srinivasan doris meth (15 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:0894681796.

Original cloth with dustjacket. Dustjacket a bit discoloured / edgeworn, a few annotations in pen on index pages only,.else a (very) good copy. Please see description or ask for photos.

Hardcover. First edition. 271 pages. 29 x 23 cm. Illustrated with photographs, maps and drawings. Scholarly articles by a host of contributors. Orig. beige cloth. Fine in fine dust wrapper.

Hardcover. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. AE-1401. Sprache: Englisch Gewicht in Gramm: 550.

Hardcover. Ex-library with stamp and library-signature in good condition, some traces of use. R-04753 Sprache: Englisch Gewicht in Gramm: 550.

Zustand: New. pp. 296 236 Illus. (Col.).

Zustand: New. pp. xvi + 352.

Zustand: New. pp. xv + 405 Illus., Maps (1 Folded).

Soft cover. Zustand: Very Good. Catalog of an exhibition held Feb. 20-May 29, 2011 at the Frist Center for the Visual Arts and June 24-Oct. 2, 2011 at the Brooklyn Museum. Description: 296 pages : illustrations (chiefly color), color map ; 30 cm Contents: Foreword and acknowledgements / Susan H. Edwards -- Multiplicity and grandeur: an introduction to Vishnu/ Joan Cummins -- Becoming Vishnu / Doris Meth Srinivasan -- Vishnu's manifestations in the Tamil Country / Leslie C. Orr -- Networks of devotion : the art and practice of Vaishnavism in Western India / Cynthia Packert -- Catalogue / Joan Cummins with Neeraja Poddar.

Hardcover. Zustand: New. 1st Edition. Contents: Foreword. I. Saiva Themes. 1. Unhinging Siva from the Indus Civilization. 2. Vedic Rudra-Siva. 3. Ritual as Icon in India. 4. Significance and Scope of Pre-Kusana Saivite Iconography. 5. Saiva Temple Forms: Loci of God's Unfolding Body. 6. From Transcendency to Materiality: Para Siva, Sadasiva, and Mahesa in Indian Art. II. Vaisnavite Themes. 7. Bhagavan Narayana: A Colossal Kusana Icon. 8. Early Vaisnava Imagery: Caturvyuha and variant forms. 9. Visvarupa Vyuha Avatara: Reappraisals based on an inscribed bronze from the Northwest dated to the early 5th century AD. 10. A unique Mathura eight-armed Visnu of the 4th century AD. 11. Early Krsna Icons: the case at Mathura. 12. Samkarsana/Balarama and the mountain: a new attribute. III. Secular and Folk Themes. 13. Royalty's courtesans and God's mortal wives: keepers of culture in pre-colonial India. 14. The Mauryan Ganika from Didarganj (Pacaliputra). 15. Monumental Naginis from Mathura. IV. Narratives. 16. Mathura's 'personality' and the development of narrative art. This anthology represents papers most characteristic of the author's investigative strengths and methods in the domains of Indian art history and indology. The selected papers were published between 1979 and 2015. In numerous cases, the large time span covered by these papers has been brought up-to-date. New information reflects developments in the field or in the author's thinking, and it is noted by an asterisk at the end of a given paper. The sixteen papers in Volume I fall within four main themes: Saiva, Vaisnava, Secular and Folk Themes as well as Narrative Art. Within these broad categories, analyses and interpretations range across a wide spectrum: Indus Valley material, early sectarian sculpture, temple architecture, miniature paintings, Vedic ritual construction. Most of the topics treat the art in the context of the culture of the Indo-Gangetic Plains, that is, India above the Vindhya Mountains. The author's studies on the arts beyond this region, comprising the arts from Gandhara, will form the contents of Volume II. Some specific topics advanced in this volume are: the likely Vedic origin of Rudra-Siva; the meaning and significance of Saiva and Vaisnava icons with the multiplicity convention; Krsna's Pre Puranic imagery from Mathura; a new attribute associated with Samkarsana/Balarama; the importance of courtesans in ancient India and a newly recognized statue of one beauty; icons attesting to ancient Snake cults; understanding the artistic consequences of Mathura's emphasis on the oral transmission of sacred knowledge. Scholars and students alike will be stimulated by the findings and methodology found in this volume.

Paperback. Zustand: New. &Uumlber den AutorDoris Meth Srinivasan, Ph.D., University of Pennsylvania, is Research Professor at Mattoo Center for India Studies, State University of New York/ Stony Brook University. She has published extensively on the art .

Taschenbuch. Zustand: Neu. Neuware - One of the first things that strike the Western viewer of Indian art is the multiplicity of heads, arms and eyes. This convention grows out of imagery conceived by Vedic sages to explain creation. This book for the first time investigates into the meaning of this convention. The author concentrates on its origins in Hindu art and on preceding textual references to the phenomenon of multiplicity. The first part establishes a general definition for the convention. Examination of all Brahmanical literature up to, and sometimes beyond, the 1st - 3rd century A.D., adds more information to this basic definition. The second part applies this literary information mainly to icons of the Yaksa, Siva, Vasudeva-Kr?sn?a and the Goddess, and indicates how Brahmanical cultural norms, exemplified in Mathura, can transmit textual symbols. Both Part I and Part II provide iconic modules and a methodology to generate interpretations for icons with this remarkable feature through the Gupta age.

Mit Illustrationen, X, 355, [78] Seiten, Schönes Exemplar Sprache: Englisch Gewicht in Gramm: 1553 4°, grüner illustrierter OU mit Rückentitel, blaues O Ln.

Leiden, New York & Köln, Brill, 1997. X,[1],355,[1] pp. [8] plts with b./w. ills. Orig. hardcover (blind stamped blue cloth with gilt letering). 4to. - Without a dust jacket. (Studies in Asian art and archaeology, Vol. 20).One of the first things that strike the Western viewer of Indian art is the multiplicity of heads, arms and eyes. This convention grows out of imagery conceived by Vedic sages to explain creation. This book for the first time investigates into the meaning of this convention. The author concentrates on its origins in Hindu art and on preceding textual references to the phenomenon of multiplicity. The first part establishes a general definition for the convention. Examination of all Brahmanical literature up to, and sometimes beyond, the 1st - 3rd century A.D., adds more information to this basic definition. The second part applies this literary information mainly to icons of the Yaksa, Siva, Vasudeva-Kr?sn?a and the Goddess, and indicates how Brahmanical cultural norms, exemplified in Mathura, can transmit textual symbols. Both Part I and Part II provide iconic modules and a methodology to generate interpretations for icons with this remarkable feature through the Gupta age. - The hardcover edition of this title is sold out at the publisher.

E.J. Brill, Leiden 1997. 4to. X+355 pages + large plate section with illustrations in b/w. Publisher's blue cloth with dust wrappers- Spine a bit sunned. Minimakl signs of shelf wear. Fine/near fine.