Spellman david (18 Ergebnisse)

Hardcover. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. David Austim Clar; Deborah Borgo; Susan Spellman (illustrator).

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. David Austim Clar; Deborah Borgo; Susan Spellman (illustrator).…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. David Austim Clar; Deborah Borgo; Susan Spellman (illustrator).…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Fair. : Far South es una novela de David Enrique Spellman que sigue la historia de un investigador privado en la búsqueda de personas desaparecidas. Ambientada en Londres, la novela explora temas de investigación y misterio a través de la perspectiva de su protagonista. EAN: 9781846688102 Tipo: Libros Categoría: Literatura y Ficción Título: Far South Autor: David Enrique Spellman Idioma: en Páginas: 275.…

paperback. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor, and many more, The Cricket fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka's New Jersey-based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, The Cricket laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists (including Stanley Crouch, Haki Madhubuti, Ishmael Reed, Sonia Sanchez and Keorapetse Kgositsile) and a range of musicians, from Mtume to Black Unity Trio, to devise new styles of music writing. The publication emerged from the heart of a political movement-"a proto-ideology, akin to but younger than the Garveyite movement and the separatism of Elijah Mohammed," as Spellman writes in the book's preface-and aimed to reunite advanced art with its community, "to provide Black Music with a powerful historical and critical tool" and to enable avant-garde Black musicians and writers "to finally make a way for themselves. " This publication gathers all issues of the magazine with an introduction by poet and scholar David Grundy, who argues that The Cricket "attempted something that was in many ways entirely new: creating a form of music writing which united politics, poetry, and aesthetics as part of a broader movement for change; resisting the entire apparatus through which music is produced, received, appreciated, distributed, and written about in the Western world; going well beyond the tried-and-tested journalistic route of description, evaluation, and narration. "David Grundy is the author of A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury Academic, 2019) and coeditor, with Lauri Scheyer, of Selected Poems of Calvin C. Hernton (Wesleyan University Press, forthcoming). He is currently a British Academy Fellow at the University of Warwick, United Kingdom, where he is working on two manuscripts, Survival Music: Free Jazz Then and Now and Never by Itself Alone: Queer Poetry in Boston and San Francisco, 1943-Present (Oxford University Press, forthcoming), and a further edited collection on Umbra. A. B. Spellman is a poet, music critic, and former director of the Arts in Education Study Project for the National Endowment of the Arts. …

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor, and many more, The Cricket fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka's New Jersey-based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, The Cricket laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists (including Stanley Crouch, Haki Madhubuti, Ishmael Reed, Sonia Sanchez and Keorapetse Kgositsile) and a range of musicians, from Mtume to Black Unity Trio, to devise new styles of music writing. The publication emerged from the heart of a political movement-"a proto-ideology, akin to but younger than the Garveyite movement and the separatism of Elijah Mohammed," as Spellman writes in the book's preface-and aimed to reunite advanced art with its community, "to provide Black Music with a powerful historical and critical tool" and to enable avant-garde Black musicians and writers "to finally make a way for themselves. " This publication gathers all issues of the magazine with an introduction by poet and scholar David Grundy, who argues that The Cricket "attempted something that was in many ways entirely new: creating a form of music writing which united politics, poetry, and aesthetics as part of a broader movement for change; resisting the entire apparatus through which music is produced, received, appreciated, distributed, and written about in the Western world; going well beyond the tried-and-tested journalistic route of description, evaluation, and narration. "David Grundy is the author of A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury Academic, 2019) and coeditor, with Lauri Scheyer, of Selected Poems of Calvin C. Hernton (Wesleyan University Press, forthcoming). He is currently a British Academy Fellow at the University of Warwick, United Kingdom, where he is working on two manuscripts, Survival Music: Free Jazz Then and Now and Never by Itself Alone: Queer Poetry in Boston and San Francisco, 1943-Present (Oxford University Press, forthcoming), and a further edited collection on Umbra. A. B. Spellman is a poet, music critic, and former director of the Arts in Education Study Project for the National Endowment of the Arts. …

