now go on uninterruptedly as Mr. Coombe (sic) has promised to supply. manuscript as wanted" (Farington). William Combe was a somewhat surprising choice. Under his pen name, Dr Syntax, Combe had previously satirised travel books, in particular the work of William Gilpin. However, Combe was also notoriously bad with money, and probably welcomed the work. The prints show Somerset House, which had been rebuilt only 16 years before by architect Sir William Chambers to be used as government offices, the new London Bridge, Blackfriars Bridge, and the old Westminster Bridge. Joseph Farington (1747-1821) was an English artist and diarist. He was an original member of the Royal Academy, and helped found the now defunct British Institution. He specialised in topographical views of Britain, which were particularly popular while continental war prevented travel. The 'History of the River Thames' was very successful. A copy was presented to George III, who "turned over every leaf " with "approbation" (Farington). Joseph Constantine Stadler (fl.1780-1822) a German engraver, who settled in London in the 1780s, and specialised in aquatint engraving. BM 1880,1113.1442 (Somerset Place); BM 1880,1113.1550 (London Bridge); BM 1880,1113.1480 (Blackfriars); BM 1880,1113.1326 (Westminster); Joseph Farington, Diaries, Vol. 1: 1793-1802, (Hutchinson & Co., London: 1922). Image: each 415 by 623mm (16.25 by 24.5 inches). Sheet: [1] 532 by 759mm (21 by 30 inches); [2 & 3] 562 by 751mm (22 by 29.5 inches); [4] 490 by 660mm (19.25 by 26 inches).

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original sepia aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.II, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.