Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 2,96
Anzahl: 1 verfügbar
In den WarenkorbZustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780340652442.
Anbieter: Cotswold Internet Books, Cheltenham, Vereinigtes Königreich
EUR 41,34
Anzahl: 1 verfügbar
In den WarenkorbZustand: Used - Very Good. VG hardback. 1975 1st edition with numerous B&W illustrations; tightly bound in brown, red and silver cloth; bottom corners slightly bumped. Page edges slightly yellowed; otherwise, a clean, tidy copy.
Zustand: Very Good. ** #27 from a Limited Edition of 500 copies, this book signed with a gift inscription by the author on the title page **; Very Good; Hardcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); Red cloth covers with title in gold lettering; 1998, Javelina Press; 287 pages; "Of Turkeys and Eagles," by Spencer Pearson & Spencer "Bones" Pearson.
Verlag: Oxford Univ. Pr., Nairobi, 1969
Anbieter: ANTIQUARIAT.WIEN Fine Books & Prints, Wien, Österreich
original kartoniert, 8°, VIII,213 S., 1 Map, Bibliothekstempel / bibliotheekstempel / cachet de bibliothèque / librarystamp an 295 Buch.
Verlag: London, Berkeley, St. Andrews, Edinburgh: 2001-2010, 2010
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Manuskript / Papierantiquität
Zustand: Good. Drafts of essays by Robin Spencer and Peter Selz. TLs by Robin Spencer (2), Simon Hucker of Jonathan Clark & Co., London (2); Fiona Pearson of the Scottish National Gallery of Modern Art, Includes flyer and invitation; photographs and other documentation. Also included is an offprint of the 1959 essay by Robert Melville from Motif. From the collection of the art historian, Peter Selz.