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Idioma/Language: Español. Esta obra, lectura obligada tanto para estudiantes y alumnos en prácticas como para profesionales cualificados, muestra la riqueza de ideas que los psicólogos y los terapeutas aportan a la manera de comprender los problemas de los clientes y de afrontar las cuestiones complejas que surgen de la idea misma de la formulación. Mary Boyle, Universidad de East London La primera edición de La formulación en la psicología y la psicoterapia fue el fruto del creciente interés existente por la formulación en el contexto clínico. En esta segunda edición, completamente actualizada y revisada, se resume la práctica, investigación, desarrollos y debates más recientes al tiempo que se mantienen los rasgos que convirtieron la primera en un texto de referencia en su campo. Contiene nuevos capítulos sobre la formulación de la construcción personal, la formulación en los marcos sanitarios y la práctica innovadora que supone utilizar la formulación en el marco de un equipo. En este libro, la formulación se ve como un proceso dinámico que explora el significado e importancia de la persona de manera colaborativa y reflexiva, teniendo en cuenta los contextos relacionales y sociales. A través de dos estudios de casos, uno de un adulto y otro de una niña, se ilustra el uso de la formulación desde las perspectivas de seis enfoques teóricos diferentes por parte de sendos clínicos expertos. Se alienta asimismo al lector a adoptar una perspectiva constructivamente crítica de los numerosos debates filosóficos, profesionales y éticos suscitados en el proceso de formular los problemas de la gente. Entre los temas explorados, destacan:- el contexto social y político de la formulación,- la formulación con relación al diagnóstico psiquiátrico,- las limitaciones de la formulación, y- las controversias y los debates sobre la formulación. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Paperback. Zustand: New. A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor, and many more, The Cricket fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka's New Jersey-based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, The Cricket laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists (including Stanley Crouch, Haki Madhubuti, Ishmael Reed, Sonia Sanchez and Keorapetse Kgositsile) and a range of musicians, from Mtume to Black Unity Trio, to devise new styles of music writing. The publication emerged from the heart of a political movement-"a proto-ideology, akin to but younger than the Garveyite movement and the separatism of Elijah Mohammed," as Spellman writes in the book's preface-and aimed to reunite advanced art with its community, "to provide Black Music with a powerful historical and critical tool" and to enable avant-garde Black musicians and writers "to finally make a way for themselves. " This publication gathers all issues of the magazine with an introduction by poet and scholar David Grundy, who argues that The Cricket "attempted something that was in many ways entirely new: creating a form of music writing which united politics, poetry, and aesthetics as part of a broader movement for change; resisting the entire apparatus through which music is produced, received, appreciated, distributed, and written about in the Western world; going well beyond the tried-and-tested journalistic route of description, evaluation, and narration. "David Grundy is the author of A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury Academic, 2019) and coeditor, with Lauri Scheyer, of Selected Poems of Calvin C. Hernton (Wesleyan University Press, forthcoming). He is currently a British Academy Fellow at the University of Warwick, United Kingdom, where he is working on two manuscripts, Survival Music: Free Jazz Then and Now and Never by Itself Alone: Queer Poetry in Boston and San Francisco, 1943-Present (Oxford University Press, forthcoming), and a further edited collection on Umbra. A. B. Spellman is a poet, music critic, and former director of the Arts in Education Study Project for the National Endowment of the Arts. …

Paperback. Zustand: New. A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor, and many more, The Cricket fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka's New Jersey-based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, The Cricket laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists (including Stanley Crouch, Haki Madhubuti, Ishmael Reed, Sonia Sanchez and Keorapetse Kgositsile) and a range of musicians, from Mtume to Black Unity Trio, to devise new styles of music writing. The publication emerged from the heart of a political movement-"a proto-ideology, akin to but younger than the Garveyite movement and the separatism of Elijah Mohammed," as Spellman writes in the book's preface-and aimed to reunite advanced art with its community, "to provide Black Music with a powerful historical and critical tool" and to enable avant-garde Black musicians and writers "to finally make a way for themselves. " This publication gathers all issues of the magazine with an introduction by poet and scholar David Grundy, who argues that The Cricket "attempted something that was in many ways entirely new: creating a form of music writing which united politics, poetry, and aesthetics as part of a broader movement for change; resisting the entire apparatus through which music is produced, received, appreciated, distributed, and written about in the Western world; going well beyond the tried-and-tested journalistic route of description, evaluation, and narration. "David Grundy is the author of A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury Academic, 2019) and coeditor, with Lauri Scheyer, of Selected Poems of Calvin C. Hernton (Wesleyan University Press, forthcoming). He is currently a British Academy Fellow at the University of Warwick, United Kingdom, where he is working on two manuscripts, Survival Music: Free Jazz Then and Now and Never by Itself Alone: Queer Poetry in Boston and San Francisco, 1943-Present (Oxford University Press, forthcoming), and a further edited collection on Umbra. A. B. Spellman is a poet, music critic, and former director of the Arts in Education Study Project for the National Endowment of the Arts. …

Hardcover. Zustand: Brand New. 246 pages. 9.00x6.00x1.00 inches. In Stock.

Softcover. Zustand: Near Fine. Magazine. (12)pp. Single sheets printed both sides and secured with a staple. Folded once for mailing and with some light wear at the corners, near fine. An influential mimeograph published by Jones and di Prima featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. The issue features contributions from A.B. Spellman, Joe Early, David Ossman, Steve Jonas, John Thomas, and Fielding Dawson.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Magazine. (12)pp. Single sheets printed both sides and secured with a staple. Some wear at the corners, a couple spots, two tape shadows, and a bit of oxidation at the staple, very good. An influential mimeograph published by Jones and di Prima featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This copy is addressed to poet John Wieners, who studied under Charles Olson and Robert Duncan at Black Mountain College. He was an active member in the San Francisco Poetry Renaissance, published three issues of *Measure* magazine, and contributed to numerous mimeograph publications, as well as published several books on poetry. In 1985 he received a Guggenheim Fellowship. The issue features contributions from A.B. Spellman, Joe Early, David Ossman, Steve Jonas, John Thomas, and Fielding Dawson.…